The Making of Superstar’s 2.0!

Superstar Rajinikanth’s next film 2.0 is in the making. In fact it’s been in the works for a while. I heard that the shooting is over and post production is going on now. For a perfectionist filmmaker like Shankar, the bench mark is no more his own films like Enthiran/Robot but the recent magnum opus –Rajamouli’s Bahubali franchise.  Not just for its box office earnings but also for its making. Hence, not surprising that 2.0’s release got pushed to 2018. However what’s been making the news of late is not the film 2.0 but the “making” of Superstar’s career 2.0. That of his entry into the political theatre. While it is easy to speculate about his film 2.0’s success (considering the pedigree of the team and its prequel), predicting the success of Rajini’s career 2.0 is quite complex.

Before making an attempt to do that let’s step back and look at Rajini’s film career. As an actor he has been destiny’s own child. There is no doubt that he is one of the most successful actors ever to appear on Indian cinema screens. Rajini today has transcended the boundaries of Tamil cinema and is now an acclaimed National star. However, in his own admission he doesn’t check most of the boxes for an actor. He is not among the good-looking actors India has produced.  He never boasted of a sculpted body or “packs”! Rajini is not an accomplished dancer either. He makes some body movements which become dance steps. He doesn’t transform himself for a role à la Kamal Haasan or Aamir Khan. His make-up artists, costume designers and SFX team do that for Rajini. He is not a method actor like a Shivaji Ganesan too.

He does check a few other boxes, though. He has a screen presence which very few other actors can match. He shows tremendous energy on-screen. This over a period of time became part of his trade mark “Rajini Style”. He has a powerful screen voice and a way of dialogue delivery. Above all the one thing which stands apart is that he knows what he is good at.  He has constantly tried to play to his strengths and thereby gallery. He is extremely smart and I must say shrewd in picking up his scripts.  Particularly since the 90’s when he became the Superstar Rajinikanth we know of and big bucks started riding on him. He works hard the most on choosing the script, the director and his movie title in that order. If this meant shunning risks which came in the form of unconventional story lines or off beat roles, so be it.  If this meant rehashing the same template of “Riches to Rags to Riches” (R2R2R) so be it too.

Why am I laboring so much about Rajinikanth’s 1.0 (films) when actually this post is supposed to be on Rajinikanth’s 2.0 (politics)? In the past his entry into politics was more like ‘puli varuthu, puli varuthu’ story and was of 2 types. One, where he took a firm stand against a party during elections but soon withdrew into a shell. Second where he sent cryptic messages of his political leanings and his imminent entry through punch dialogues and song lyrics in his films. But these were more like gimmicks smeared in his movies by the dialogue writers. Lyricists and directors and seldom were his own design.  But this time around, there seems to be some firmness in purpose. So why exactly is he wanting to enter politics now???

From Rajinikanth’s point of view, may be now ‘Aandavan Sonnan’ (God commanded). Or he feels purely from an opportunity angle this is the perfect time for entry into politics. If there is a time where people can be provoked to try someone new it is this.  So probably his loyalists are pushing him to take the plunge now.

On the flip side, it is no longer a cakewalk for film stars in politics. Even in TN, from Vijayakanth to Sharat Kumar to Vadivelu it has been a rough ride. In the neighbouring states of Andhra and Kerala the likes of Chiranjeevi and Suresh Gopi – stars in their own right, have had mixed success. The youth of today are not so enamoured by a film star and don’t believe that a film star can change their lives. And certainly entering into politics and succeeding is not as easy as what Rajini’s character accomplished in the film Arunachalam!

In politics Rajini has only more to lose than gain. That’s why it will be good for him to take lessons from his filmi career and stay away from politics. Lessons like playing only to his strengths, not getting into experimentation and shunning risks of any kind.  And play again and again his own punch dialogues which will give him all the wisdom required. The likes of:

En vazhi, thani vazhi (My way is my own)

Kashtapadaama edhuvum kidaikaadhu. Kashtapadaama kedachathu ennikum nilaikaadhu. (You’ll gain nothing without hard work. And if you do, it won’t last for long)

For Rajini, there are always so many other ways of giving it back to the society if he wishes so. He can dip into his own movies if he needs ideas on that.  In his films he has often defied gravity. In his career 2.0 it will be difficult to do that.  Ask Amitabh Bachchan.  Amitabh 3.0 has been a revelation.

Postscript: While on Rajini, the other pillar of Tamil Cinema Kamal Haasan has also been in the news of late fueling speculation of his entry into politics. To me Kamal is a consummate marketer as much as an actor. He is doing his best to drive TRPs for his TV Show, guys. Period.

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Abki Baar Kabali da!!!

First up – this is not a review of the film Kabali. This post is also not about the Rajini cult. As I was exiting the multiplex in a Mumbai suburb yesterday after my date with Kabali, my mind couldn’t resist from flirting with a very strange comparison. Though from completely different domains – one from Kollywood and the other politics, the similarities slowly emerging between the situations post Kabali release and post Modi Sarkar @ 2 were intriguing.

Here was KabaliRajinikanth’s latest film releasing in July 2016 after 2 successive flop outings namely Kochadaiyaan and Lingaa. For this one, Rajini reportedly decided to come out of his comfort zone of his usual team and work with newcomers right from the Director (Pa. Ranjith) and other technicians. The teaser which hit the screens became a massive hit and took the expectations to another planet.

Rajini-Kabali-Teaser

Similarly in 2014, BJP led NDA was making a bid to return to power after 2 failures at the hustings. This time with a new PM face called Narendra Modi. The Modi campaign hit the right notes with an across the board appeal setting massive expectations not only among voters in the country but also observers all over the world.

Riding on the wave of the pre-release excitement and hype, Kabali released in 1000’s of screens worldwide. The buzz was so much that even folks in North India who don’t eulogize Rajini (or may be they do) so much didn’t want to be left out. 3rd day post the release and as I write this, Kabali has reportedly smashed all Indian box office records for a film opening.

There, cashing on the back of a lacklustre leadership of the UPA regime for 5 years, a promise of strong governance and a string of other promises, Modi lead BJP won an absolute majority and strode back to power.

Catch lines from the film teaser – like Kabali da, Neruppu da,.. became a part of day-to-day lexicon and of course myriad jokes. Memes and Dubsmashes based on the teaser have been setting the web on fire since the teaser released.

On the other side, “Abki baar Modi Sarkar” – the catchy tag line of the Modi campaign became a part of marketing Hall of fame. So much that, David Cameron pinched the punch line to appeal to Indian voters in the UK.

“Magizhchi” (Happy) a phrase which Rajini uses often in the film to sign off with visitors has been appropriated even by my mom these days in phone calls!

The phrase “Achhe Din” (Good days) which Modi promised during the campaign is in everybody’s lips when talking of the present Govt.

It’s my view that the difference between a flop/hit and a super hit depends upon how a film appeals to a casual film goer. When a Salman’s film releases, invariably the bhai’s fans watch it irrespective of how the film is. Ditto for a Vijay’s film or a SRK’s product. But post good reviews and viral feedback when the film attracts the non-fans, it is termed as a good film and a super hit thereof.

Same in politics. A party’s core supporter votes for the party irrespective. But when a party impresses the non-core supporters that’s when they are able to win with a majority or a landslide. We saw this in 2014 Loksabha elections, Delhi state elections and later in Bihar,…

2 days into the release, the reviews on Kabali have been mixed. The diehard fans of Rajini obviously are satisfied with the film and seem to be o.k with it. The neutral or casual film goers seem to be absolutely disappointed with the film. The critics have mostly panned the film as a forgettable one. And in general the view is that though Rajini himself has done a great job he is weighed down by the script. Other view is that if one watches the film sans any expectations associated with a Rajini film, then you will not be so disappointed. Then there are those who put the blame on the over hype created over the movie which eventually just couldn’t measure up.  It’s also possible that even Rajini fans are a bit disappointed but are very nice to express it vocally.

2 years into Modi Sarkar, isn’t the verdict similar to the above? The core BJP voters are of course happy with the Govt. unequivocally. For the non-party affiliated voter, Achhe Din are yet to come. And for critics in the media, the Modi Sarkar has been an abject failure in many counts. In the many opinion polls Modi is still rated very high and still towers over his Govt’s performance.  Many routinely blame the “chunavi jumlas” and the resultant hype created around Black money return, on curbing food prices, 56” in Chaatthi,… during 2014 elections.

So getting the drift?

For both Rajini and Modi Sarkar, considering the situation, it’s easy to say that they should have not created such a huge hype. And that they should have kept expectations low.

The reality is for a film today that too of the scale of Rajini, much of the recovery has to happen within the 1st weekend. With Torrents of the world leaking good prints within few hours of the release the producer obviously is in the receiving end of technology. If a film is not promoted well, he can’t expect any opening. If the film is actually very good probably he has a chance of extending the run for a few weekends and make money. But knowing the audience reaction is an art I guess no film maker has perfected.

Similarly, going back to 2014, If Modi had not run such an aggressive campaign, the results would have been similar to what happened in 2009. The appeal to non-core voters would not have materialized and an absolute majority would have been elusive.

What next for the Superstar? His project Enthiran-2 (Robot-2) with ace Director Shankar is already on the floors. There is a good possibility that it will be a “Shankar’s film” as much as “Rajini’s film” and hence a good chance to redeem himself. But it will be interesting to see Rajini’s next move beyond Enthiran-2 now that the reaction for Kabali is out. What I wrote after Lingaa (Read Here) very much remains valid.

And for Modi Sarkar there are still 3 years to deliver on the promises. We see a lot of positive structural changes being undertaken on the Governance front. Hopefully they will start yielding results come 2018.

Come 2019, we will once again get to witness the two re-runs. A “Phir Ek Baar Modi Sarkar” campaign from Modi. And for our own Super star, when his next film after Enthiran-2 probably releases – a more emphatic “Naan Thirumbi vanthutennu sollu” (I’m back,….) cry or so we pray!

Postscript: Similarities end here. When asked to rate Modi Sarkar at 2, many gave ratings of 5, 8, and 9,.. on a scale of 10.

But for Rajini’s Kabali – on a scale of 1-10, the rating is Rajini!!!

Can Rajini???

The feeling is almost the same. That feeling when India fails to win inspite of Sachin (or for that matter Kohli now) scoring a masterly century under trying circumstances in a second inning of a test match. Because others fail to do their bit of scoring a few runs required at the end or the bowlers failing to take the wickets in time.  The feeling after watching Lingaa, the latest outing of the “Superstar” was no different.  Rajinikanth in a dual avatar punches above his weight in the film but the story, the script, the director, the music and even the dialogues which lack the usual punch have let him and his fans down badly. Frankly Rajinikanth, coming after an illness which forced him to take a break from movies amazes with his energy and tries to lift the tiringly long movie from ruins. So cannot blame him if the film disappoints his fans but eventually it is his film and so the buck will stop with him I guess. The verdict was clear when my 7 year old daughter who doesn’t get tired of watching the many re-runs of Robot or Shivaji started pestering me as to when the interval would come :(.   Lingaa may still end up being a top grosser at the box office but would not end up in the echelons of Rajini’s best outings.

Most of Rajini’s films in the last 2 decades were based on a central template of “Riches to Rags to Riches (R2R2R)” replete with punch dialogues and other formula items. I hear that Rajini is very careful in giving a go ahead to a script and chooses his director carefully. So when directors gets a chance to make a film with Rajini as the lead, they first consider themselves very lucky. And while directing Rajini, they look at themselves as among his Numero Uno fans first and his “Director” later. So they invariably get conscious of the trappings around Rajini’s image and try their best to stay close to the central theme and the formula.  So whether it is Muthu, Baasha, Annamalai, Arunachalam, Padayappa or even Shivaji they all follow the “Rajini patented R2R2R2” leitmotif. It was a welcome relief to see P.Vasu in Chandramukhi and Shankar in Enthiran (Robot) deviating from the R2R2R theme and still emerging successful.

The question is how long is Rajini or his directors going to flog the same template? As long as it continues to work and rakes in moolah would be the answer I guess. But first with Kochadaiyan and now with Lingaa I feel that the fatigue is setting in. As we saw in Lingaa or for that matter a few years back in Baba (Rajini’s 1st unqualified failure in 25 years) just the Rajini factor may no longer be enough to sustain that Thalaivar aura. The script does play a role. So, what next for Rajinikanth?  As part of the barrage of unsolicited advice he must be getting day in day out, here’s mine.

Looking ahead, he could look at two other people in India who have similar stature and faced similar conundrums in life.

Comparing Rajini’s career with that of Sachin Tendulkar’s may be odious but may be worthwhile. I was always of the opinion that Sachin who carried Indian Cricket on his shoulders for years delayed his retirement from Cricket few years late. He could have retired much before giving us the opportunity to see his stumps cartwheeling against rookie bowlers. As the cliché goes, it is better to retire when people ask “why” and not “when”. Similarly for Rajinikanth it would have been better if he had called it a day after Enthiran. A film in which apparently he was not the 1st choice, but made it a humungous hit with a stellar performance thereby unleashing the larger than life “Rajini phenomenon” and ofcourse the myriad jokes. Director Shankar whose initial choices were Kamal Haasan and Shahrukh for the main leads resorted to Rajini after he realized that only he can make producers fork the mega budget that film called for. Signing off in style post Enthiran on that “high” would have been a fitting climax for an individual who was an outsider in the industry. Now that he didn’t, with Kochadaiyaan and now Lingaa, the conundrum for Rajini begins, I reckon. Decades ago when their careers were going parallel, Kamal started venturing into producing his own films.  I remember reading an interview where Rajini was asked if he will get into production. His answer that time displayed profound wisdom and maturity. He said that he was not keen on producing films because if the 1st movie becomes a hit, the temptation would be to make a bigger hit and if it flops, then the desire would be to deliver a hit. So he felt that it would be a bottomless pit and was happy just acting in movies. Well, I guess with his growing stature and compulsions he had to tweak that philosophy of his. But now I feel he should have applied that wisdom while signing up new movies post Enthiran.  Now that things have come to this head, he can look up to his friend and another successful individual Amitabh Bachchan and take some cues.

Amitabh a mega star and brand in his own right, these days cherry picks his movies and roles where he doesn’t have to play the main lead but where he can leave an impact on the role and the film. This way he is not weighed down by the expectations from a lead actor but at the same time is able to satiate himself of his creative urges and that of his fans’ unending appetite to see him on screen. One or two movies a year in cameo roles till his health and will permits could be a middle ground for the Superstar.

rajini

The moot question is, Can Rajini look at the above options?? Or will he dig into the R2R2R2 template yet again?? Only time will tell.  Well as the folklore goes, “If Rajini can’t, nobody can”. Isn’t it?

On that note, “Dear Birthday, Belated Rajinikanth wishes” 🙂 🙂