True Biopic Vs Inspired by

This Diwali, Soorarai Pottru meaning ‘Praise the Brave’, a much awaited Tamil film finally reached the audience. With theatres barely opening up few days ago amidst myriad Covid restrictions, the makers took an early call to go for an exclusive OTT release instead of a mega theatrical release. The film is based or rather inspired by Capt. Gopinath’s book Simply Fly which is his autobiography. However it is not a true biopic on Captain Gopinath whose calling card has been that of being the pioneer of low cost Aviation in India. The book Simply Fly which I just quickly glanced through in the last couple of days traces his life as a diligent child to his brief stint with the forces and then turning an entrepreneur with Deccan Helicopters and finally achieving his dream of building an affordable airline for the masses by launching Air Deccan. In the book, he outlines the travails in this journey which is certainly inspiring.

Unlike films that are released in theatres where the reception could be gauged by the Box Office numbers, for OTT releases, one has to just go by the buzz the film creates in the media and in particular Social media. So by that gauge, one must say that Soorarai Pottru has opened to positive reviews from critics and a rousing welcome overall from general audience.  At the same time, it has also drawn a huge flak particularly on Social media.

The brickbats for the film are around the way Captain Gopinath’s role is portrayed which has triggered a social media storm, if I may say, in the tea cup. The major angst is over portraying the main protagonist character played by actor Suriya not as an upper caste Brahmin which Gopinath is. In the film, the character goes by the name Nedumaaran Rajangam and is shown as belonging to the under privileged class.  The question which has been raised is, why twist the facts while basing the story on a real life individual, Captain Gopinath in this case. What’s wrong in show casing the story of a struggling upper caste individual, is the follow up question.

Here’s the thing. A biopic by definition is a film that shows the life of a person typically a public or a famous figure. A biopic follows the true life of the individual and the screen play is around actual events that took place in the person’s life. This means that such a film portrays real characters of not just the main protagonist but also others who were part of his or her life. The names are real, the time lines are accurate and reflect true events. Examples of biopics are Richard Attenborough’s Gandhi and in the recent past M.S.Dhoni based on the popular cricketer.

In a biopic, it is assumed that the makers have done enough research to portray true events based on the individual’s life and therefore must be ready for factual scrutiny. There is little or no room for creative liberties on facts that matter. Even here, based on real life incidents, film makers do resort to a bit of dramatization for effect.

On the other hand, a film like Soorarai Pottru is NOT a biopic on Captain Gopinath. It is a film that is based on his life as depicted in his book – Simply Fly. That’s all. Like how, many films are based on novels, this one is based on this book. Having bought the filming rights for the book, the makers do have the right to exercise their creative liberties to flesh out a script that can be made as interesting as possible.

Cinema is commerce. Film making apart from being an individual’s artistic pursuit, it is also business. It is an industry where there is investment and Returns On Investment. So, naturally the makers would like their films to get a reach that is as wide as possible and make them blockbusters. In that pursuit, if showcasing the protagonist to be from an under privileged class makes it more dramatic and more relatable to a wider audience, I don’t see anything wrong. Again my point is, this is justified if the film is not a biopic and is just based on some one’s life. Mani Ratnam’s Guru is loosely based on or inspired by the life of Dhirubhai Ambani but it is not a biopic on Dhirubhai. And hence we saw the many deviations and added drama in the script.

Recently, there was a Hindi film by name – Gunjan Saxena – The Kargil Girl that was released and had its own share of controversies. This film is based on the real life of Gunjan Saxena an Ex-IAF pilot. Here the problem was, the makers while calling it a biopic took too much creative liberties whereby the IAF was shown in poor light. The film also was not factual in its depiction in many aspects. So, the panning of the film was justified.  The case of Soorarai Pottru is different from Gunjan Saxena in my opinion.

Inserting a card that the film is inspired by true events and any resemblance to real life characters is purely coincidental is the maker’s way of taking anticipatory bail from probable trolling.  But, even that didn’t help in the case of Soorarai Pottru.  The makers over marketed the Captain Gopinath aspect while they completely changed the story. I also feel that they should not have used the brand ‘Air Deccan’ in the film.  But for these small issues, I don’t think the outrage over the film by section of the audience over twisting the facts regarding Captain Gopinath when it is not a biopic, is justified. Soorarai Pottru is the story of Nedumaaran Rajangam BASED on the life of Captain Gopinath and NOT the story of Captain Gopinath himself. And that’s a huge difference.

Post script: Captain Gopinath himself watched the film and he seemingly did not have any problem in the way the film has come out.

Pic Courtesy: Times of India

The “Singhamisation” of police!

If the alleged gang rape and subsequent murder of a young girl in Hathras, UP was not terrible enough, the post death handling of the situation by the UP Police was even more horrendous. It is still bewildering, that someone suggested or ordered a midnight funeral for a murdered victim by the police instead of handing over the body to the parents! 

If that was in Hathras, UP, can anyone forget what happened in Sathankulam in Tamil Nadu, few months ago? In a bizarre case, a father and son duo were beaten to death under custody in Sathankulam police station. For what? For apparently violating lockdown rules!

Last year, in Hyderabad, the police killed the suspects involved in rape and killing of a vet in an early morning encounter which seemed like a scene lifted straight out of a Rohit Shetty (Hindi) or a Hari (Tamil/Telugu) film!

Add to this, the Sushant Singh Rajput case which was hogging media headlines till recently where the police of one state has been in logger heads with another.

Welcome to Singhamisation of Indian police. What is common in all these and more is the crying need for police reforms in India, a long neglected issue by any government of the day.

In our country, the commentariat often talks of the demand for reforms of all types – Economic reforms, labour reforms, judicial reforms, education reforms and so on. But seldom do we get to see the demand of police reforms in the same intensity. And I have always wondered why. As per a data point, roughly 9% of GDP is lost every year on account of poor law and order!  And if you remember, GST as a tax reform was introduced because it was believed that it will improve the GDP by up to 3%! And here we are talking about three times that!

In India, maintenance of law and order hangs in between the clichés of “Law and Order is a State subject” and “Law will take its own course”!  Law and Order which is one of the deliverables of the police is a state subject. States are run not just by ruling party at the centre. Few states are under the main opposition party, few by smaller opposition parties and many are ruled by regional parties. This situation exists at any given point in time. So, every party worth its salt has a stake in maintaining law and order and therefore interest in keeping the police under its thumbs.

I really don’t know when the last time a government seriously intended to initiate police reforms in the country. Even the Supreme Court directive of implementing the Prakash Singh recommendations in Prakash Singh Vs Union of India case in 2006 I believe has not been heeded to. The fact is no Indian state has fully complied with the recommendations. In irony we can say that police reforms is one subject in which all political parties are on the same page!

I believe that the cornerstone of any police reform needs to be “Independence” and “no Interference”. Unfortunately, the institution of police has been used by the ruling class as an instrument of exercising power and control. So much so that in any government the Home Minister, under whom law and order and therefore the police comes, becomes the De facto No. 2. Not the finance minister or the minister holding any other economic portfolio.  The big question is, will any party coming to power would ever give up on keeping the police under their thumb? If our armed forces can be reasonably independent though reporting to a civilian government, why not the police?

The next key focus in police reforms I believe, must be around recruitment, training and compensation. We must not forget that people in the police force have not been dropped from heaven. They are all from the same society as we are. And they read the same WhatsApp forwards as we do. So their world view is shaped and influenced in the same manner as ordinary people. And hence they have their own biases. We saw how this kind of biases come in the way of effective policing even in a developed and mature society like America.  I am talking about the death of George Floyd in Minneapolis when a police man was kneeling on Floyd’s neck for nine minutes even when Floyd was pleading for his life. The key is proper recruitment and training where one’s personal biases do not come in the way while discharging public duty.

Though policing is a highly stressful and high pressure job in India, the police are inadequately compensated. And that’s a major reason for not being able to attract bright people to join the force.  Adequate and attractive compensation will also reduce the menace of corruption that exists even at low levels. So, the combination of reformed recruitment, proper training and attractive remuneration will go a long way in the police discharging their duties in a more professional way.

Coming back to Singhamisation of police, whether films depict life or life follows films is an unending debate. The reality could be a mix of both. If you see Indian films, there was a time long ago, when they usually featured bumbling cops who will reach the scene at the end when everything was over. Then there was a phase where cops were usually of the corrupt variety who will be siding the villains.  Presently it is the Singham era, where cops are this macho super heroes and “Naan Police illa, porukki” types. They deliver justice in their own way and if that means taking law in their own hands, so be it.

And this is what we see in real life as well which is what I call the Singhamisation of the police. Incidentally, the common man in the street who is just interested in timely delivery of justice and not necessarily in the method, loves this. But the point is, if we have to prevent another Hathras or a Sathankulam, police reforms is the need of the hour and not Singhamisation.

Incidentally, Prime Minister Narendra Modi while addressing a bunch of IPS probationers recently, told them not to be influenced by films like Singham. After having initiated bold reforms in agriculture and labour, the time has come for Modi to take up police reforms as well. Then he doesn’t have to worry about Singhamisation of police!

SPB – Thank you!

This piece was written for the News site – The News Minute and was carried on 26th Sep 2020. It can be read here:

https://www.thenewsminute.com/article/why-spb-special-everyone-radio-smartphone-generation-133954

It must be around the mid ‘70s. On Sundays, our whole family used to crowd around the radio and tune into All India Radio, Trichy, after lunch by 1 pm sharp.  Between 1 to 2 pm, the station played the latest Tamil film songs and at the time, it was the only opportunity to catch up with newly released songs. I remember vividly that in that period, for many weeks, almost all of the 10 songs being played were sung by SP Balasubrahmanyam, and that too for different music directors. If our growing up was cheerful and with verve, SPB had a role in it.

Between the ‘70s and ‘90s in Tamil Nadu and Andhra Pradesh, if budding male singers had an inspiration, it was only SPB. Almost all the orchestras of those days had one singer who tried to sing SPB’s songs in his voice. So “his” voice was all over the air. For all of them, SPB was a role model not just for the music but also for the way he conducted himself with utmost humility. This probably came from the belief SPB had, that he was indeed blessed and gifted.

By his own admission, SPB was not a trained singer. As a child, he did not learn any form of classical music, though he had the opportunity to learn from his father, who was a Harikatha exponent. So, genes did play a role in shaping SPB as a singer. But unless told so, anyone who had the opportunity to listen to the thousands of songs he sang will never believe that he did not have a classical music background and that all his singing was self-made.

Though there are many, if I have to pick one album of SPB to demonstrate his variety and versatility, it will be Payanangal Mudivathillai, a film with a singer as the protagonist.  I must add here that Payanangal Mudivathillai is also a film that showcases Ilaiyaraaja’s range as a composer, and it is with him that SPB had the best of partnerships.

Just listen to the songs in that album. On one end, you have the song ‘Raaga Deepam’, a classical number based on the raga Hamsanandi with a grand aalaap right at the beginning. At the other end, you have a song like ‘ ‘Hey Aatha Aathorama’ which falls in the genre of a typical dappankuthu song. In between, you have the evergreen classic ‘Ilaya Nila Pozhigirathu’ which is a melody in the western classical mould. And other gems like ‘Thogai Ilamayil’, ‘Mani Osai Kettu Ezhunthu’, ‘Saalai Oram Solai’ and finally the pathos filled song —  ‘Vaigaraiyil Vaigaikariyal’.

All these songs in the album — of which some are solo acts — are of SPB. Not just in terms of genre, even the emotions conveyed in each of the songs are different. The texture of SPB’s voice for each of these songs is different. If one were to use millennial lingo, SPB kills it. To me, Sankarabharanam in 1980 and Payanangal Mudivathillai in 1982 were landmarks in SPB’s career which elevated him from being called a good singer till then, to a great singer.

SPB’s voice may not have been very unique, but his voice quality was. His voice would never waver no matter what pitch he sang in. In live shows, SPB used to do his own improvisations at the end of the song to end with a flourish. In the beginning, I used to have my heart in my mouth when he, on his own, took the song to higher octaves, only to land safely back with the pitch intact, much to my awe. And I am certain that SPB was improvising spontaneously on stage as every time he would do it, he would do so differently even for the same song. Just listen to his different renditions of ‘Sundari Kannal Oru Seydhi’ in stage shows.

Kamban veetu kattu thariyum kavi paadum” goes a popular saying, meaning “In Kamban’s house, even a loom will pen a poem”. Similarly, SPB paadara paatula irumalum thaala kattukkul irukkum. In SPB’s songs, even his coughing (Remember the songs ‘Dorakuna Ituvanti Seva’ or ‘Mani Osai Kettu Ezhunthu’) will be on beat and within the time signature. So precise was his singing that he hardly skipped a beat or distorted the pitch.

That SPB could maintain his voice timbre intact for over five decades is a marvel! Even after crossing 70, he could sing romantic duets for stars a third of his age. If there was a silver lining in his passing, it is this. That till he breathed his last, his voice never gave way and remained one that was energetic, mellifluous and more importantly, youthful.

I come back to the emotion. That as a singer, SPB had a great voice is well known. But, inside him there was a great actor too. Probably it’s got to do with his dad’s genes again. Harikatha is one form where the performer needs to sing and act on stage.  This was what helped him shape the emotions while singing songs of different moods – from a peppy ‘Oruvan Oruvan Mudhalali’ to a lullaby-like ‘Kana Kaanum Kangal Mella’ with equal elan.

SPB probably loved acting. I heard from one of my friends in the Kavithalayaa unit that director K Balachander used to say, ‘Avan oru bayangara nadigan da’, referring to SPB.  Not surprising that KB regularly gave him breaks in films and TV serials, whether it was the hero role in his own production Sigaram, or a doctor’s role in Manathil Uruthi Vendum. The actor in SPB also manifested when he was dubbing for Kamal in Telugu films in the beginning. If actor Kitty’s ‘pasu thol porthiya puli’ type villain portrayal in the film Sathya became a big hit, half the credit goes to SPB, who dubbed for him. Eventually, his acting skills enhanced his style of singing.

Getting the essence of the emotion of the song and delivering it with a pitch-perfect voice consistently, that too cutting across genres, is what made SPB the versatile singer he was. That’s also why he endeared himself from the radio generation to today’s mobile phone generation.

Just the other day, I was watching a clip that was circulating on WhatsApp groups where SPB as a guest in a reality show was holding his own with that peach of a melody song ‘En Kadhale’ from Duet. At the end of the song, almost everyone onstage was in tears, including the celebrity judges, participants and the audience. But, SPB himself, while making everyone else cry, was smiling all through the singing. A similar feeling has dawned today. A whole generation of people feeling sad today on his passing but SPB himself, the happy-go-lucky-type person he was, will be cheerful wherever he is.

Musicians are blessed. They don’t go away. They stay with us through their renderings. So will SPB, who will be with us through ‘Malare Mounama’, through ‘Sankara Nada Sareera’, through ‘Ithu Oru Pon Malai Pozhuthu’, through ‘Tere Mere Beech Mein’, through the many other hits he has belted.

Should we mourn SPB’s death? Maybe, we should just celebrate. Celebrate his music.  The forty thousand-plus long list means a celebration that goes on for long, for us and for many generations to come. For now, thank you SPB, from the bottom of our hearts. For the music and for being the human you were.

Rajini and Modi – The Twain meets, again!

In a post way back in 2016 after Rajinikanth’s Kabali released, I wrote about the strange coincidences between Rajini’s Kabali and Modi Sarkar @ 2 years. You may want to read that piece here. Strangely again, now in 2020, post Rajini’s latest film release – Darbar and few months into Narendra Modi’s 2nd term, I find both of them in the same rocking boat!

Darbar, which released to huge expectations last week is still raking the moolah at the box office. As per various reports coming in, just like Rajini’s few other earlier movies, this one also may set records for collections. However, popular opinion is spilt down in the middle. While the film has endured itself to Rajini fans, it has not impressed the more discerning movie viewer. For them, Darbar has been a huge let down.

Now hold this thought on Rajini and Darbar and let’s look at what’s happening with Modi and his government now. Ever since it passed the controversial Citizenship Amendment Bill, popular opinion is split vertically down the middle in India. The core voter base of the BJP has hailed the Act as one which has been long overdue. On the other hand, the more liberal and non-core supporters of Narendra Modi are of the view that CAA and the proposed NRC are divisive and should have been left alone. This group which probably voted for Narendra Modi for the 2nd term too, is a trifle disappointed with Modi Sarkar’s priorities.

In the case of Darbar, film critics have panned the film almost in unison. Most of them felt that the film lacked coherence and A.R. Murugadoss, the director was trying hard to pander to the fan base of Rajini. As a result of which he lost sight of the screen play and ended up wasting Rajini.

Similarly, the media has been extremely critical of Modi and his government the last few weeks ever since protests erupted all over the country against CAA and NRC. The narrative is similar. That the Modi Government is pandering to its Hindu fan base and attempting to bring in legislations that are bound to alienate Muslims.

For Rajini, the film before Darbar was Petta. A film in which he went back to playing a youthful Rajini after a gap of few films like Kabali and Kaala. A film which was touted as an ode to the Superstar of yore full of Rajini-isms. For a change, people and critics alike accepted the film, notwithstanding the overdoing of Rajini-isms!

Before Modi Sarkar ventured into the controversial CAA-NRC territory, just within few months into the 2nd term, it made some big bang moves like nullifying Article 370 and passing the Triple Talaq bill. Notwithstanding the process followed in nullifying Article 370 and notwithstanding the fact that Triple Talaaq bill was targeted at conservative Muslims, these moves were hailed as stuff which were long overdue.  And Modi was hailed as a solver of long standing issues which needed fixes. To a large extent even by the liberal media, perhaps reluctantly!

One thing that was found common across all critical reviews of Darbar was how Rajini came unscathed. The unanimous view was that Rajini tried his best with his usual charm, style, energy and wit but without a strong script, the film failed to deliver. So the ire was reserved for the Director and his team.

Similarly in spite of the missteps of the Modi Sarkar around the economy and CAA and NRC issues, Modi’s image still seem to be intact among the common man. He is still seen as this hard working Prime Minister who is working round the clock with unbridled energy to fix India’s problems. And so the ire is targeted towards his team and the bureaucracy which is not measuring up!

Over a period of time, people who liked Rajini’s films expanded significantly beyond his core base who just adored him for his style, his mannerisms, his swag,.. in short, what I call as Rajini-isms. In few films, Rajini demonstrated that beyond these ‘isms” he can also pack a punch and seriously act. Today, there is a base of film watchers who yearn to see that side of Rajini, who will choose a script, a director and do a film, going beyond the Rajini formula and template!

In the same vein, for Narendra Modi in the run up to the 2014 elections, there were people from outside the BJP core base, who preferred Narendra Modi as the next Prime Minister. This group saw the work he did as Chief Minister in Gujarat and wanted to give a chance to him at the National level. Today, this non-core supporter group wants Narendra Modi to go beyond his “isms” which are basically the Sangh Parivar agenda items!  

In that sense, the conundrum before Rajini and Modi are similar. Whether to just keep the core fan/supporter in mind and continue to pander to his fancy. Or look at the larger group who have supported them over the years and have made them the icons they are today?

While I have attempted to put Rajini and Modi at the same pedestal here, it’s a very simplistic view. The stakes involved are of course completely different. For Rajini, it is just the fate of his films at the box office and his own legacy. However, for Modi, the stakes involved are much higher. Modi is presiding over the fate of millions of people who expect him to deliver the promised Acche Din!

For Modi, the next release of consequence is the Union Budget. For some time now, I had begun to believe that the Budget is an over rated event in India. But this year, considering the perilous state we are in as far as economy goes, I do feel that the Budget 2020 gains enormous significance. Outside of India, among foreign investors, there is frustration over India’s continuing “Work in Progress” status. And clearly there is disappointment over India’s “1 step forward, few steps backward” economic progress. So, for Narendra Modi who always keeps an eye on the legacy he leaves in whatever he does, this is a good opportunity. To make Budget 2020 as significant or more than Budget 1991!

Just like the non-core fan base of Rajini who wants the Superstar to move beyond Rajini-isms and deliver a mega hit betting on a strong script, characterisation and acting skills of Rajini, the public of India also would like Modi to keep aside the “majoritarianisms” and focus on the Economy in the coming months to deliver a turn around.  For becoming a 5 trillion economy Modi must “Chumma Kizhi”!

Picture credit: indiatoday.in

Kaala, Sarkar and being “Social media Ready”!

What is common between Kaala and Sarkar – both Tamil films released in the past few months? Many. But, beyond the obvious like both films featuring mass heroes with political ambitions, storyline with a political thread etc, etc. there is an important commonality. Both Kaala and Sarkar show Social media playing an important role in the scheme of things of the respective protagonist to take on his adversaries. In Kaala, when pushed to a corner by a scheming politician over usurping common man’s land in the name of slum rehabilitation, the hero (Rajinikanth) takes his fight to Social media and brings entire Mumbai to its feet. All the galvanising of people and spreading of message happen through Facebook videos, Tweets and WhatsApp forwards! Sarkar goes a step further. Even with just couple of hours remaining for voting, the hero (Vijay) is shown attempting to garner support among the remaining voters through Facebook live videos! Before that, he uses tweets strategically to set the narrative. As a non-conventional politician who is thrown into the thick of political action all of a sudden, Vijay and his young team’s “Go to Market” is basically Social media in the film!

 

Whether society mirrors films or films mirror society is still an open debate.  However, it is clear that the respective film makers of Kaala and Sarkar drew inspiration from the Jallikattu protests which happened in Tamil Nadu in the year 2017! Much to the surprise of all, Social media played a very important role and engineered a revolution in Tamil Nadu or so it is widely believed. For the first time, politicians came up to this rude awakening that their opponents can be just some faceless Twitter accounts and trending hashtags and not necessarily the conventional microphone wielding, venom spewing opposition faces!  As it happens normally, writers and film makers take their own creative liberties of what they see around themselves and do a bit of indulgence.  So is the case in these 2 films!

In India, we are already in election mode. Come May 2019, we have the Lok Sabha polls coming up where Narendra Modi is seeking a historic re-election. The moot question is, like how they show in films these days, can Social media be the game changer for parties in their quest to win in 2019? Like in these movies, can politicians and parties win by just harnessing the power of Social media?

I remember way back in 2008, it was Barack Obama who first demonstrated the power of Social media tools like Facebook and Twitter for his presidential campaign. Since then, Social media has been drafted into political campaigning everywhere and it’s been gaining ground slowly and steadily.  So much so, we saw how companies like Cambridge Analytica were exposed attempting to influence swing voters by just targeted messaging over Social media like Facebook.  In India, I guess the early ones to hop on to the Social media bus were Narendra Modi in 2014 and Arvind Kejriwal for 2015 Delhi elections. They used Face Book and Twitter effectively to communicate to the young and urban voters that time! Today, my guess is that almost all parties have a backroom of Social media warriors across the country/state to manage their presence in Social media! And lo, new careers and job options have opened up – Social media managers, Data Analysts, Hashtag managers, video editors and so on!

While Twitter and Facebook have been prominently used in in the past for campaigning, I feel that in India for 2019, WhatsApp will hold the key. With over 200 million users of WhatsApp in India (as of Feb 2018) which is 4 times of what it was in 2014, WhatsApp is easily the fastest growing medium available. Combined with the rapid growth in smart phone adoption and data consumption thanks to cheap data plans, one doesn’t have to look further to deliver targeted messages. So move over SMSs and recorded voice messages!  WhatsApp forwards are here! Even the main stream media feeds on what is happening on WhatsApp these days!

One logical question would be if Social media remains an urban phenomenon and hence will it have any impact in rural India at all?  The growth in internet access and WhatsApp penetration have been traditionally higher in urban India than rural India. However rural India I’m sure is catching up. As per a survey conducted by Lokniti-CSDS in mid-2017, “One-fifth, or 20%, of rural respondents said they used WhatsApp daily as compared with 38% of urban respondents. But the growth in the share of active WhatsApp users has been sharper in rural India, doubling in a year’s time.”

With the adoption and usage of smart phones and WhatsApp being the highest among youth, targeted political messaging becomes easy, quick and probably cheap with WhatsApp! And as election approaches, WhatsApp groups are all busy engaged in political debates usually triggered by a forward message or a news clip! And this is how narratives will be set moving forward.

I am not for a moment saying that as they showed in Kaala and Sarkar, candidates and parties can win over the voters by just using Social media alone! Real life is more complex. However, a smart party/candidate would not ignore the potential of smart phones, Social media and WhatsApp in particular in their media mix for 2019. And would rather focus on the same seriously.

I understand that BJP is already making itself “WhatsApp ready” for 2019. Traditionally the party has been depending on its “Panna Pramukhs” to do booth level mobilisation of voters and they will be now replaced by “Cell phone Pramukhs” it seems! Whether being “WhatsApp ready” will take them ahead of the others in the elections remains to be seen, but it is clear that they have a head start and it can be crucial in close contests!  In 2019, it could very well be Abki Baar WhatsApp ki Vaar!

Kaala and Sarkar may be ordinary films but the makers have provided worthy lessons for political leaders and parties on the importance of being “Social media ready” to take on their opponents. The question is when will parties become “Social media ready” to address common man’s issues? To see that day, like many fellow Indians – “I am waiting”!!!

The Convergence and Divergence of #MeToo and #ReadyToWait!

In the past few weeks, India has been swarmed by two powerful campaigns which could become defining moments in the journey of emancipation of women in India.  It has taken a while coming but come it did, provoking and evoking extreme sentiments. While both the movements have women at the thick of things, the similarity at the face of it, may end there.

The more recent of the two campaigns namely #MeToo, was triggered by actress Tanushree Dutta’s revelation of what happened many years ago when she acted with Nana Patekar. This opened the flood gates for many other stories where men allegedly used their power and position to take advantage of women. What started in the film world extended to other fields as well with journalism being the harbinger of sorts!

Those asking #WhyNow, since many of the stories date back to the 70s and 80’s, forget the outlets which were available those days for outing their stories. At work places, where women had to still prove their existential worth in those times, coming out against their bosses would be the last thing in their minds. So, I don’t buy the theory of what Swapan Dasgupta describes in his column today as the “Long conspiracy of silence”!  Rather one should be happy that the tyranny of power walls has been broken finally!  The big change now for women of course has been the availability of social media at their disposal, its potential to viral a story and make an overarching impact!

Ergo, from now on it’s not going to be “business as usual” at the workplace. The portent combination of screen shots, mobile cameras, smart phone recorders and social media portends the end of the flirtatious man! At the same time, if one looks at “most”, if not all of the horrifying #MeToo episodes, the common link has been the effect of alcohol! A man may understand even a meek signal of a woman’s “No Means No” when he is in his senses. However, I am not too sure if even a clear, no-nonsense “NO MEANS NO” will get into the head of a man in high spirits! So, even after what I will call as a successful campaign which has seen many heavy heads rolling already, self-administered red lines for women may still be what the doctor orders!

As the movement unfolds on social media, we see new names getting added to the list every day! The after-effects of this surprisingly have been pretty quick. Will this ostracization be permanent or just to cool the tempers, only time will tell.  And there could be collateral damages! The Wikipedia pages of the named celebrities are not going to be same again. They will contain these #MeToo references for sure and that as per me could turn out to be the biggest deterrent to lewd behaviour and agent for change in men’s attitude in times to come. Or so I hope!

The other campaign – #ReadyToWait related to the issue of entry of all women into the Sabarimala temple is not so recent. It’s been going on for few years now, ever since this issue was turned to the courts. But it has gathered a Ferrari like momentum after the Supreme Court’s constitutional bench pronounced its verdict few weeks ago. As per the 4-1 verdict, the bench opined that the discrimination of not letting women of certain age enter the Sabarimala Aiyappa temple must go. A great victory for women’s rights, right? Well, looking at the response particularly from the women on the ground in Kerala, the verdict has been a big let-down. Even as activists and champions for Women’s liberation are savouring their victory, women believers of the faith in Kerala and elsewhere are pained.

Image courtesy - TheNewsMinute

Unlike the #MeToo campaign which is being mainly fought in the social media, the #ReadyToWait fight has now morphed into “Save Sabarimala” movement and is happening on the streets of God’s Own Country! Ever since the judgement came out, hundreds and thousands of women, all learned (Kerala is a 100% literacy state, mind you) and among them many erudite, have questioned the wisdom of the bench! As per them, the issue of women of all ages not entering Sabarimala is not a question of throttling their rights. And that this judgement is not a victory for women’s liberalisation,..,… People and largely women behind protecting the sanctity of Sabarimala and its traditions have been aware for decades the beliefs around the “pratishta” of the Sastha at the Sabarimala temple. In a state which has seen the rule of Left for more than 20 years since independence, if this was a pressing issue, I am sure the same would have been brought up and amends made many years ago. Read my detailed post on the Sabarimala verdict here.

So, #ReadyToWait is not about pressing for women’s right to enter the Sabarimala temple but rather pressing for respecting their faith in not wanting to visit the temple!!! #MeToo and #ReadyToWait are about women’s rights eventually but there is this nuanced difference. The direction this #ReadyToWait movement takes, may very well be a bellwether for future in terms of going to court for getting solutions related to faith! In a country like India, which is steeped in religious beliefs and traditions which in a way defines the spirit of India, this could very well be the wakeup call. To come up with a framework and consensus as to who will decide on contentious issues related to all faiths.

Postscript: Elsewhere, one Swamy who these days is very popular on social media with ‘nithyam oru clip’ explained to his followers about #MeToo and #ReadyToWait thus:

“The convergence of MeToo and divergence of ReadyToWait and the divergence of ReadyToWait and convergence of MeToo are basically the same! There are no 2 things. Only one. That is MeTooWait

Image courtesy – TheNewsMinute

 

Will this “Kamal” bloom in TN?

In his films, Kamal Haasan is not usually satisfied with wearing one hat or donning just one role. While his peers in the Industry were happy with double roles or at best triple roles, Kamal, in one of his own production – Dasavathaaram as the title suggests, took up 10 roles. And roles as varied from an elderly widow to a Sardar to a CIA Agent to a Japanese Ninja and even George Bush! So donning many roles comes to him easily. In the big screen, that is. However, I don’t recall Kamal playing the role of a full-fledged politician in any of the films but for that short gimmicky role as George Bush and I may be wrong here!!! So, it came as a surprise when all of a sudden from the year 2017, Kamal started making political noises initially as feeble as tweets! Gradually the tweets got louder culminating with the announcement of the formation of his own party this week in Madurai.

Surprise stems from not just this. Kamal has had a long and worthy career in films not just as a fantastic actor but also as an accomplished film-maker in Tamil Nadu. Unlike many other stars and also rans in TN who invariably ended up in politics, Kamal stayed far away from it. He has been repeatedly saying that the only thing he knows in life is films and nothing else but films. He is quoted to have said often that he has been extremely fortunate in life for getting “Karumbu thinna kooli”, a euphemism for having been possible to pursue his passion as a paid profession! And he is also quoted as being unfit for life in politics full of machinations and hypocrisies. While he claimed to be socially aware, he was happy to serve people in his own way rather than wearing the garb of a Neta.

Actors who take up politics seriously, do it in their twilight of their career when the lights around them start fading away. Though Kamal’s last few films failed miserably at the box office, as an actor or a film-maker few would dare to write his obituary yet. He still displays the passion for making meaningful cinema and as we speak, has 2 if not 3 films on the floor vying for his attention.

The sudden turn in Kamal’s life led to the forming of Makkal Neethi Maiam (Centre for Justice for people) early this week. In the last few months of twists and turns in the politics of “Turmoil Nadu”, this is the latest. As a film-maker he is known to be indulgent. He has also been an avid risk taker in the choice of some of his scripts. At many points he has risked his wealth and probably his career by throwing his weight behind risky subjects – his Vishwaroopam project being a prime example. So, the question is – “Is Kamal once again indulging himself and taking his biggest risk yet by jumping into the murky world of politics?”

It would appear to seem so, if one looks at the odds ahead of Kamal. I believe that for Kamal, there are battles to be fought within, before looking at the battles outside. Kamal has had an Ultra clean image thus far in terms of probity in public life. He is not known for entering into shady deals for the purpose of commerce and has been an honest tax payer. But being honest is only a necessary condition but not a sufficient condition to succeed in politics.  Secondly, as a film star and a film maker he has not displayed enough permanence of purpose. In the sense, he is known to announce grand projects and junk them mid-way and move on.  Cutting losses as a strategy may work in films or business but certainly not in politics where one expects a deeper commitment to a cause. Whether Kamal will show enough resilience to stay put and continue to fight the political battle even if there are initial setbacks is a big question.

As a film-maker he has never hidden his left leanings and public posturing towards atheism. Left as a philosophy is in the ICU worldwide and India is not an exception. Unless his left leanings are more reformed and tuned to the times we are in today, he will find it difficult to move beyond surging crowds in his rallies. Similarly in TN, atheism has of late become a matter of daily WhatsApp humour, thanks to the famed Dravida parties and their leaders reaching out to Gods in private! So, for Kamal to make these personal beliefs cornerstone of ideology of his new party is fraught with imminent risk.

Coming to external battles, there are many and are similar to any new comer trying to make a mark in politics. it is clear that Kamal is trying to fill a gap which presented itself after the death of Jayalalitha and her legacy. If one looks at history, MGR was successful as he could seamlessly morph his fan base into his loyal political base. No other actor in TN so far could manage that feat. Whether even our Superstar Rajini will be able pull that off remains to be seen. In the case of Kamal, in his prime days as an actor he was not a fan of Fan Clubs himself. So, how he will organize and use his Fan Clubs to be part of his political story will determine if the climax will have a happy ending or not!

Kamal has a good marketing bent. That comes across very well the way he has been able to create big hype over some of his films which turned out to be lemons. Hyped up films ending up as duds is not limited to Kamal only.  Just that in the case of Kamal, all the marketing ideas are his and only his. His marketing acumen could be seen through in his party launch event as well. The crowds were impressive. The media attention he could garner was even more impressive. However, I am extremely skeptical if these will lead to more fingers at the EVMs in the next election.

In the event, Kamal was idealism personified. He had Arvind Kejriwal by his side. And Pinnarayi Vijayan by the video link. The irony of the old and new symbols of Communism in his new avatar couldn’t be missed. His party’s flag displayed six hands which apparently were referring to the six southern states including Pondicherry. That showed that Kamal’s political ambitions are not limited to just TN. However what intrigued me was if that is the case, will a Tamil name for the party make sense in Telangana or Karnataka?  He should very well remember that even his Tamil film Indiran Chandran became Indrudu Chandrudu in Telugu!

While it is no denying that Kamal is a well-read man and an idealist with good intentions, his sudden decision to jump into politics raises many questions. As I had mentioned in one of my earlier posts, is Kamal on the path towards achieving Self Actualisation as per Maslow’s hierarchy of needs?  It seems Kamal said “Except for the two films which are coming out, there will be no more films for me,” in a recent interview. Well if that’s the case, it will be filmdom’s loss!  And nobody’s gain!

The original “Kamal” in politics of India namely the BJP though successful in other parts of the country is yet to bloom in TN.  Will this new Kamal bloom in Tamil Nadu? I have my own doubts. I have no doubts of Kamal stealing the show in Michael Madana Kama Rajan – II though!

Postscript:  Kamal got his 1st National award for Moondram Pirai, a film in which his co-star Sridevi was expected to walk away with the honours. However she didn’t, much to the disappointment, agony and sorrow of cinema followers in TN. Today, that sorrow pales in comparison to the news of Sridevi’s untimely, sudden and shocking death, 54 vayathinile!  Padma Sri Sridevi – RIP.

Rajinikanth and creating his own playbook!

“Normal people go to a party on 31st Dec., but Rajinikanth forms his own party on 31st Dec.”! This joke got added to the myriad “legend of Rajinikanth” jokes that storm the internet in regular frequency usually before his film releases. His next film 2.0 is still few months away. But his career 2.0 finally got released.

What were hitherto just signals and hesitant testing of waters turned into a clearly stated commitment on the last day of 2017, when Rajinikanth announced his intent to enter electoral politics in Tamil Nadu. The journey from being a matinee idol, Superstar Rajinikanth to the Thalaivar Rajinikanth has begun in right earnest. It’s clear that Rajini now sees an opening in TN to make an impact amidst the current political vacuüm that has engulfed TN since the demise of Jayalalitha and the virtual retirement of Karunanidhi. And for common people, of what has now become a rudderless Turmoil Nadu, Rajinikanth is their beacon of hope.

Why did Rajini decide to take the plunge now?  If you map Maslow’s hierarchy of needs into Rajini’s life, he is probably past the first 4 needs (Physiological, Safety, Love & Belonging and Esteem) and now he is seeking “Self Actualisation”. Nothing else explains his craving today to jump into politics having been so successful in his film career. The point to note is, if he lived in a state like Maharashtra, probably he would have just walked into the sunset like a Dilip Kumar. But TN has a strong precedent of popular actors trying their luck with politics (with mixed success though) and hence has shown politics to be the path to Self Actualisation for any mega successful actor.  Explains Kamal’s recent fishing in political waters as well.

If you just go by history just in TN, you have examples of stars who succeeded big time in politics and who failed miserably. MGR, Jayalalitha count in the 1st category while Shivaji Ganesan, Vijayakanth and a host of others fall in the 2nd. These tried to emulate the MGR playbook which didn’t work. In another era and environment, to succeed, Rajini needs to create his own playbook today. For which, he needs to know not just his strengths and weaknesses but also limitations of his strengths. Just like how he knew these and managed well in his film career all these years.

Having been an extremely successful actor and elevated to being a legend in the last 20 years, his popularity, charisma and top of the mind recall among the masses in TN are unparalleled. So he starts with this huge advantage of connecting with the youth, women and the underprivileged instantly.

Rajini has thus far a super clean image. He is not known to have cheated people or swindled others’ money. Stories of him returning money to distributors when his films like Baba and Lingaa flopped have only helped cultivate the image of him as a person with high moral values.

Rajini’s other important and I would say deliberate approach has been to stay away from controversies. Being just an actor so far he has not felt the need to give his opinion about all matters under the sun. Also he never threw his weight around in matters which are unconnected with films and thereby managed to remain unattached. This has earned him more sympathisers than adversaries!

But succeeding in politics and becoming a ruler of a state needs more than just a charismatic leader. You need a grass root organization with credible leaders who will be connecting and engaging with people on a day-to-day basis. Here’s where I would like to bring in Rajini and a seemingly far fetched BSNL analogy.

In India, when BSNL got the license in the 2nd round for offering mobile phone services, it started off with a distinct disadvantage. That of, competing with established private players who had a head start in the market. However compared to the other private players like Airtel, Tatas who also got into the market late, BSNL had one great advantage.  The private players had to put up a cellular tower network in their respective regions from scratch, right from identifying location, incurring high capex in real estate, setting up towers,…  BSNL however, already had their established base of offices for landline phones in the nook and corner of the country. So BSNL had to just put up cell phone towers in their own office buildings and do the roll out. This explains the fact that even today when you travel to remote rural areas, Airtel/Vodafone,.. fail miserably while BSNL provides great connectivity. I notice this every time I travel to my native place in Kerala!

Akin to BSNL’s offices in the nook and corner of the country, Rajini, though new to politics, has his established organizational network of Fan clubs in the entire TN. This network needs to be activated to become what we call in Marketing as “Touch points” for people. And from the announcement speech, it appears that this is what is Rajini’s first task going to be! I.e. of organizing the fan clubs into political shaakas!

Tapping into the BSNL analogy again, in spite of having such an advantage in terms of an established infrastructure, BSNL did not manage to set the cellular phone market on fire. While in rural areas, BSNL could hold fort thanks to the superior coverage, in urban India it couldn’t match the nimble footedness of private players. The “sarkari” image and the sloth experience customers got to experience in BSNL’s touch points in urban centres didn’t at all help in getting users to try BSNL. As Rajini tries to activate the fan clubs across TN, it is important for him to give a different flavor for these fan clubs in rural and Urban TN to appeal to the different sensibilities.

This is where it is important for Rajini to have the right set of advisors around him. Those who will be able to translate his intent into set of initiatives that will impact the people. Here, he can go back to his model what he has been adopting in his film career. As far as his films go, Rajini had a very clear but simple approach. That is of selecting the right script and choosing his directors very carefully. Apart from bringing his personal heft behind the project and picking the director, he didn’t do much in terms of influencing the script or choosing his technicians and the cast,…,… beyond a point. Here he is very different from Kamal Haasan or even other top Tamil stars like Vijay. Surya, Ajit,… who I understand involve themselves in the film beyond just being the hero. Similarly, with a right team in place and a winning script in the form of a vision for the state of TN, Rajini should let the team carefully craft the roll out of the policy, programs and promises.  Having a right team is also critical as, in the world of competitive politics, Rajini, (an ageing star turned politician at 68 with health concerns) has to be “seen” on top of issues 24*7. This can only happen if he has a good team to lean on. The current set of ‘Fan club” leaders may not fit the bill entirely.

In marketing, Brand positioning is considered to be the most crucial element in the whole mix. How one positions the brand in the minds of the consumer differently with respect to competition defines the way the brand is remembered and adopted. And here I feel, Rajini has thoughtfully come up with a unique positioning i.e of “Aanmeega Arasiyal” (Spiritual politics). While we have heard of Secular politics and Developmental politics and politics of all hue, this is unique. In TN, Dravida parties and their variants for decades have professed Atheism, Care for the oppressed and all such lofty ideals but have practiced exactly the opposite. I feel that this positioning will resonate well with the urban middle class segment which has been enduring the hypocrisy of the Dravida parties for quite some time.  Having cracked the positioning bit, it’s important to live it up and be consistent around this positioning as time goes by.

If one would have noticed, since the 31st Dec, when he made the announcement to join electoral politics, Rajini has managed to remain in the news. Instead of doing everything on one particular day and keeping quiet subsequently (a la Kamal), Rajini has been carrying out his activities in tranches. Thereby remaining on top of the news clutter. A smart approach so far.

Rajini has thus far created his own playbook and has played his cards well. But politics is a long game. It will be interesting to watch his next moves and the outcomes. Whether this playbook helps him to succeed, only time will tell.

Usually when so called “Good people” join politics with a promise to bring a change, they end up changing themselves. But here, “Politics has joined Rajinikanth”. Hopefully politics gets a makeover. Or so many pray!

Pic courtesy: AFP

Mersal, Mitron and the New India paradox!

For those outside of South India, a week ago, the word Mersal would have called for a detailed introduction. Today it doesn’t. The leaders of BJP in Tamil Nadu with their outbursts against Mersal, have ensured that the film became a National hashtag! I watched Mersal and frankly my take was that it was a regular masala pot boiler meant strictly for the actor Vijay’s fans.  Towards the end, Vijay gets into a monologue against the corrupt medical system in the country looking into the camera lens.  In between, he also trashes the recently introduced GST with what are clearly illogical and false arguments. Somewhere in the beginning of the film there is an innocuous line taking a dig at Demonetisation as well!

In Mumbai where I watched the film, there was no applause or whistle for the GST lines. Probably there were, in other parts of the country particularly Tamil Nadu. Enough for the TN wing of BJP to take offence and call for muting of these lines in the film. Some other leaders of BJP went further.  They dragged the religion to which the actor Vijay belonged – apparently Christianity and pointed out that, it was the reason there was another line in the film where his character says it is better to build a hospital than a temple in the village!

Inane arguments and counter arguments occupied national prime time in the week following Diwali and at the end Mersal, which would have been anyway a super hit became a super-duper hit. I’m certain that remaking rights in other languages will go at a fancy premium now. One can only get Mersalled (meaning “Amazed” in colloquial Tamil) looking at these developments!  The particular clip with the GST lines went viral that too with English Subtitles and what was just meant for Tamil Nadu is now being consumed by people all over!

The same last week we saw another “Mersalling” development. A short clip of a mimicry artiste by name Shyam Rangeela went viral on WhatsApp. In that clip, you can see Shyam doing an immaculately close mimic of the Prime Minister Narendra Modi. This act was originally part of a Star TV show – The Great Indian Laughter Challenge. But after the clip attained gigantic viral velocity, the producers decided to edit off this portion. I watched the clip and was “Mersalled” by the talent of this guy. His act of Modi was spot on, with liberal throw ins of Mitron and Bhaiyon Aur Behenon,..  just like how Modi does in his speeches.  After this development, I am sure his phone must be ringing endlessly and he has already become a mini celebrity in the highly competitive 24*7 sound bite seeking world!

Those who are tuned to the FM Station Radio Mirchi would be familiar with their very popular satire show “Mirchi Mitron”. In this satirical program again, there was a voice which could be identified with Modi having conversations on current topics with different people. Though this was popular, in a surprising move, this section went off air since early this year.

In all this, there is a clear pattern. Political satire in India is on a ventilator where pulling the plug comes easily. It looks like it’s no longer cool to take pot shots at the ruling party or its leaders. Either the party will take strong exception and flex its majoritarian muscle to come down heavily on the perpetrators of these satire (the Telugu version of the film Mersal is still languishing at the censor table) or eerily the creators develop a sense of self-censorship and exercise restraint (Like in the case of Star TV and Radio Mirchi). In any case, these don’t augur well for a New India!  Has New India’s leadership lost its sense of humour? Is political satire so damaging??

In the “Old India”, political satire was thriving and flourished peacefully. In Tamil Nadu, where BJP made a ruckus about few lines against the Government, one gentle man by the name of Cho Ramaswamy used to shred parties and their leaders with his sharp wit, that too for 60 years till his last breath last year. Being a man of multiple talents, he used multiple platforms – from Theatre to films to Magazines to TV to take his political satire to people. In his heyday, he didn’t spare any of the ruling party or its leaders. And naturally Indira Gandhi and her Congress party for most of his life were at the receiving end of his relentless jibes. Never to make a personal attack on his adversaries, Cho used wit, sarcasm and comedy to drive home the point. Later on, he trained his guns on the Dravida parties. The magazine Tughlaq was popular when he edited the same. His TV shows gained high TRPs among middle class Tamils. His plays were usually sold out. And the irony starts here. In spite of Cho’s continuous attack, Tamil Nadu was among the handful states in the country that withstood the Anti-Indira wave in the aftermath of the Emergency in the 1977 Loksabha elections. So, the people of Tamil Nadu enjoyed Cho’s satire but made smart, practical choices while voting in the elections! They used to vote for Congress at the centre and one of the Dravida parties at the state!  My point is that people by and large don’t take these political satire seriously. They do enjoy the same but make their own smart choices.

We keep hearing that the New India is about being confident, looking ahead and keeping insecurities aside.  But, it looks like the leaders in BJP do not think so. While I am not sure if the Prime Minister is himself against satire trained against him or his party, it is clear that in his party there are those who send clear signals to that effect. And that doesn’t augur well for the New India which the PM is persistently pitching for! So why not he openly invite Shyam Rangeela to perform the Mitron,… act in front of him in a public meeting in his next Man Ki Baat address???  That could be his best tribute to Cho, undisputedly one of India’s best political satirists whom Modi himself considered as one of his mentors and well-wishers!

Postscript: This is now part of folk lore. R.K Laxman had just caricatured Jawaharlal Nehru after the 1962 war against China in his own inimitable style. Did the TOI editor get a call from the PMO to demand an apology the next day? Well, Laxman got a call from Nehru himself the next day where he told him, “Mr. Laxman, I so enjoyed your cartoon this morning. Can I have a signed enlarged copy to frame?”

The Making of Superstar’s 2.0!

Superstar Rajinikanth’s next film 2.0 is in the making. In fact it’s been in the works for a while. I heard that the shooting is over and post production is going on now. For a perfectionist filmmaker like Shankar, the bench mark is no more his own films like Enthiran/Robot but the recent magnum opus –Rajamouli’s Bahubali franchise.  Not just for its box office earnings but also for its making. Hence, not surprising that 2.0’s release got pushed to 2018. However what’s been making the news of late is not the film 2.0 but the “making” of Superstar’s career 2.0. That of his entry into the political theatre. While it is easy to speculate about his film 2.0’s success (considering the pedigree of the team and its prequel), predicting the success of Rajini’s career 2.0 is quite complex.

Before making an attempt to do that let’s step back and look at Rajini’s film career. As an actor he has been destiny’s own child. There is no doubt that he is one of the most successful actors ever to appear on Indian cinema screens. Rajini today has transcended the boundaries of Tamil cinema and is now an acclaimed National star. However, in his own admission he doesn’t check most of the boxes for an actor. He is not among the good-looking actors India has produced.  He never boasted of a sculpted body or “packs”! Rajini is not an accomplished dancer either. He makes some body movements which become dance steps. He doesn’t transform himself for a role à la Kamal Haasan or Aamir Khan. His make-up artists, costume designers and SFX team do that for Rajini. He is not a method actor like a Shivaji Ganesan too.

He does check a few other boxes, though. He has a screen presence which very few other actors can match. He shows tremendous energy on-screen. This over a period of time became part of his trade mark “Rajini Style”. He has a powerful screen voice and a way of dialogue delivery. Above all the one thing which stands apart is that he knows what he is good at.  He has constantly tried to play to his strengths and thereby gallery. He is extremely smart and I must say shrewd in picking up his scripts.  Particularly since the 90’s when he became the Superstar Rajinikanth we know of and big bucks started riding on him. He works hard the most on choosing the script, the director and his movie title in that order. If this meant shunning risks which came in the form of unconventional story lines or off beat roles, so be it.  If this meant rehashing the same template of “Riches to Rags to Riches” (R2R2R) so be it too.

Why am I laboring so much about Rajinikanth’s 1.0 (films) when actually this post is supposed to be on Rajinikanth’s 2.0 (politics)? In the past his entry into politics was more like ‘puli varuthu, puli varuthu’ story and was of 2 types. One, where he took a firm stand against a party during elections but soon withdrew into a shell. Second where he sent cryptic messages of his political leanings and his imminent entry through punch dialogues and song lyrics in his films. But these were more like gimmicks smeared in his movies by the dialogue writers. Lyricists and directors and seldom were his own design.  But this time around, there seems to be some firmness in purpose. So why exactly is he wanting to enter politics now???

From Rajinikanth’s point of view, may be now ‘Aandavan Sonnan’ (God commanded). Or he feels purely from an opportunity angle this is the perfect time for entry into politics. If there is a time where people can be provoked to try someone new it is this.  So probably his loyalists are pushing him to take the plunge now.

On the flip side, it is no longer a cakewalk for film stars in politics. Even in TN, from Vijayakanth to Sharat Kumar to Vadivelu it has been a rough ride. In the neighbouring states of Andhra and Kerala the likes of Chiranjeevi and Suresh Gopi – stars in their own right, have had mixed success. The youth of today are not so enamoured by a film star and don’t believe that a film star can change their lives. And certainly entering into politics and succeeding is not as easy as what Rajini’s character accomplished in the film Arunachalam!

In politics Rajini has only more to lose than gain. That’s why it will be good for him to take lessons from his filmi career and stay away from politics. Lessons like playing only to his strengths, not getting into experimentation and shunning risks of any kind.  And play again and again his own punch dialogues which will give him all the wisdom required. The likes of:

En vazhi, thani vazhi (My way is my own)

Kashtapadaama edhuvum kidaikaadhu. Kashtapadaama kedachathu ennikum nilaikaadhu. (You’ll gain nothing without hard work. And if you do, it won’t last for long)

For Rajini, there are always so many other ways of giving it back to the society if he wishes so. He can dip into his own movies if he needs ideas on that.  In his films he has often defied gravity. In his career 2.0 it will be difficult to do that.  Ask Amitabh Bachchan.  Amitabh 3.0 has been a revelation.

Postscript: While on Rajini, the other pillar of Tamil Cinema Kamal Haasan has also been in the news of late fueling speculation of his entry into politics. To me Kamal is a consummate marketer as much as an actor. He is doing his best to drive TRPs for his TV Show, guys. Period.