Mood (di) of the Nation poll!

For the past few weeks or so, I am certain that only one question is uppermost in the minds of most Indians. And that is not “Who will become the next Prime Minister”? But it is – “Will Narendra Modi continue as the next Prime Minister?”  Everything else doesn’t seem to matter so much.  As we near the counting day which is still couple of weeks away, the excitement and the suspense is heightening. The excruciatingly long drawn poll schedule extended over some 7 phases has only added to the nervous excitement of most Indians.

This is manifesting across India in offices, in nukkad tea shops, in local trains, in parties, in cabs and most of all in WhatsApp groups where the hotly discussed topic in this hot summer is if Modi will get a second term. For one who has been keenly following Indian politics for more than more than three decades, I don’t remember a previous time when one person captured the imagination of people the way Modi has now. And capturing the imagination in both extreme ways. It’s either you love him or you loathe him.

With the ban on opinion polls and exit polls when the poll process is underway, it is now left to individuals to speculate on what is going to happen. As the election progresses phase wise, we find the whole media caravan moving along with ground reports where star anchors, editors, reporters and other sundry journalists try to decipher how the wind is blowing!

In all these “ground reports” which are based on hopefully random conversations, I do feel that we end up hearing what we want to hear! So if the ground report is from a Modi follower, then it is in full some praise of Modi for the work he had done in the past 4 years in terms of pucca houses, roads, toilets…! And if the report is from a Modi hater, then it will be critiquing Modi for doing nothing. And believe you me, the reports could be from the same towns/villages!

And in an effort to play safe, most of the ground reports by star anchors and editors have ended up saying

“There is no Modi wave but there is an undercurrent!”

 “There is dissatisfaction for Modi but no hate!”

“People are vocally in support of Modi but the silent majority would decide his fate”

And so on!

In putting out these ground reports, will common people be left behind? So, empowered by the powerful vehicle called the “Social Media”, we also have ground reports of “People like Us”!  We also give our conclusions based on random chats with Taxi drivers, maid servants, Chowkidars, Doodhwalas and so on.

After the round of ground reports we will be fed with a surfeit of exit polls, come the May 19th. In India we have seen that even pollsters tend to see what they want to see. In India now, opinion polls, exit polls and psephology have become major revenue streams for channels and pollsters thanks to the multiplicity of national and regional news channels. Though forecasting is considered a science we have seen that the forecast results swing from one end to another and rarely do we see a common band making it a perfect modern art! In modern art you see what you want to see!! Ergo, pollsters and the polling company’s own bias come to play in the prediction. In addition to bhakts, bhakt reporters, bhakt anchors, bhakt channels, welcome to world of bhakt pollsters. Would you believe if I say that for one of the state elections, one polling company had two different exit poll results for two different channels!

Dr. Prannoy Roy of NDTV who can be credited for introducing the concept of opinion polls, exit polls and psephology in general to Indians, in his latest book – The Verdict, covers the aspect of the complexity in Indian elections in great detail. No wonder opinion polls and exit polls and the much touted ground reports have more often than not missed the mark when the actual results are out. Hence in a diverse, pluralistic country like India where nothing is common and for every aspect, the opposite is equally true, if a forecast is correct, it could only be a stroke of luck! And that’s why I feel venturing out to hazard a guess on any election outcome in India and in particular the ongoing Lok Sabha polls is fraught with high risks of getting it all wrong!

As experts do always, it is wiser and certainly easier to attach logical explanations to the results as they unfold on the 23rd. Hence I am curbing my instincts to join the ground reports band wagon.  And will stick to a detailed blog post to give my take on the results post 23rd rather than sticking my neck out today!! Having said that, I go back to where I started. No leader has taken the mind share of Indians as much as Modi in the recent times. When “mood of the nation” poll has become “Modi of the nation poll”, he must be doing something right, right? All of it cannot be just “Marketing” as some rue! After all great marketing has not saved a bad product in history! Or has it? Is Trump winning again? 🙂 🙂

Picture courtesy:  India Today

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Daag Acche Nahin Hain!

Just as I was checking my Twitter feed this Sunday morning, I saw the #Surfexcel trending. Initially I ignored attributing it to some sponsored marketing campaign. But when I saw a whole bunch of individuals from the Right to the Left tweeting on the same, I decided to check it out. There, I could see other hashtags calling for a boycott of Unilever products and so on. The reason for the furore being, this ad (watch here) which Hindustan Unilever (HUL) has made for Surf Excel for the upcoming Holi. I watched the ad and I thought it was a brilliant ad though the theme has got a bit repetitive particularly with HUL these days!

People calling for a boycott of Surf Excel and Unilever products though, had a different take. They questioned the need for the company to pick up on a Hindu festival (Holi) to push their product. Few also quizzed if Unilever would do an ad around any Muslim festival. There were also many other tweets with images of Muslim festivals photo shopped with Surf Excel and its now famous tag line – ‘Daag Acche Hain’!  Notwithstanding all this, the ad achieved the purpose of creating a buzz and finally going viral.

This comes closely in the heels of another ad from the same company created during the Kumbh Mela! This ad (Watch here) for their Brooke Bond Red label Tea literally kicked up a storm in the social media tea-cup! . Though extremely well made, it is clear from the ad that the product and its attributes were secondary while the primary objective was just to ride the buzz around the Kumbh. While the commercial went viral on many WhatsApp groups as a great ad, on Twitter though, folks derided the company HUL for hurting the religious sentiments of Hindus. The supers that appeared at the end of the ad said, “Kumbh Mela is the largest religious gathering in the world. At this holy gathering, many elderly are abandoned by their families”!

I am not sure what kind of research went behind, to make a statement like this.  Nevertheless, the ad, I repeat very well made and executed, came across as a botched attempt where just to bring in the “Kumbh” story, you build a very touchy and probably insensitive narrative. I would rather prefer the approach by Fevicol in a similar context for the Kumbh where, they weaved a positive story (watch the ad here) around the event while plugging the attributes of the product effectively.  In the Red label ad, the product got thrust upon in the story at the end. With the massive uproar about this ad in social media, I am told that the company decided to take down the same. However, it didn’t stop it from going viral on social media platforms where it got trolled heavily.

These days, companies when they brief the agency for their commercials, I think must be outlining their 1st objective as “It should go viral”! As I had written in my earlier posts, “Stir up to sell” is an old ploy in marketing and advertising.  Achieving the objective of getting ad go viral is of late falling into very predictable tropes like Hindu – Muslim unity sentiment, Indo – Pak emotion and so on.

The larger point I am trying to put forward though, is different.  Few days back, I received as a forward on WhatsApp a clip which, I then gathered was a trailer for an upcoming web series titled ‘Metro Park’. Watch it here. I watched it, had a hearty laugh and forwarded the same to few other WhatsApp groups as is the wont these days. Little did I realise that, even for what I perceived as a routine comedy clip, I would receive some critique questioning, if the makers would dare to make fun of any other religion’s practices in a similar way!

A few years back, the Surf Excel Ad and the Red Label Kumbh ad would have just got beamed across homes through your television sets and the agencies would have just walked away with awards galore. But today, there is no such getting away easily. Though personally I thought that the Surf Excel Holi Ad is a brilliant one which weaves in the product attributes into the Holi story, while at the same time talking of Hindu-Muslim brotherhood… the extreme reactions against the ad actually conveys something else. That of bringing to the fore the fault lines that exist/existed all along in our society.

First of all, the repeated emergence of these themes in ads is itself an aberration in my view. A Unilever company in another country say in the US or in Europe I feel, will not take pains to come up with an ad promoting Hindu-Muslim unity in the guise of promoting their product. After over 70 years of Independence and declaring ourselves as a secular nation, if we have to keep clutching at straws (read as films and TV Commercials) to promote self-belief as a secular nation, something has gone wrong somewhere. Secondly, the extreme reactions a TV commercial promoting harmony evokes among us, also is worrisome.  While social media playing the role of a watch dog is good, more often than not, it is barking up the wrong tree.

‘Daag Acche Hain’ (Stains are good) may be a good tag line for a detergent.  However, “Communal”, “Bigoted” as tags are stains. And as a country we could do without such stains. Kyunki woh Daag acche nahin hain!

Time to shoot the messenger?

“Don’t shoot the messenger” is a cliché often used to decry when someone criticizes the media which is the bearer of bad news, instead of the one who was responsible for it. In the context of what’s been happening in India in the last few days, I am tempted to relieve this cliché of the word ‘Don’t”! We all now know that, media all over the world in general and India in particular is only headed towards abyss! And what we saw in India in the past few days only put a stamp of confirmation on it!

In the wee hours of 26th, India conducted a daring air attack deep inside Pakistan targeting some terror camps on what was touted as a retaliation to the Pulwama attack when over 40 CRPF jawans were killed by a suicide bomber of the Jaish. When we started hearing the news, incidentally first through cryptic tweets from the Pakistani side, journalists of all hue starting dialling up their sources and putting out more details – some true and rest hearsay accounts. In just a few hours, mainstream media and social media were engulfed with a tsunami of nationalistic pride over the attack, even when the Government or the forces never came out with the details in public. #Indiastrikesback, #Surgicalstrike2 and other hashtags started trending on social media and not to mention of the myriad memes taking pot shot on Pakistan!

There was a visible difference on the Indian response to Pak terror attack this time. Unlike in the past (particularly in the aftermath of the 26/11 Mumbai terror attacks) when India played the “responsible” card, this time the “Mirage” was for real (pun intended). Notwithstanding the valour and the efficiency of the armed forces in carrying out this attack, make no mistake, it was possible only because there was a go ahead for such a daring action from the political leadership of the day.  Unfortunately, in these days of a divided polity, opposition leaders like Rahul Gandhi, Mamata Banerjee, Mayawati and the like chose to be petulance personified as seen from their tweets! They all congratulated the IAF and chose to remain silent on the intention of the Govt. forgetting the fact that in situations like these, if there is no political will, there is no way! I am not sure, if BJP was in opposition under the same circumstances, they would have acted differently. Be that as it may, given that this is election season in India, the way media and some of the star anchors and journalists handled this was baffling.  In some of the channels, it was nothing but war mongering. War sets and props, anchors in army fatigues, prime time was unambiguously playing to the gallery. The pro-Govt. journalists had a field day frothing on TV, spitting venom on their social media handles without any responsibility.

The next day i.e. on 27th Feb, Pakistan now chose to retaliate just as their Prime Minister Imran Khan had warned. For many hours, it was not clear what exactly happened as the news trickled in bits and pieces. But soon it emerged that while we were able to put down one Pakistani F16, one of our pilots unfortunately ended up in Pakistan’s custody. Just as news of this emerged, the whole commentary in the media changed. The liberal commentariat which was cooling its heels the previous day came out with their daggers open, now blasting the Indian Govt. for war mongering and sacrificing its brave men with its mindless actions. As #SayNotoWar started trending, our country’s soft underbelly got exposed once again. During the Kandahar hijack, the same thing happened. And further when Imran Khan made a peace dove like statement in their Parliament that they were freeing our officer the next day, the exposure was complete, in my opinion.

From purely Optics point of view, there is no doubt that Imran Khan made most of the situation. While it was well known that they had no choice but freeing a POW, by doing that swiftly, Imran Khan won the perception battle. But to designate and celebrate him as an apostle of peace, just how some of the media personalities were doing on Thursday, was gross injustice to the 40+ jawans who lost their lives just few days back! Back then, the same Imran Khan did not have the courtesy to either condemn or regret the dastardly attack and just mouthed the same “show proof” rhetoric! Now this time it was the turn of the media which is against the BJP/Modi to pursue their agenda and were having their field day!

Neutrality in journalism is now passé. In addition to this agenda driven journalism which now we have learnt to live with, the behaviour of the politicians from both sides was equally regressive and repulsive.  While the ruling party taking this issue to the polls is not avoidable and partially understandable, counting the seat chicken before the border tension hatches as some BJP politicians were doing is highly condemnble.

So in India, we swing from one extreme to another so easily.  From one day shouting from the rooftop of “using our right to attack” in the verge of a terrorist attack to pushing for de-escalation and pull back the moment one of our officers get caught the next day, we proved that we are indeed a country of weak hearts.

Amidst all this, if we have to take lesson on response to these kind of situations, it must be from our defence forces. The same day evening when Imran announced that our officer Abhinandan would be returned to India, there was a presser by the armed forces team which I thought was brilliant, thoroughly professional and to the point. Even when prodded to respond to the so called “good will gesture” of Pakistan in returning our officer, Air Vice Marshal RGK Kapoor stuck to the fact that it was just an “act” which any country was supposed to do and that the IAF was happy to have the officer back. Period. And the whole presser had lessons for journalists and social media warriors on reporting facts, not giving own interpretations and not getting into matters which was not their domain. It is now part of folklore on how the officer Abhinandan behaved under custody. The training and upbringing certainly showed!

The big difference in the media today in situations like these is the arrival of the monster called Social media. Social media not just gives a platform to all of us to express ourselves, it also becomes a platform for professional journalists to display their loyalties and show where their heart lies. It is indeed great to note that our Govt. didn’t buy into the canard of those putting out their own opinions based on their loyalties this way or that way and stuck to their actions in this situation.

As Social media commentary feeds off into main stream media and vice versa and with government functionaries actively present in the social media these days, one gets concerned if governance becomes a prisoner of media’s whims and fancies. And if that begins to happen, time to “Shoot the messenger, folks!

Cartoon courtesy: Amul

T.M.Krishna – A Musician then, an Activist now!

So, T.M.Krishna (TMK) did manage to sing in Delhi yesterday, at the original appointed date though under a different aegis. Originally TMK’s concert was to be under the aegis of SPIC-MACAY and supported by Airports Authority of India (AAI). Quoting some bizarre reasons, AAI pulled out of the event and SPIC-MACAY had to cancel/re-schedule the show. It was clear that the reasons for the cancellation were not straight forward as they were professed. It was more to do with people from the Right wing trolling TMK for his views against the Central Government, his open rebellion against the Carnatic establishment, his open declaration to sing songs of other religions on Carnatic concerts and in general for going against the tide on many issues related to music and everything else.

As an ardent follower of Carnatic music, I have been following TMK for many years now. He is a talented singer and among the younger generation of singers, he is right at the top. I live in Mumbai and I usually don’t miss his concerts as long as they are in the weekends! While on stage, you can see through his passion and involvement in his music. Usually he is so consumed by his music, I wonder if he really sings for the audience or himself! His style of singing is very different. In Tamil, we say ‘Konjam izhu izhunnu izhuthu paadarathu’ (Stretch and stretch while singing) He doesn’t usually sing the very popular Kritis which people generally are familiar. He picks up not so familiar and tough Kritis and delves into them. And in the past few years, one can notice that he doesn’t stick to the established format of a Carnatic Kacheri. One can cite many examples but his rendition of the Kriti ‘Hiranmayim,…’ in Raga Lalitha or the more popular Krishna Nee Begane,… in Yaman Kalyani are samples of his talent and brilliance. In the current crop of singers, in my books he is right up there.  Watching him, his expressions and his way of communicating with his co-artists on stage itself is an enjoyable experience.

 Being a genius that he is, naturally he has got a big following among Carnatic music lovers. But, I see that something has changed. And this is not all of a sudden. As per me, it is since 2013 when his book on Carnatic music titled “A Southern Music – The Karnatik Story” got published. Till then, TMK was a gifted Carnatic musician but with the release of the book he also became an author and a controversial one at that. (Confession – I haven’t read the book yet and it is on my bucket list).  In the book, TMK kicked up quite a bit of storm questioning established thoughts and ideas on Carnatic music not leaving even the spelling and saying it is not Carnatic but “Karnatik”!!! In the run up to the release of the book and after, TMK started ruffling quite a few feathers!  And since then, I have been noticing that among the Carnatic followers, he has become a bit of enigma! An individual who is extremely talented in singing but who is a rebel and an eccentric!

True to his now established image of a rebel, TMK stopped singing in main line Sabhas during the very popular December “Season” in Chennai. He started a parallel forum called “Urur-Olcott Kuppam Festival” to take the Kacheri to slums of Chennai. TMK even kicked off “Kacheri on the move” in a moving bus in Chennai during the season – all in an attempt to take Carnatic music out of the Sabhas to the streets! Such initiatives soon earned him the Ramon Magsaysay Award early in his life in 2017 and as the citation claimed in recognition of “his forceful commitment as artist and advocate to art’s power to heal India’s deep social divisions”!  And also a bunch of critics! Still, he went about his mission of breaking the class divide that exists in Carnatic music by collaborating with transgender community on stage in his Kacheris, setting Tamil writer Perumal Murugan’s lines to Carnatic music and singing them in his concerts and so on!

In the meantime, I observed that TMK also started articulating his thoughts on matters outside the music domain as well. He started taking up issues related to environment strongly. His ‘Porambokku paadal’ music video was an initiative to use music to highlight the environmental damage done by the Ennore Power plant. Soon, we started seeing him being part of many other issues like taking on Hindustan Unilever against dumping toxic Mercury in Kodaikanal,… He is now a regular columnist and the topics are not restricted just to music. He is a strident critic of the present Modi Government and anything to do with Right wing!

Now in my known Carnatic fans circle, I see a sea change in their outlook and attitude towards TMK and his music. He is no longer the genius he was a few years ago in their eyes when he just limited himself to Carnatic music. He is today labelled a leftist, Naxal supporter and a publicity seeker! He is today accused of raking up issues which is not his domain just to stay in limelight!

I am not hence surprised that TMK is subject to constant trolling on Social media.  Even his erstwhile fans are calling to boycott his concerts as he is a “gone case” as per them! This is where I have a big problem. As I mentioned before, I am an unapologetic admirer of his craft. I am in agreement with some of his thoughts and ideas. I don’t agree with him on many counts. His take on M.S.Subbulakshmi for example, I thought was a lot of conjecturing. Yet, I have no problem in listening to his music. When I listen to his music, I don’t think of his views on Indian politics or Narendra Modi!

There could be a happy ending here! By constantly trolling him, the right wingers and others are in the verge of achieving something that the Carnatic aficionados haven’t been able to, all these years – That of taking Carnatic music beyond the ears of just South Indians! I heard that TMK had a full house in Delhi yesterday at the concert with people even standing for full two hours to listen to his music! And If I go by the tweets with #TMKrishna, I can make out that many probably went to a Carnatic concert for the 1st time in Delhi yesterday and came out intrigued by the form of music!

Today, Thodur Madabusi Krishna might have turned an activist. But he is a musician first. And an extraordinary one at that. So, my appeal to fellow Carnatic followers is, if you don’t like his views, ignore them! But, leave him alone. But, it doesn’t make any sense to call for a ban on his singing! Lest, Music’s loss could become some political party’s gain!

Image courtesy: India Today

Kaala, Sarkar and being “Social media Ready”!

What is common between Kaala and Sarkar – both Tamil films released in the past few months? Many. But, beyond the obvious like both films featuring mass heroes with political ambitions, storyline with a political thread etc, etc. there is an important commonality. Both Kaala and Sarkar show Social media playing an important role in the scheme of things of the respective protagonist to take on his adversaries. In Kaala, when pushed to a corner by a scheming politician over usurping common man’s land in the name of slum rehabilitation, the hero (Rajinikanth) takes his fight to Social media and brings entire Mumbai to its feet. All the galvanising of people and spreading of message happen through Facebook videos, Tweets and WhatsApp forwards! Sarkar goes a step further. Even with just couple of hours remaining for voting, the hero (Vijay) is shown attempting to garner support among the remaining voters through Facebook live videos! Before that, he uses tweets strategically to set the narrative. As a non-conventional politician who is thrown into the thick of political action all of a sudden, Vijay and his young team’s “Go to Market” is basically Social media in the film!

 

Whether society mirrors films or films mirror society is still an open debate.  However, it is clear that the respective film makers of Kaala and Sarkar drew inspiration from the Jallikattu protests which happened in Tamil Nadu in the year 2017! Much to the surprise of all, Social media played a very important role and engineered a revolution in Tamil Nadu or so it is widely believed. For the first time, politicians came up to this rude awakening that their opponents can be just some faceless Twitter accounts and trending hashtags and not necessarily the conventional microphone wielding, venom spewing opposition faces!  As it happens normally, writers and film makers take their own creative liberties of what they see around themselves and do a bit of indulgence.  So is the case in these 2 films!

In India, we are already in election mode. Come May 2019, we have the Lok Sabha polls coming up where Narendra Modi is seeking a historic re-election. The moot question is, like how they show in films these days, can Social media be the game changer for parties in their quest to win in 2019? Like in these movies, can politicians and parties win by just harnessing the power of Social media?

I remember way back in 2008, it was Barack Obama who first demonstrated the power of Social media tools like Facebook and Twitter for his presidential campaign. Since then, Social media has been drafted into political campaigning everywhere and it’s been gaining ground slowly and steadily.  So much so, we saw how companies like Cambridge Analytica were exposed attempting to influence swing voters by just targeted messaging over Social media like Facebook.  In India, I guess the early ones to hop on to the Social media bus were Narendra Modi in 2014 and Arvind Kejriwal for 2015 Delhi elections. They used Face Book and Twitter effectively to communicate to the young and urban voters that time! Today, my guess is that almost all parties have a backroom of Social media warriors across the country/state to manage their presence in Social media! And lo, new careers and job options have opened up – Social media managers, Data Analysts, Hashtag managers, video editors and so on!

While Twitter and Facebook have been prominently used in in the past for campaigning, I feel that in India for 2019, WhatsApp will hold the key. With over 200 million users of WhatsApp in India (as of Feb 2018) which is 4 times of what it was in 2014, WhatsApp is easily the fastest growing medium available. Combined with the rapid growth in smart phone adoption and data consumption thanks to cheap data plans, one doesn’t have to look further to deliver targeted messages. So move over SMSs and recorded voice messages!  WhatsApp forwards are here! Even the main stream media feeds on what is happening on WhatsApp these days!

One logical question would be if Social media remains an urban phenomenon and hence will it have any impact in rural India at all?  The growth in internet access and WhatsApp penetration have been traditionally higher in urban India than rural India. However rural India I’m sure is catching up. As per a survey conducted by Lokniti-CSDS in mid-2017, “One-fifth, or 20%, of rural respondents said they used WhatsApp daily as compared with 38% of urban respondents. But the growth in the share of active WhatsApp users has been sharper in rural India, doubling in a year’s time.”

With the adoption and usage of smart phones and WhatsApp being the highest among youth, targeted political messaging becomes easy, quick and probably cheap with WhatsApp! And as election approaches, WhatsApp groups are all busy engaged in political debates usually triggered by a forward message or a news clip! And this is how narratives will be set moving forward.

I am not for a moment saying that as they showed in Kaala and Sarkar, candidates and parties can win over the voters by just using Social media alone! Real life is more complex. However, a smart party/candidate would not ignore the potential of smart phones, Social media and WhatsApp in particular in their media mix for 2019. And would rather focus on the same seriously.

I understand that BJP is already making itself “WhatsApp ready” for 2019. Traditionally the party has been depending on its “Panna Pramukhs” to do booth level mobilisation of voters and they will be now replaced by “Cell phone Pramukhs” it seems! Whether being “WhatsApp ready” will take them ahead of the others in the elections remains to be seen, but it is clear that they have a head start and it can be crucial in close contests!  In 2019, it could very well be Abki Baar WhatsApp ki Vaar!

Kaala and Sarkar may be ordinary films but the makers have provided worthy lessons for political leaders and parties on the importance of being “Social media ready” to take on their opponents. The question is when will parties become “Social media ready” to address common man’s issues? To see that day, like many fellow Indians – “I am waiting”!!!

The Convergence and Divergence of #MeToo and #ReadyToWait!

In the past few weeks, India has been swarmed by two powerful campaigns which could become defining moments in the journey of emancipation of women in India.  It has taken a while coming but come it did, provoking and evoking extreme sentiments. While both the movements have women at the thick of things, the similarity at the face of it, may end there.

The more recent of the two campaigns namely #MeToo, was triggered by actress Tanushree Dutta’s revelation of what happened many years ago when she acted with Nana Patekar. This opened the flood gates for many other stories where men allegedly used their power and position to take advantage of women. What started in the film world extended to other fields as well with journalism being the harbinger of sorts!

Those asking #WhyNow, since many of the stories date back to the 70s and 80’s, forget the outlets which were available those days for outing their stories. At work places, where women had to still prove their existential worth in those times, coming out against their bosses would be the last thing in their minds. So, I don’t buy the theory of what Swapan Dasgupta describes in his column today as the “Long conspiracy of silence”!  Rather one should be happy that the tyranny of power walls has been broken finally!  The big change now for women of course has been the availability of social media at their disposal, its potential to viral a story and make an overarching impact!

Ergo, from now on it’s not going to be “business as usual” at the workplace. The portent combination of screen shots, mobile cameras, smart phone recorders and social media portends the end of the flirtatious man! At the same time, if one looks at “most”, if not all of the horrifying #MeToo episodes, the common link has been the effect of alcohol! A man may understand even a meek signal of a woman’s “No Means No” when he is in his senses. However, I am not too sure if even a clear, no-nonsense “NO MEANS NO” will get into the head of a man in high spirits! So, even after what I will call as a successful campaign which has seen many heavy heads rolling already, self-administered red lines for women may still be what the doctor orders!

As the movement unfolds on social media, we see new names getting added to the list every day! The after-effects of this surprisingly have been pretty quick. Will this ostracization be permanent or just to cool the tempers, only time will tell.  And there could be collateral damages! The Wikipedia pages of the named celebrities are not going to be same again. They will contain these #MeToo references for sure and that as per me could turn out to be the biggest deterrent to lewd behaviour and agent for change in men’s attitude in times to come. Or so I hope!

The other campaign – #ReadyToWait related to the issue of entry of all women into the Sabarimala temple is not so recent. It’s been going on for few years now, ever since this issue was turned to the courts. But it has gathered a Ferrari like momentum after the Supreme Court’s constitutional bench pronounced its verdict few weeks ago. As per the 4-1 verdict, the bench opined that the discrimination of not letting women of certain age enter the Sabarimala Aiyappa temple must go. A great victory for women’s rights, right? Well, looking at the response particularly from the women on the ground in Kerala, the verdict has been a big let-down. Even as activists and champions for Women’s liberation are savouring their victory, women believers of the faith in Kerala and elsewhere are pained.

Image courtesy - TheNewsMinute

Unlike the #MeToo campaign which is being mainly fought in the social media, the #ReadyToWait fight has now morphed into “Save Sabarimala” movement and is happening on the streets of God’s Own Country! Ever since the judgement came out, hundreds and thousands of women, all learned (Kerala is a 100% literacy state, mind you) and among them many erudite, have questioned the wisdom of the bench! As per them, the issue of women of all ages not entering Sabarimala is not a question of throttling their rights. And that this judgement is not a victory for women’s liberalisation,..,… People and largely women behind protecting the sanctity of Sabarimala and its traditions have been aware for decades the beliefs around the “pratishta” of the Sastha at the Sabarimala temple. In a state which has seen the rule of Left for more than 20 years since independence, if this was a pressing issue, I am sure the same would have been brought up and amends made many years ago. Read my detailed post on the Sabarimala verdict here.

So, #ReadyToWait is not about pressing for women’s right to enter the Sabarimala temple but rather pressing for respecting their faith in not wanting to visit the temple!!! #MeToo and #ReadyToWait are about women’s rights eventually but there is this nuanced difference. The direction this #ReadyToWait movement takes, may very well be a bellwether for future in terms of going to court for getting solutions related to faith! In a country like India, which is steeped in religious beliefs and traditions which in a way defines the spirit of India, this could very well be the wakeup call. To come up with a framework and consensus as to who will decide on contentious issues related to all faiths.

Postscript: Elsewhere, one Swamy who these days is very popular on social media with ‘nithyam oru clip’ explained to his followers about #MeToo and #ReadyToWait thus:

“The convergence of MeToo and divergence of ReadyToWait and the divergence of ReadyToWait and convergence of MeToo are basically the same! There are no 2 things. Only one. That is MeTooWait

Image courtesy – TheNewsMinute

 

Carnatic music’s recent discordant note!

In the ultra-fast moving news cycle these days, the rage over few Carnatic musicians singing songs on the Christ, is already behind us. Have not seen any vitriolic or otherwise WhatsApp forwards or posts on Facebook on this, in the past few days. Except for an update that, a group of volunteers from Washington DC have managed to organise a concert of T.M.Krishna at the same date and time as his earlier cancelled concert at Maryland temple. The organisers at the temple unilaterally cancelled his concert after Krishna tweeted out that he will from now on release a new Carnatic song on Allah, Christ,… every month!

To back up a bit, the trigger for Krishna’s announcement was the uproar among Carnatic music rasikas and right-wing apologists on social media over a proposed concert of O.S.Arun (titled ‘Yesuvin Sangama Sangeetam’ on the 25th of August in Chennai and its aftermath.  Arun quickly announced that he was backing out of the programme. The controversy didn’t end there. Other Carnatic musicians like Nithyashree and Aruna Sairam were also dragged into the muddle, citing some past instances of them singing Christ songs. They had to issue disclaimers, which they did.

One person who went against the grain was T.M.Krishna. As we all know, Krishna has been the rebel with a cause in the classical music scene these days. I don’t agree with him completely on some of the issues he has raised over Carnatic music but we will keep that for another Sunday afternoon blog! On this issue though, I tend to agree with him. He went on to say that there is nothing wrong in Carnatic musicians singing on non-Hindu Gods.

The furore over these Carnatic musicians were around few points and the goal post kept changing as the debate ensued.

First, it was about how can Carnatic music be used to sing songs on other religions? Is it not blasphemy? I understand completely where this argument is coming from. Carnatic music has its strong moorings on the Bhakti rasa. Invariably the compositions of the Great Trinity of Carnatic music – Thiagaraja, Muthuswamy Dikshitar and Shyama Sastri are all on Hindu Gods. For that matter even the other composers outside the Trinity like Swati Tirunal, Bhadrachala Ramdas, Annamacharya, Papanasam Sivan and so on basically sang on Hindu Gods. This doesn’t mean that Bhakti rasa of Carnatic music cannot be used to invoke Gods of other religions and cultures.  If we accept that Carnatic is a form of classical music and music is universal, we must be open to it being adopted by other cultures.

While we are quick to denounce Carnatic musicians adopting other cultures, our hearts swell with pride when others adopt our culture. While on this, the oft repeated example is of K.J.Yesudas a born Christian who learnt Carnatic music under Chembai Vaidyanatha Bhagavathar and till today revered as a top notch Carnatic vocal singer. As I know, his rendition of the famous Harivarasanam song is used every day in many Ayyappa temples in India and may be outside when the temple nada (door) is closed in the night after the day’s proceedings. And I have lost count of the times, I have been forwarded the clip of him singing the song live at the Sabarimala temple in Kerala as a matter of extolling the virtues of our tolerance and secular credentials.

And who can forget John Higgins, originally a famous Jazz musician who learnt Carnatic music out of his passion and love for the art. There is a story of him being denied entry into the Udupi Krishna temple because he was not a practicing Hindu.  The authorities relented after he sang the popular Kriti ‘Krishna Nee Begane….’ sitting outside the temple! Until fate snatched his life too soon, Higgins Bhagavathar, as he came to be known, was a celebrated Carnatic musician in India.

Similarly, when we forward the clip of the Malay-Chinese singer, Chong Chiu Sen singing ‘Ninnu Ko ri…, with the associated diction, body language of a veteran Carnatic singer at Puttabarti, we do that with a sense of pride and happiness that our culture is being adopted by others. So if the reverse happens, why the insecurity?

When these were logically pointed out, the argument then shifted from blasphemy to plagiarism. That these singers of the like of Arun, Nithyashree,.. were plagiarising songs of the great Thiagaraja by replacing the word Rama with Jesus/Yesu and so on. As much as I heard those songs, I didn’t find this. The songs were indeed based on ragas of popular Thiagaraja Kritis on Lord Rama but I didn’t see the virtues of Lord Rama being mapped to the Christ. While I accept that swapping words of Hindu Gods with others is a matter of gross impropriety, lifting tunes (ragas) isn’t such a big crime. In matter of composing music, imitation is the best form of flattery!

Then after, the discussions took more ominous turn. That of Christian organisations using Carnatic music and thereby musicians for their long-standing agenda of “conversion” in India. The whole issue of conversion is a complex topic with social, economic and cultural overtones. So, without getting into justification of the same, my limited point would be – To popularise Christianity and promote the religion, will not a more popular and mass music/art form be more effective than Carnatic which, as we know today has a limited following and reach? So, I find this conspiracy theory a bit far-fetched. Here again, I would like to point out that for a country which has withstood the onslaught of different cultures fairly successfully, the kind of insecurity is bereft of wisdom.

I am an ardent follower of Carnatic music and the subject matter of the composition doesn’t come in my way of enjoying the same. As we know there are many compositions in Carnatic music overflowing with Sringara rasa, patriotism and so on and we do enjoy all of them. In any concert, compositions of Subramania Bharatiyar which are not necessarily on Hindu Gods are a big hit!

The unfortunate part is, fearing a major backlash, except for T.M.Krishna who held his ground, all other musicians apologised on social media. It was tragic to hear a viral audio clip of a telecon between O.S. Arun and a Right wing activist who threatened of dire consequences if Arun didn’t mend his ways. Arun, who in that call initially tried to justify his position, later cowed down!

In this context, it is heartening to see that there are more mature and level-headed supporters of Carnatic music who managed to organise an alternate concert of T.M.Krishna when his original programme was cancelled.

Music has no boundaries. Carnatic included. Listening to his piece by T.M.Krishna on Allah which he sang in Mumbai in raga Behag is a case in point.

As a closing, I would only like to invoke the words of the great Thiagaraja in his fine composition – Pibare Ramarasam, Rasane,.. the translation of which goes like this:
“Drink the essence of the name of Rama, o tongue!
It will help you remove or be distant from association with sin or be distant from those who cause you to sin and you will be fulfilled with many kinds and types of rewards/gains”

If only those who took offence, follow this in letter and spirit and cut the bile.