Demonetisation and it’s after”math”!!!

Ever since the RBI released its Annual report 2 weeks ago, Demonitisation (DeMo) is back in the news. And with its eminent Ex-Governor Raghuram Rajan now in India to promote his book, DeMo continues to hog the headlines and Op-Ed pages. The analysis of DeMo swing from scathing criticism of being a “big mistake” by the likes of Ex-Economic Advisor Kaushik Basu to calling it a “huge success and a course correction” by the likes of Gurumurthy, the veteran commentator on public affairs. So, as it happens in most issues these days, “for every spin there is an equally effective and opposite counter spin”! And where you stand on an issue depends on where you stand on the ideological divide.  On social media, it was a hashtag war between #DeMomenisationsuccess and #DeMonetisationfailure!

Ten months on, based on all the data available (99% of DeMo notes coming back to the banks) it seems that DeMo has not helped in sucking out the black money. In retrospection, I wonder how the government expected anybody in India to give up their prized possession (currency notes in this context) at all in the first place. In my own experience, when coming out with marketing promotion programs for the trade, we usually take twice the time for foolproofing the program compared to conceiving the program itself. This is from the wisdom of previous programs over the years where, we found that the Indian brain works over time always to find loop holes/gaps in any program announced. So, in a sales promotion program for example the trade will end up earning the incentives while you never achieve the increased sales objectives!

This is what happened in DeMo as well. If you remember, the day DeMo was announced, the chattering class’ verdict on WhatsApp group and dining area discussions was that it was a “Master stroke”! While the middle class and upper middle class folks who didn’t have unaccounted cash had to just find ways of beating the lines to exchange their notes, the ones who had, started cranking their brains. The result was the everyday tweaking of the rules and adding more terms and conditions for currency conversion. The then Economic Affairs Secretary Saktikanda Das became a celebrity overnight, thanks to his daily media briefings on what else – change in rules!

By now, it is clear that notwithstanding the anti-DeMo commentary of economists, there was overarching, tacit support for the DeMo move from common public. Inspite of loss of business for traders, loss of jobs for casual workers and loss of income for farmers the Note Bandi didn’t evoke much unfavourable mood towards the BJP so far. I am not sure if it will, from now on. What explains this paradox?

Many of the commentators have alluded to the human trait of Schadenfreude to explain this. That the poor were happy because this was one move which affected the rich and privileged and that the Prime Minister Modi had the guts to do so. This is a good possibility. But there could be more to this as well.  Within days of the DeMo announcement, the initial despair among people who were caught unawares with a lot of unaccounted cash turned into a relief, when they found ways and means to deposit the same into the bank. Among many ingenious ways, one was to tap into their own staff and workers to distribute the cash and get them deposited into their bank accounts. A report said that by Dec, the deposits in Jan Dhan Accounts peaked to Rs.74,609 crore! As of Sep, it was just 4,273 crore! The number of Jan Dhan accounts itself went up 5 times in this period!  My guess is that, in this process of conversion through the conduit of using others’ accounts, there must have been a cost.  The government must have lost an opportunity to earn taxes on the unaccounted income but those who had a lot of unaccounted cash ended up incurring a “conversion tax”! And I am certain that those who were witness to the rich incurring this tax felt certainly happy that DeMo was an equalizer of sorts. And not just being a witness, there would have been many who would have benefited from the sudden largesse of their masters as well and got their share of the “conversion tax”. So, instead of the government collecting taxes from the haves and distributing to have-nots by way of welfare measures did DeMo make it as a Direct Benefit transfer from the rich to the poor without the government in between?  Probably.

It’s evident now that the DeMo move has been a rocking political success for the government. On the economic front, though the objective of sucking up the black money has not been achieved directly, certain fringe benefits have accrued. Like reduction in cash circulation, increase in Digital transactions, and increase in bank deposits,…  These may leave the country in good stead in the future.  In the short-term however, the country skipped its GDP beat.

So when one does the after”math” of DeMo, it may well be like the popular “Elephant and the Blind men” story. For some, it’s a failure. For some, it’s a success. For some, it’s a partial success and for some it could be a partial failure. I would like to go with Rajan’s assessment that the short-term economic losses far outweighed the long-term benefits.  In hindsight, one is always wise. Other times – otherwise!

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The “New India” mirage amidst the Deras!!!

It’s just been over 2 weeks since the Prime Minister, from the ramparts of the Red fort, in his Independence Day speech, talked about taking the country forward with a pledge to build a New India. Among other things, he essentially meant that the India of tomorrow must shake itself off from the past, leave aside past prejudices, let go its insecurities and have its priority singularly on development. For a country with demographics by its side, this made ample sense.  The youth of today are more concerned about their aspirations and dreams and less attached to worldly emotional issues which plagued India in the past. Or so it appeared till a couple of days ago.

On the 25th of August, when most of India was celebrating Ganesh Chaturthi with great fervour, by evening, parts of Haryana and Punjab were on boil. By now, it appears that over 36 people have lost their lives. Hundreds have been injured. Public and private property worth millions have been ransacked. Normal life in this part of the country has come to a standstill. Neighbouring and related areas have been on high alert. All this due to mob violence unleashed by supporters of a self-proclaimed Godman by name Gurmeet Ram Rahim Singh of the Dera Sacha Sauda sect, following his conviction on nothing less but rape charges. And I hear that in preparation for tomorrow’s judgement day, schools and colleges will be shut, Internet services have been suspended and curfew is to be continued throughout the day!

My first brush with Dera Sacha Sauda and its head Gurmeet Singh was in June 2009. It was a Friday and I was getting back home from work late in the evening. As I was nearing Mulund, a north eastern suburb of Mumbai where I live, it resembled a riot hit town. Armed police were in the streets in full strength and I could see groups of Sikhs huddled together engaged in animated conversations. This was a first for me in Mulund, usually a peaceful suburb where a mix of people including Gujaratis, South Indians, Maharashtrians, Christians, Sindhis and Sikhs live in harmony. As I waded through the tense streets and reached home, I came to know of the genesis of that situation. That evening Gurmeet Ram Rahim Singh had visited Mulund and was seen shopping in the Nirmal Lifestyle Mall. The choice of Mulund was not by chance, as I could sense later. Mulund had a decent Sikh population who settled after partition in Govt. established settlements. So were Sindhis. A group of Sikhs who spotted him there immediately gathered a few of their brethren and started shouting slogans against Gurmeet Singh. Singh has been a target of Sikh ire back home in Punjab after he dressed up as Guru Govind Singh, the last Sikh Guru to which the orthodox Sikhs took strong exception. When crowd started swelling up and they attempted to block the way of the Gurmeet Singh, his body guards opened fire in which one Sikh businessman got badly injured. He succumbed to the injuries in the hospital soon. As this news spread, mobs spilled into the streets demanding action against Gurmeet Singh.

The next day – Saturday saw a more organized protest with more and more Sikhs, brandishing swords and lathis, blocking trains, buses and other vehicles demanding action against Singh and his body guards. Gurmeet Singh’s cavalcade was intercepted in Navi Mumbai and his body guards were taken to custody. It took a few days for the situation in Mulund to return to normal.  Here was a man whose body guards could just open fire and kill people at free will that too, in an alien city in broad day light for showing dissent. Ironically, all the 14 accused (basically body guards of Gurmeet Singh accused for firing at a mob and killing one person) were acquitted by the court in 2011 for lack of evidence!!! This was when my antenna went up first, about this self-styled Godman Gurmeet Ram Rahim Singh, as one who ticked all the boxes for an emerging power centre who could bend things at his will.  He, by then had won over even the orthodox Sikhs as well and of course political parties.

Coming back to the events of the past 2 days, all the arson, violence and the mindless protests by thousands of people were actually against the law taking its course.  And that too for a crime as heinous as rape of young girls (not one or two but many) within the premises of the Dera.  The fact that many news reports of the shady happenings inside the Dera for so many years didn’t stop the public from continuing to follow and support this so called Baba is startling in itself! What is of course not is, political parties rubbing shoulders with these Godmen from time to time. Any individual who appear to have some influence on few thousands of people, become a natural ally of choice for political parties. In this, no party has been an exception.

In India, this story of Gurmeet Ram Rahim Singh is not alone. We have had similar exploitative tales of Sant Rampal in the north, Swami Nithyananda in the south, Asaram Bapu in the west and so on. What explains this mindless following by people of these so called Godmen, even after seeing them exposed in the past?  While at the outset one could come up with different reasons like faith, belief, upbringing and so on, I guess in the core of this, is “Insecurity”. Insecurity among people of all hue – literate/illiterate, Rich/Poor, Urban/Rural, Upper Class/Lower class, Young/Old, and Men/Women.  Insecurity about their future. Insecurity about their position. Insecurity about their existence. It is this insecurity that these conniving Godmen tap into, quite successfully over a period of time.  So, at the centre of the rise of a Baba lies the insecurities of We, the people!

Till such time, we don’t shrug of these insecurities which, I feel is tied to India emerging as an undisputed developed nation and continuing to stay so for a few decades, enough to cleanse the minds of a couple of generations, New India will remain a mirage where Deras will continue to hold sway. Just as one did a few days ago.

Pic credit: Bollywoodlife.com

The Making of Superstar’s 2.0!

Superstar Rajinikanth’s next film 2.0 is in the making. In fact it’s been in the works for a while. I heard that the shooting is over and post production is going on now. For a perfectionist filmmaker like Shankar, the bench mark is no more his own films like Enthiran/Robot but the recent magnum opus –Rajamouli’s Bahubali franchise.  Not just for its box office earnings but also for its making. Hence, not surprising that 2.0’s release got pushed to 2018. However what’s been making the news of late is not the film 2.0 but the “making” of Superstar’s career 2.0. That of his entry into the political theatre. While it is easy to speculate about his film 2.0’s success (considering the pedigree of the team and its prequel), predicting the success of Rajini’s career 2.0 is quite complex.

Before making an attempt to do that let’s step back and look at Rajini’s film career. As an actor he has been destiny’s own child. There is no doubt that he is one of the most successful actors ever to appear on Indian cinema screens. Rajini today has transcended the boundaries of Tamil cinema and is now an acclaimed National star. However, in his own admission he doesn’t check most of the boxes for an actor. He is not among the good-looking actors India has produced.  He never boasted of a sculpted body or “packs”! Rajini is not an accomplished dancer either. He makes some body movements which become dance steps. He doesn’t transform himself for a role à la Kamal Haasan or Aamir Khan. His make-up artists, costume designers and SFX team do that for Rajini. He is not a method actor like a Shivaji Ganesan too.

He does check a few other boxes, though. He has a screen presence which very few other actors can match. He shows tremendous energy on-screen. This over a period of time became part of his trade mark “Rajini Style”. He has a powerful screen voice and a way of dialogue delivery. Above all the one thing which stands apart is that he knows what he is good at.  He has constantly tried to play to his strengths and thereby gallery. He is extremely smart and I must say shrewd in picking up his scripts.  Particularly since the 90’s when he became the Superstar Rajinikanth we know of and big bucks started riding on him. He works hard the most on choosing the script, the director and his movie title in that order. If this meant shunning risks which came in the form of unconventional story lines or off beat roles, so be it.  If this meant rehashing the same template of “Riches to Rags to Riches” (R2R2R) so be it too.

Why am I laboring so much about Rajinikanth’s 1.0 (films) when actually this post is supposed to be on Rajinikanth’s 2.0 (politics)? In the past his entry into politics was more like ‘puli varuthu, puli varuthu’ story and was of 2 types. One, where he took a firm stand against a party during elections but soon withdrew into a shell. Second where he sent cryptic messages of his political leanings and his imminent entry through punch dialogues and song lyrics in his films. But these were more like gimmicks smeared in his movies by the dialogue writers. Lyricists and directors and seldom were his own design.  But this time around, there seems to be some firmness in purpose. So why exactly is he wanting to enter politics now???

From Rajinikanth’s point of view, may be now ‘Aandavan Sonnan’ (God commanded). Or he feels purely from an opportunity angle this is the perfect time for entry into politics. If there is a time where people can be provoked to try someone new it is this.  So probably his loyalists are pushing him to take the plunge now.

On the flip side, it is no longer a cakewalk for film stars in politics. Even in TN, from Vijayakanth to Sharat Kumar to Vadivelu it has been a rough ride. In the neighbouring states of Andhra and Kerala the likes of Chiranjeevi and Suresh Gopi – stars in their own right, have had mixed success. The youth of today are not so enamoured by a film star and don’t believe that a film star can change their lives. And certainly entering into politics and succeeding is not as easy as what Rajini’s character accomplished in the film Arunachalam!

In politics Rajini has only more to lose than gain. That’s why it will be good for him to take lessons from his filmi career and stay away from politics. Lessons like playing only to his strengths, not getting into experimentation and shunning risks of any kind.  And play again and again his own punch dialogues which will give him all the wisdom required. The likes of:

En vazhi, thani vazhi (My way is my own)

Kashtapadaama edhuvum kidaikaadhu. Kashtapadaama kedachathu ennikum nilaikaadhu. (You’ll gain nothing without hard work. And if you do, it won’t last for long)

For Rajini, there are always so many other ways of giving it back to the society if he wishes so. He can dip into his own movies if he needs ideas on that.  In his films he has often defied gravity. In his career 2.0 it will be difficult to do that.  Ask Amitabh Bachchan.  Amitabh 3.0 has been a revelation.

Postscript: While on Rajini, the other pillar of Tamil Cinema Kamal Haasan has also been in the news of late fueling speculation of his entry into politics. To me Kamal is a consummate marketer as much as an actor. He is doing his best to drive TRPs for his TV Show, guys. Period.

The Four letter F word News!!!

As far as I know, A.R. Rahman is an accomplished music composer. A musical genius, he is also known to be a very humble and genial human being. Usually minding his own business which is churning some out of the world, awesome music day in and day out.  Hence my antenna went up when I saw a post on Facebook and WhatsApp recently attributing him to a quote in a publication called ‘Verve’ claiming to be “the World’s No.1 Bulletin”. The postcard with his picture quoted him of being a Sufi Muslim and conveyed his stand against Cow slaughter. The post ended with him welcoming the Govt.’s recent move to curb Cow slaughter.  Only that, as I suspected this was a Fake News and the post entirely made up with his quotes taken out randomly from old interviews.  He had nowhere opined on Cow slaughter at all.

Welcome to the “New Normal”. Where it is quite normal to see “Fake News” being packaged and circulated as authentic News. Not just A.R. Rahman. Few weeks ago, a similar quote was attributed to Google’s chief Sundar Pichai as well. There was a time when there was just News. Not prefixed by any adjective of any kind. But the situation today is different. We have News of all kinds. News, Fake News, False News, Authentic News and so on.  If we just go by the Fake News around is, our National Anthem is the best in the world, the new 1000 Rs. note has an embedded GPS chip and some more inanities like that.

In Tamil Nadu, where I grew up, ‘The Hindu’ Newspaper was then the “Gold” standard for Newspapers. The joke then was even if there was a murder in broad daylight in front of the newspaper office in Chennai, The Hindu will not carry the News of that murder till the police came, filed the FIR and the postmortem report confirmed that it was indeed a murder! From that to what it is now, we have come a long way. I don’t know if The Hindu still maintains the same yard stick for reporting or not. But in general we know that with a smart phone in hand, everyone has become a reporter of sorts. And in the era of limited attention spans and competitive journalism, “Speed” of breaking the News has taken precedence to accuracy. In this race of “Breaking News” by the minute, truth and validation of News have fallen by the way side. Ironically.

While the above could be attributed to the tyranny of competitive journalism and not probably malafide intent, what is of more concern these days is the deliberate intention to spread False News, thereby outrage and influence opinion. Day in and day out factories in remote corners of India equipped with Internet, Photoshop, Video editors and Mixers churn out “Fake news” taking off from happenings of the day around the world. Thanks to the much empowered Social Media the output from these “Fake news factories” quickly attain ‘Viral velocity”. And when one gets up in the morning into your smart phone as usually it happens, these Fake News posts are on your face.  And without realizing, we contribute our might to the viral velocity by forwarding/Sharing the posts on a dozen odd groups we are usually part of these days and on our social media timelines. All these posts with an intended objective of colouring our opinions slowly do the trick in our mind. Result – we feel happy that though Rahman is a practicing Muslim he abhors Cow slaughter and quote this when the opportunity arises to few others.

You and I doing this is still fine. But the “Fake News factories” of late have started imbibing in its ranks opinion leaders, leading politicians, senior journalists and the like. They also seem to be falling prey to this and in their own naiveté or intent add value to the barrage of Fake News.  While the print medium is still immune to this Fake News syndrome, I feel that the Online medium where our consumption of News is the most these days is seriously afflicted. So when we see any News these days it becomes imperative to step back a bit and decipher if it is indeed News or News preceded by the dreaded 4 letter F word. “Fake” I meant.  Though Social Media sites like Facebook and Twitter have in the recent past resolved to put an end to the “Fake News” problem, the nature of the platform makes it almost impossible to put a stop to this. Yes with better technology and resources they can attempt to minimize. In India, the advent of few sites who now have taken up the role as watch dog for News/Media like Newslaundry, Altnews,.. does provide some hope.  By calling out Fake News as quickly as possible, these sites at least help to contain the damage before hell breaks loose.

So next time you stumble upon a vicious and seemingly propagandist post on WhatsApp or Facebook, step back a little and don’t jump to forward to other groups or share in your timeline!  You could thereby avoid becoming part of the “sleeper cell” of Forward factories trying to manufacture outrage by setting a convenient narrative.  As the old adage goes, “News comes first and then the Narrative”. And not the other way about as is the wont these days.

Postscript: And as far as those rib tickling LOL memes on Alia Bhat or for that matter on tomorrow’s Ind Vs Pak match, bring them on!

Modi Sarkar and the Gita Saar!!!

As Modi Sarkar completes 3 years in office this week, the media is abound with pieces on the hits and misses. Depending upon who the author is and his/her political leanings, the pieces portray either a Glass Half Full or Half Empty picture. Very few have been honest portrayals.

As Aam Aadmis, it’s but natural that our opinions are influenced by what we read/see in the media. So per what we see these days, the economy is doing rather well – India is the fastest growing economy in the planet. The stock markets are on fire and at historical highs! India’s consumer price Inflation stands lowest since we started publishing consumer price index in 2012. In the past weeks the Rupee has been strengthening Vs. the Dollar though this is a double-edged sword.  FDI has been seeing record inflows.

And if you go by some of the pronouncements of the Govt. there again the last 3 years have been very busy for the Govt. of India. Infrastructure projects mainly on Roads and Railways have been unleashed like never before. Govt. has been kicking off programs like Make in India, Skill India, Start up India,..,.. to increase the employment and employability across sectors. Price control though a very socialistic intervention has been resorted to particularly in the healthcare sector to prevent fleecing of the common man. Programmes like Jan Dhan Yojana, Swachh Bharat and Aadhar have been given a fresh impetus right from the top.

In the 1st 18 months, the Prime Minister took it upon himself to travel to countries that mattered to signal the change and restore confidence on the India Story. The results have been emphatic. World over, it is now acknowledged that this Govt. under Modi is on a crucial transformative path and probably this time this is for real and long-term. (In the past India always flattered to deceive).  The inflow of FDI and announcements of various projects in Mfg. and Infrastructure are there to see.

So far so good.

While this is the flavor in the media by and large, it will be interesting to know what the sense on the ground is. If one goes by electoral results as in a democracy it is the barometer of an incumbent Govt.’s performance, there are no two ways about Modi Sarkar. By and large in all types of elections, Modi and his government have got a thumbs up from the electorate. In Economic times’ survey of the Indian Industry, the Industry has clearly thrown its weight behind Modi Sarkar.

In Britain, mid-term opinion polls ask a simple question to respondents: “Are you better off today than you were three years ago?” It would be interesting to know the outcome if somebody does a similar mid-term poll in India to understand what’s in peoples’ mind.

My hunch is that the response will be a farrago of sorts. First, that the conditions on the ground are yet to change. And, second that still the people are happy with the Govt.’s performance.  And yet this is fully understandable. For all the economic indicators and the efforts which have been put in by the Indian Govt. so far, on the ground, results are yet to show up. The fastest growing economy or the influx of FDI or the flag ship programmes kicked off by the Govt. or the massive increase in infrastructure spending and the many other initiatives are yet to result in changes in the life of the common man. In terms of jobs/increased disposable incomes to workers, farmers, middle class,..  And yet no one seems to complain. People still have immense hope on the Prime Minister and his Sarkar.

This is where the Saar (essence) of Bhagavad Gita comes in. In Chapter 2, Verse 47 of the Gita, Lord Krishna says, “You have the right to work only but never to its fruits. Let not the fruits of action be your motive, nor let your attachment be to inaction.”

representative visual

The public so far seem to be satisfied as long as their Govt. is earnest in their intentions and seen to be carrying out their job sincerely. The hope being that this is still “Work In Progress” and results will follow sooner or later. The common man’s response to Demonetisation is a good example of this behavior.

It looks like the Govt. is also taking this Gita Saar seriously and moving forward on a mission mode without getting too much flustered by the noise around it.  I must say here that while this is true for most of the ministries, there are some which have not taken the Gita Essence seriously. I am not sure if the Smart City project has gone beyond announcement of a list of cities. No one knows what the Ministry of Agriculture is up to in transforming the agricultural landscape which has been fraught with draught related woes at times and flood related at other times. That is to name a few.

So when the PM does a review of the performance of ministries on completion of 3 years, we hope he cracks the whip on those who have not taken their mission seriously. And reminds them of their Karma and another gem from the same Gita which says, “The meaning of Karma is in the intention. The intention behind action is what matters”. And declares,  Abki Baar Gita Saar!!!

25 years since the “Roja” blossomed!!!

It was in the year 1992, exactly 25 years ago. I was in Cochin learning the ropes in my 1st job. Weekends were usually time for catching up on films of all hue. And that particular weekend was reserved for what eventually turned out to be a landmark film in Indian cinema in many ways than one. The film Roja was helmed by Maniratnam who had by then become a sort of a cult in Tamil cinema with back to back hits. The film had many firsts to its credit. For the 1st time, a Mani’s film was not about a Robin hoodish character (like in Pagal Nilavu, Nayagan, and Thalapathi) or not of relationships in uber cool urban setting (like in Mouna Ragam, Agni Natchatiram, Idayathai Thirudathey, and Anjali).  In this he explored a new template that of setting up a relationship story with a conflict as backdrop and one that he would often deploy in his career later with mixed success (Bombay, Iruvar, Dil Se, Kannathil Muthamittal,…).  And more importantly for the 1st time a Maniratnam film did not have Ilayaraja as the music director. One with whom he had partnered since his 1st film and delivered some eternal music. Instead he introduced a rookie, young talent to the world called A.R. Rahman who was till then doing jingles for ads. Leo coffee apart from providing the caffeine quotient to South Indians also has the distinction of providing 2 heartthrobs to Indian Cinema – Rahman and Arvind Swamy!!!

Leaving the theatre after the film Roja, I was disappointed with the film. I thought that the film was good but not great. And Mani whose films are deeply rooted in realism, in this had an overdose of melodrama particularly in the end. But then in the theatre at the climax when Arvind Swamy is let off by his captors and gets to unite with his wife, there was a standing ovation. So I guess it all worked for Mani and the film.

So is this post a review of the film Roja 25 years late as the title may suggest? I guess not. But of the genius called Rahman which the film bequeathed to us. Being an ardent and unapologetic fan of Ilayaraja, I guess the first reason for not liking the film Roja was probably that Raja was not doing the music. But in the film as the 1st song – Chinna China Aasai, played out, the music and the visuals were just breathtaking. It was clear that we were entering into a new era of sounds in Tamil music.  SPB, Chithra and other many new comers who were singing in the film were all sounding differently. The songs started growing on you and so did the film. By the time, the Hindi version of Roja got released and became a “super-dubber” hit, Mani was excused and I came out of denial to accept that he has indeed made another great film!

Post Roja, Rahman continued to belt hit songs one after another and he was soon becoming a rage. Whether it was feet tapping numbers like Chikku bukku rayile, Petta Rap,.. or melodies like Narumugaiye, Ennavale,.. or folk numbers like Poraale Ponnu thayee soon Rahman’s music was all over the place.  And in South India where the benchmark for a musician is always how “sound” his/her basics are in classical music (read as Carnatic), Rahman’s deployment of Carnatic ragas in some of his compositions was deft and subtle.  In the song Kanna Moochi yenada for the film Kandukonden, Kandukonden, Rahman’s blending of ragas Natta Kurinji and Sahana is exceptional. Also in the song Narumugaiye in Iruvar the classical Nattai raga gets a Rahman touch. And in the song – Vidukathaiyaa intha Vaazhkai from the film Muthu, a situation (watch here) which is melancholic Rahman aptly uses Ahir Bhairavi – a raga suited to convey such emotions (Remember Viswanathan-Ramamurthy’s Ullathil Nalla Ullam,… in Karnan??). Enough to get into the good books of even the purists of Mylapore, I say!!  While doing all this, he was also in the forefront of turning “Super-Singers” to Stars and breaking the hegemony of established stalwarts. Soon capping new comers would become a mandatory trait for all music composers!

But still for the ears – which were so used to the melody and rhythm of Ilayaraja for probably 20 years since childhood, the new sounds of Rahman were still offbeat.  It was only much later that we came to know that in the film Punnagai Mannan which was touted to be the 1st to use computerized music, while Ilayaraja wrote the score, it was a young kid in his late teens named A. R. Rahman who actually handled the music sequencer for the theme music (listen here).

The fact was, in the initial period Rahman’s songs were sounding similar to his own earlier compositions and ended up being predictable. So, for many of us Raja fans, it was either Raja or Rahman and cannot be both.

By 2000 I had moved back to Mumbai and with that got to follow more Hindi music. Soon after, in 2001, the epic Hindi film – Lagaan had released. And Lagaan had Rahman as the music composer.  Apart from the various facets of the film which makes Lagaan a milestone film – the music score of Rahman was out of the world. Just in the first few minutes into the film as the song Ghanan Ghanan Ghanan starts playing out, one could make out that this was a hitherto not seen/heard Rahman. From then on, I became an unapologetic fan of Rahman. It was no longer Raja or Rahman but Raja and Rahman.

With his success in films like Roja, Dil Se, Lagaan Rahman became the 1st music composer from the South to leave an imprint in Bollywood. Directors from Bollywood didn’t mind making the trips to Chennai and burn the midnight oil (almost all his recording happens in the night – we are told) to get their music score done by Rahman.  And Rahman who keeps saying that he wants to continuously keep stretching his own limits –often walked this talk. His later movies particularly in Hindi like Jodha Akbar, Dilli 16, Rockstar,… explored new aspects of Sufi music till then not touched by earlier composers and brought Sufi music to the centre stage of Bollywood. And again for a person from the South of the Vindhyas to compose some wonderful Punjabi folk numbers in films like Rang De Basanti, Jab Tak Hai Jaan, Rockstar,,.. is something extraordinary.  Just as we keep thinking that Rahman is past his prime he surprises us with some outstanding music. In the film Tamashaa for example. Or even in the otherwise forgettable film Kochadaiyaan (the shifting of Octave as the song progresses in Meduvaagathaan,… – is nuanced music at its best)

Talking of Rahman and not mentioning of his Oscar would seem to be unjust. But then personally for me, The Slumdog Millionaire (TSM) was not Rahman’s best effort. Yes, it got him the Oscar and we should be proud of that. But beyond that, I think his own work in some of the Indian films far outweigh TSM or his other Hollywood efforts.

Comparisons of the music of Raja and Rahman are odious and unfair but unavoidable. To me Raja is an outstanding music composer. And Rahman an outstanding music Engineer. A true Engineer lives and dies by “Efficiency” as defined as “Output/Input” in his/her work.  So Rahman uses voices, scores, instruments, sounds and technology (Inputs) to optimize the eventual music output. Ilayaraja is a composer first who depends on the tune/score largely and then the right arrangement and less of technology. His music horse sense is what he brings to the table than the machines. Hence he is unparalleled in terms of understanding the musical needs of a situation. That’s why Raja’s songs always lift the situations in the films and he is way ahead of the rest as for as background score is concerned.  This debate can go on and on.

For a Raja-Rahman fan like me, what about a film that too by Maniratnam with music by Ilayaraja and Rahman – where Raja composes the tunes for the songs, writes the background score while Rahman does the arrangement, records the music, mixes it and we get to hear the magic!!! Well wouldn’t that be a great way to celebrate 40 years of (Anna) Kili’s chirping and 25 years of the Roja blossoming???

Intha Raja Kaiya Vecha,…,…!

Today was just another Sunday morning. As I turned on the ignition of my car for a Sunday morning drive, Ilayaraja’s (Raja) hits started playing. On top of the playlist was Raja Kaiya Vecha,…,… from the hit film Apoorva Sagotharargal.  There are 2 versions of this song – one sung by Kamal Haasan himself which eventually featured in the film and the other sung by S.P. Balasubramanyam (SPB) which just got retained in the music album. Its’ very rare that a song sung by SPB and composed by Raja gets consigned to just the album. As I was enjoying the interlude in that song which has some awesome feet tapping music, the CD started playing truant and was jumping few tracks and eventually it stopped. My Sunday morning tryst with Raja-SPB duo got aborted midway. At that point in time, I had no premonition of what was to follow later.

Reaching home, soon I could see SPB’s Facebook post going viral where he claimed that he has been served legal notice by Raja’s attorney for singing Raja’s compositions without prior permission in his recent World tour stage shows. And that in the rest of the shows, he may not be singing Raja’s songs. Difficult to believe, the first reaction was of course “Why would Raja take such an extreme step against SPB who was a close friend, associate and a fellow traveller in his music journey?” In a spat involving these 2 namely Raja and SPB for people like me who have grown up with the music of the 70’s and 80’s it is difficult to take a stand. On the one hand you have Raja, a genius and whose music transcends all superlatives. And on the other hand you have a singer who even today can give an Arijit Singh a run for his money with his mellifluous voice and versatile singing. While a lean and fit Raja is known to have a bloated ego, the physically fuller SPB comes across as a man of humility and feather lite ego. Even in this FB post he didn’t have one word of disrespect for Raja and admitted his own ignorance of legalities. He won the hearts and the sympathies of the fandom.

To be fair, it was important to hear out Raja’s side before getting judgemental on his action. And soon in the course of the day we did get to see the same through Raja’s legal consultant who was probably behind shooting this legal notice. As expected he talked of violation of IP rights, royalty payments,…,… The issue of copyrights and Intellectual property rights (IP) on music compositions have of late become a bone of contention between music composers, Lyricists and film producers. The fact of the matter is till about the first decade of this millennium, lyricist and music composers were blissfully unaware of their Intellectual copy rights with a result they were never paid royalty by producers for their creations. Only recently, with the exposure to Hollywood,.. the composers and lyricists became aware of their IP rights. A.R. Rahman now owns the IP for all the music he creates.

Looking up on the issue of Indian Copyright Act, I understood that in 2012 the amendments made to the act set right the historical anomaly of being not beneficial to the creators. Famed Hindi lyricist Javed Akhtar was instrumental in getting the amendments passed. Historically, Indian film producers just paid a one-time fee to song writers, composers and singers. And denied them revenues from other sources like cover versions, ringtones, digital downloads,.. which have become increasingly lucrative.

The amended bill now makes song writers and composers as owners of the copyright which cannot be assigned to the producers as per earlier version. More importantly, as a recurring source of revenue, it is now mandatory for broadcasters – Radio, TV and Digital to pay a royalty to the copyright owners each time the song is played.

It seems that it is now part of the standard operating procedure for singers to take formal permission from the music composers before performing their songs on stage. And as part of this process, the acceptance to pay the applicable royalty. So it comes as a surprise that event producers of SPB’s recent concerts missed this point of not informing or taking Raja’s permission for singing his songs. So from a purely legal standpoint, it is clear that Raja has not hit a wrong note on this matter. But then SPB is not just another singer. He has been a constant companion to Raja all through, with the duo churning out some thousands of hits. It is today hypothetical to argue if the duo’s songs were hits because of Raja’s music or SPB’s singing.  For a fan the Raja-SPB combination was magical and together they have given some evergreen, everlasting music which will continue to live forever in his/her heart.

From Raja’s side could it have been handled differently? Certainly one would feel so. Instead of a legal notice, a friendly call to remind the SPB camp of the IP issue would probably have settled the issue under wraps. Unless otherwise we are not privy to some larger conflict of interests between the two themselves or their minders. In which case after Vairamuthu and Bharathiraja SPB could be the latest to land on the other side of Raja’s symphony.

‘Intha Raja Kaiya Vecha,…. Wronga ponathilla,.. ‘goes the song.  The genius lyricist Vaali wrote this line probably keeping Ilayaraja in mind on his music. But on this issue, it appears Raja has hit a wrong note! He probably should lay his hand on the phone to call SPB and undo this wrong bit, unless Raja chose to use syncopation!!!

Being an ardent of fan of both Raja and SPB, to me what has happened is sad and disappointing. In terms of taking sides on this spat, the head wants to go with Raja and the heart with SPB. But then the ears are always with the duo!!!  Let the Andhi Mazhai continue to pour!!!