Reminiscing the Navarathri of the 70’s!

Today is the 1st day of Navarathri and one can see social media replete with pictures of colourful Golus and other sundry posts related to the festival. From what it was when we were kids, the festival has come a long, long way!

Growing up in Trichy, our school timed the 1st term examinations just before Navarathri. Always. So that we had our vacation exactly for 9 nine days to coincide with Navarathri. School promptly re-opened for the 2nd term on the 10th day i.e., Vijayadasami – a day when it is prescribed to mandatorily study after Saraswathi Pooja. So, as a kid I have fond memories of Navarathri which was exciting, busy and religious while also masquerading as holidays!

The excitement starts even as the last couple of papers of the term exams painfully drag themselves.  The Golu needs to be put up and more importantly a theme for the park adjoining the same had to be thought of. Back then, it was all DIY (Do It Yourself). And I now get it that the phrase “theme park” owes its origin to Navarathri! Shelves, Benches, Trunks, Suitcases, Father’s mayil kann veshtis and Mother’s marriage day but now out of fashion Kanjivaram silk sarees all come together to become the Golu steps. The Golu Idols which were wrapped up nicely with old, discarded Veshtis and stored in old trunk cases and cartons are all unpacked carefully and inspected first to check if the hands, limbs, noses, legs of the various God forms are in order. Once clear, they are cleaned amidst a session of pest control that happens with all of us dancing and prancing around. The house is freed of cockroaches, their babies and eggs. Temporarily.

Once cleaned, the easy part was to arrange the Golu idols on the steps. There is usually an order for at least the important idols like Dasavatharam, Ramar Pattabhishegam, Samudra Manthan, Chettiar bommais etc and they are quickly put in their places. The raking of the brain starts for the park set up. This needed creativity as well as access to resources within the house. Once an idea for the theme is cracked, we as an entire family got into the act to put together the same. If it was a Trade fair exhibition one year, it was a circus another year and Kallanai dam yet another year!  All made of things we had at home without embarking on a shopping spree for sourcing the same elsewhere! There was no competition, yet there was intense competitiveness in being one up on others as far as the theme park goes! The final act was to get the colour lighting and effects right, to complete that year’s Golu!

I said that as kids those nine days were extremely busy not without reason. Kids performed the role of today’s WhatsApp! In the absence of WhatsApp, Mobile phone, SMS and even Land line phones, the job of going to the houses of near and dear was entrusted upon us. If this kept us busy for the 1st couple of days, the later days were consumed by visiting other houses to check out the Golus and the sundal that ensued. Typically, there were certain houses where the sundal was always tasty where we didn’t mind visiting every day!! Also which house to visit that day depended mainly on the type of sundal. Usually a house which made Puttu or Vella Payaru on a particular day attracted a bigger crowd and one had to be there early before it gets over! And if it is stuff like paruppu masiyal and all, one avoids that house for the day! So, those days the mamis have to go all out to get people and kids to come to their place to exhaust the stock of sundal!  The other job for us was to cut newspapers and make packets of the sundal every day for distribution.

Coming to the religious aspect, during Navarathri, the nearby temple used to have different alangaram for the Devi idol as per the day. So, visiting the temple every evening to check out the same was also part of the routine. Some more pious amongst us also used to attend the Lalitha Sahasranamam rendition at the temple every day!

I don’t at all recall if the nine days of Navarathri were observed with different colour dresses by ladies those days as it is today! Probably this is an influence from the North of the Vindhyas which has spread over South also these days, I reckon!

After the nine days are over, the busy schedule continues for a day when we had to re-pack the idols and put them in the trunk cases in the lofts.  For Hindus in South India, “Boxing day” was actually the day after Navarathri!  The steps are dismantled and they get back to their original avtars as benches, shelves, suit cases and the like!

So, in short, the nine days of school vacation just flies in a routine filled with fun, festivities, religion and camaraderie!

On the Vijayadasami day, when the school re-opens, time for all the fun and excitement to be boxed up.  And as one by one answer paper started unravelling, one hoped that the Devi will incarnate once again to put an end to the ultimate evil called Examinations!

As I walk down memory lane to reminisce the Navarathri of the 70’s, I realise that 4 decades hence, this remains still an unfinished agenda!

Postscript – For a more light-hearted take on Navarathri of these days, please do read my post – “Engaathu Golu” here! On that note, Happy Navarathri!

Image courtesy: Scroll.in

 

When Social media becomes Antisocial!

For the uninitiated, Sudha Raghunathan is an accomplished Carnatic vocalist from Chennai. She is a Sangeeta Kalanidhi – a revered title awarded by the Madras Music Academy. She is a Kalaimamani – an award given by the State government of Tamil Nadu to illustrious artists. She is a Padma Shri. She is also a Padma Bhushan. She has been one of the leading Carnatic vocalists of the country.  And has been in the fore front of spreading this art form world over, for decades now.

All these don’t seem to matter anymore. If you go by what you see on Social media these days! In the past few days, Social media has been flooded with posts and forwards, all centred on the upcoming marriage of Sudha Raghunathan’s daughter to a Christian. It all started with the appearance of the marriage invitation card on Facebook and Twitter which then found its way to myriad WhatsApp groups!

For the conservative South Indian society in general and for followers of Carnatic music in particular, it is as if the earth quaked! “How can the daughter of the venerable Sudha Raghunathan marry a Christian?” was the initial reaction. What started as a general lament on the affairs of the youth these days (of studying abroad and marrying out of community and religion) soon turned into a barrage of vitriol and bile targeted at the singer.

One may recall that few months ago, a few Carnatic vocal singers were caught in a controversy over singing songs on Jesus set in Carnatic ragas.  Singers like O.S. Arun, Nithyashree Mahadevan and few others were targeted for agreeing to sing Carnatic music based songs on Jesus and participating in Christian events. There was a loud call for a ban on these artists and finally the controversy blew over when the concerned artists clarified that they are not going to participate in such events. The issue was also attributed to the Church’ larger design of promoting Christianity by appropriating native culture. Conservative and orthodox followers of Carnatic music hadn’t forgotten that story or forgiven those artists, when this issue of Sudha Raghunathan surfaced now.

In Social media, attempts have been made to explain this as a part of the larger “Missionary project” of evangelisation. In line with this presumption, a fake narrative was also propagated that Sudha Raghunathan and family were getting converted to Christianity religion to facilitate this marriage.

While the news of the marriage along with the invite went viral, there was another audio clip which went viral too! This was of a telephone conversation between Raghunathan (Sudha’s husband) and one Ramanathan belonging to the Rashtriya Sanadhana Seva Sangham. Some have mistaken it for the RSS but this organisation has got nothing to do with the RSS.  In the course of the call, Ramanathan almost questions Raghunathan as to why they are letting the marriage happen. In the entire call, Raghunathan is almost apologetic and tries to explain the situation around the fake news of them converting into Christianity and so on. The height of absurdity is that along with the audio clip, the phone numbers of both Raghunathan and Ramanathan were circulated as well!  This is the same Ramanathan who had called O.S. Arun during the earlier controversy, bullied him over phone, recorded the phone conversation and put it out on social media!  Raghunathan is also heard as saying he has been in the receiving end of many such calls in the past few days!

The matter didn’t end here. Another picture of Sudha Raghunathan and her family ostensibly clicked in some wedding reception started doing the rounds with a caption –“National Integration, Unity in Diversity”. The claim was that, Sudha’s son had married a Muslim before and now her daughter is marrying a Christian! This was again a fake narrative and even if it was true, how did it matter?

In Social media, many were of the opinion and rightfully so, that this was purely a personal matter and not of concern to the music lovers. It is good to see that for every nasty comment, there are equal and opposite comments condemning extreme reactions to the wedding news. However, the virulent reactions of many, including that of calling for a boycott of Sudha Raghunathan, the Carnatic exponent, exposed the faultlines that exist today in our society.

The whole episode raises a few serious questions and concerns.

  • That a public figure and a respected artist is just turned into a much hated figure over night by guardians of culture and religion just because the public figure or his/her family member exercised his/her personal freedom.
  • That any self-proclaimed protector of the Hindu religion can call and bully a public figure over a matter of personal choice!
  • That such calls can be recorded and put out on public domain without an iota of concern or respect over individual’s privacy!
  • That an artist’s credentials can be buried overnight and his/her career stunted over issues not concerning the art form!

It’s high time we as a society realise that it is none of our business to comment or express concern on purely a personal matter involving any public figure.

When Social media arrived in the scene we all rejoiced at the empowerment it gave to all those who wanted to express themselves.  Narrative building was no longer the privilege of a few or so we thought.  However, in the recent times, we have been witness to the ugly face of social media more often than not. This incident involving Sudha Raghunathan and her family is an example of how Social media becomes Antisocial!

One of the most popular renditions of Sudha Raghunathan is the song “Brahmam Okate…”! This song is one of the best compositions of Saint Annamacharya in which he describes the universal truth of Oneness! It’s time we as a society understand the profound meaning of the lines of this song and spare the likes of Sudha Raghunathan, this hate on what is clearly a non-issue!

Image courtesy: Milapfest

Daag Acche Nahin Hain!

Just as I was checking my Twitter feed this Sunday morning, I saw the #Surfexcel trending. Initially I ignored attributing it to some sponsored marketing campaign. But when I saw a whole bunch of individuals from the Right to the Left tweeting on the same, I decided to check it out. There, I could see other hashtags calling for a boycott of Unilever products and so on. The reason for the furore being, this ad (watch here) which Hindustan Unilever (HUL) has made for Surf Excel for the upcoming Holi. I watched the ad and I thought it was a brilliant ad though the theme has got a bit repetitive particularly with HUL these days!

People calling for a boycott of Surf Excel and Unilever products though, had a different take. They questioned the need for the company to pick up on a Hindu festival (Holi) to push their product. Few also quizzed if Unilever would do an ad around any Muslim festival. There were also many other tweets with images of Muslim festivals photo shopped with Surf Excel and its now famous tag line – ‘Daag Acche Hain’!  Notwithstanding all this, the ad achieved the purpose of creating a buzz and finally going viral.

This comes closely in the heels of another ad from the same company created during the Kumbh Mela! This ad (Watch here) for their Brooke Bond Red label Tea literally kicked up a storm in the social media tea-cup! . Though extremely well made, it is clear from the ad that the product and its attributes were secondary while the primary objective was just to ride the buzz around the Kumbh. While the commercial went viral on many WhatsApp groups as a great ad, on Twitter though, folks derided the company HUL for hurting the religious sentiments of Hindus. The supers that appeared at the end of the ad said, “Kumbh Mela is the largest religious gathering in the world. At this holy gathering, many elderly are abandoned by their families”!

I am not sure what kind of research went behind, to make a statement like this.  Nevertheless, the ad, I repeat very well made and executed, came across as a botched attempt where just to bring in the “Kumbh” story, you build a very touchy and probably insensitive narrative. I would rather prefer the approach by Fevicol in a similar context for the Kumbh where, they weaved a positive story (watch the ad here) around the event while plugging the attributes of the product effectively.  In the Red label ad, the product got thrust upon in the story at the end. With the massive uproar about this ad in social media, I am told that the company decided to take down the same. However, it didn’t stop it from going viral on social media platforms where it got trolled heavily.

These days, companies when they brief the agency for their commercials, I think must be outlining their 1st objective as “It should go viral”! As I had written in my earlier posts, “Stir up to sell” is an old ploy in marketing and advertising.  Achieving the objective of getting ad go viral is of late falling into very predictable tropes like Hindu – Muslim unity sentiment, Indo – Pak emotion and so on.

The larger point I am trying to put forward though, is different.  Few days back, I received as a forward on WhatsApp a clip which, I then gathered was a trailer for an upcoming web series titled ‘Metro Park’. Watch it here. I watched it, had a hearty laugh and forwarded the same to few other WhatsApp groups as is the wont these days. Little did I realise that, even for what I perceived as a routine comedy clip, I would receive some critique questioning, if the makers would dare to make fun of any other religion’s practices in a similar way!

A few years back, the Surf Excel Ad and the Red Label Kumbh ad would have just got beamed across homes through your television sets and the agencies would have just walked away with awards galore. But today, there is no such getting away easily. Though personally I thought that the Surf Excel Holi Ad is a brilliant one which weaves in the product attributes into the Holi story, while at the same time talking of Hindu-Muslim brotherhood… the extreme reactions against the ad actually conveys something else. That of bringing to the fore the fault lines that exist/existed all along in our society.

First of all, the repeated emergence of these themes in ads is itself an aberration in my view. A Unilever company in another country say in the US or in Europe I feel, will not take pains to come up with an ad promoting Hindu-Muslim unity in the guise of promoting their product. After over 70 years of Independence and declaring ourselves as a secular nation, if we have to keep clutching at straws (read as films and TV Commercials) to promote self-belief as a secular nation, something has gone wrong somewhere. Secondly, the extreme reactions a TV commercial promoting harmony evokes among us, also is worrisome.  While social media playing the role of a watch dog is good, more often than not, it is barking up the wrong tree.

‘Daag Acche Hain’ (Stains are good) may be a good tag line for a detergent.  However, “Communal”, “Bigoted” as tags are stains. And as a country we could do without such stains. Kyunki woh Daag acche nahin hain!

T.M.Krishna – A Musician then, an Activist now!

So, T.M.Krishna (TMK) did manage to sing in Delhi yesterday, at the original appointed date though under a different aegis. Originally TMK’s concert was to be under the aegis of SPIC-MACAY and supported by Airports Authority of India (AAI). Quoting some bizarre reasons, AAI pulled out of the event and SPIC-MACAY had to cancel/re-schedule the show. It was clear that the reasons for the cancellation were not straight forward as they were professed. It was more to do with people from the Right wing trolling TMK for his views against the Central Government, his open rebellion against the Carnatic establishment, his open declaration to sing songs of other religions on Carnatic concerts and in general for going against the tide on many issues related to music and everything else.

As an ardent follower of Carnatic music, I have been following TMK for many years now. He is a talented singer and among the younger generation of singers, he is right at the top. I live in Mumbai and I usually don’t miss his concerts as long as they are in the weekends! While on stage, you can see through his passion and involvement in his music. Usually he is so consumed by his music, I wonder if he really sings for the audience or himself! His style of singing is very different. In Tamil, we say ‘Konjam izhu izhunnu izhuthu paadarathu’ (Stretch and stretch while singing) He doesn’t usually sing the very popular Kritis which people generally are familiar. He picks up not so familiar and tough Kritis and delves into them. And in the past few years, one can notice that he doesn’t stick to the established format of a Carnatic Kacheri. One can cite many examples but his rendition of the Kriti ‘Hiranmayim,…’ in Raga Lalitha or the more popular Krishna Nee Begane,… in Yaman Kalyani are samples of his talent and brilliance. In the current crop of singers, in my books he is right up there.  Watching him, his expressions and his way of communicating with his co-artists on stage itself is an enjoyable experience.

 Being a genius that he is, naturally he has got a big following among Carnatic music lovers. But, I see that something has changed. And this is not all of a sudden. As per me, it is since 2013 when his book on Carnatic music titled “A Southern Music – The Karnatik Story” got published. Till then, TMK was a gifted Carnatic musician but with the release of the book he also became an author and a controversial one at that. (Confession – I haven’t read the book yet and it is on my bucket list).  In the book, TMK kicked up quite a bit of storm questioning established thoughts and ideas on Carnatic music not leaving even the spelling and saying it is not Carnatic but “Karnatik”!!! In the run up to the release of the book and after, TMK started ruffling quite a few feathers!  And since then, I have been noticing that among the Carnatic followers, he has become a bit of enigma! An individual who is extremely talented in singing but who is a rebel and an eccentric!

True to his now established image of a rebel, TMK stopped singing in main line Sabhas during the very popular December “Season” in Chennai. He started a parallel forum called “Urur-Olcott Kuppam Festival” to take the Kacheri to slums of Chennai. TMK even kicked off “Kacheri on the move” in a moving bus in Chennai during the season – all in an attempt to take Carnatic music out of the Sabhas to the streets! Such initiatives soon earned him the Ramon Magsaysay Award early in his life in 2017 and as the citation claimed in recognition of “his forceful commitment as artist and advocate to art’s power to heal India’s deep social divisions”!  And also a bunch of critics! Still, he went about his mission of breaking the class divide that exists in Carnatic music by collaborating with transgender community on stage in his Kacheris, setting Tamil writer Perumal Murugan’s lines to Carnatic music and singing them in his concerts and so on!

In the meantime, I observed that TMK also started articulating his thoughts on matters outside the music domain as well. He started taking up issues related to environment strongly. His ‘Porambokku paadal’ music video was an initiative to use music to highlight the environmental damage done by the Ennore Power plant. Soon, we started seeing him being part of many other issues like taking on Hindustan Unilever against dumping toxic Mercury in Kodaikanal,… He is now a regular columnist and the topics are not restricted just to music. He is a strident critic of the present Modi Government and anything to do with Right wing!

Now in my known Carnatic fans circle, I see a sea change in their outlook and attitude towards TMK and his music. He is no longer the genius he was a few years ago in their eyes when he just limited himself to Carnatic music. He is today labelled a leftist, Naxal supporter and a publicity seeker! He is today accused of raking up issues which is not his domain just to stay in limelight!

I am not hence surprised that TMK is subject to constant trolling on Social media.  Even his erstwhile fans are calling to boycott his concerts as he is a “gone case” as per them! This is where I have a big problem. As I mentioned before, I am an unapologetic admirer of his craft. I am in agreement with some of his thoughts and ideas. I don’t agree with him on many counts. His take on M.S.Subbulakshmi for example, I thought was a lot of conjecturing. Yet, I have no problem in listening to his music. When I listen to his music, I don’t think of his views on Indian politics or Narendra Modi!

There could be a happy ending here! By constantly trolling him, the right wingers and others are in the verge of achieving something that the Carnatic aficionados haven’t been able to, all these years – That of taking Carnatic music beyond the ears of just South Indians! I heard that TMK had a full house in Delhi yesterday at the concert with people even standing for full two hours to listen to his music! And If I go by the tweets with #TMKrishna, I can make out that many probably went to a Carnatic concert for the 1st time in Delhi yesterday and came out intrigued by the form of music!

Today, Thodur Madabusi Krishna might have turned an activist. But he is a musician first. And an extraordinary one at that. So, my appeal to fellow Carnatic followers is, if you don’t like his views, ignore them! But, leave him alone. But, it doesn’t make any sense to call for a ban on his singing! Lest, Music’s loss could become some political party’s gain!

Image courtesy: India Today

The Convergence and Divergence of #MeToo and #ReadyToWait!

In the past few weeks, India has been swarmed by two powerful campaigns which could become defining moments in the journey of emancipation of women in India.  It has taken a while coming but come it did, provoking and evoking extreme sentiments. While both the movements have women at the thick of things, the similarity at the face of it, may end there.

The more recent of the two campaigns namely #MeToo, was triggered by actress Tanushree Dutta’s revelation of what happened many years ago when she acted with Nana Patekar. This opened the flood gates for many other stories where men allegedly used their power and position to take advantage of women. What started in the film world extended to other fields as well with journalism being the harbinger of sorts!

Those asking #WhyNow, since many of the stories date back to the 70s and 80’s, forget the outlets which were available those days for outing their stories. At work places, where women had to still prove their existential worth in those times, coming out against their bosses would be the last thing in their minds. So, I don’t buy the theory of what Swapan Dasgupta describes in his column today as the “Long conspiracy of silence”!  Rather one should be happy that the tyranny of power walls has been broken finally!  The big change now for women of course has been the availability of social media at their disposal, its potential to viral a story and make an overarching impact!

Ergo, from now on it’s not going to be “business as usual” at the workplace. The portent combination of screen shots, mobile cameras, smart phone recorders and social media portends the end of the flirtatious man! At the same time, if one looks at “most”, if not all of the horrifying #MeToo episodes, the common link has been the effect of alcohol! A man may understand even a meek signal of a woman’s “No Means No” when he is in his senses. However, I am not too sure if even a clear, no-nonsense “NO MEANS NO” will get into the head of a man in high spirits! So, even after what I will call as a successful campaign which has seen many heavy heads rolling already, self-administered red lines for women may still be what the doctor orders!

As the movement unfolds on social media, we see new names getting added to the list every day! The after-effects of this surprisingly have been pretty quick. Will this ostracization be permanent or just to cool the tempers, only time will tell.  And there could be collateral damages! The Wikipedia pages of the named celebrities are not going to be same again. They will contain these #MeToo references for sure and that as per me could turn out to be the biggest deterrent to lewd behaviour and agent for change in men’s attitude in times to come. Or so I hope!

The other campaign – #ReadyToWait related to the issue of entry of all women into the Sabarimala temple is not so recent. It’s been going on for few years now, ever since this issue was turned to the courts. But it has gathered a Ferrari like momentum after the Supreme Court’s constitutional bench pronounced its verdict few weeks ago. As per the 4-1 verdict, the bench opined that the discrimination of not letting women of certain age enter the Sabarimala Aiyappa temple must go. A great victory for women’s rights, right? Well, looking at the response particularly from the women on the ground in Kerala, the verdict has been a big let-down. Even as activists and champions for Women’s liberation are savouring their victory, women believers of the faith in Kerala and elsewhere are pained.

Image courtesy - TheNewsMinute

Unlike the #MeToo campaign which is being mainly fought in the social media, the #ReadyToWait fight has now morphed into “Save Sabarimala” movement and is happening on the streets of God’s Own Country! Ever since the judgement came out, hundreds and thousands of women, all learned (Kerala is a 100% literacy state, mind you) and among them many erudite, have questioned the wisdom of the bench! As per them, the issue of women of all ages not entering Sabarimala is not a question of throttling their rights. And that this judgement is not a victory for women’s liberalisation,..,… People and largely women behind protecting the sanctity of Sabarimala and its traditions have been aware for decades the beliefs around the “pratishta” of the Sastha at the Sabarimala temple. In a state which has seen the rule of Left for more than 20 years since independence, if this was a pressing issue, I am sure the same would have been brought up and amends made many years ago. Read my detailed post on the Sabarimala verdict here.

So, #ReadyToWait is not about pressing for women’s right to enter the Sabarimala temple but rather pressing for respecting their faith in not wanting to visit the temple!!! #MeToo and #ReadyToWait are about women’s rights eventually but there is this nuanced difference. The direction this #ReadyToWait movement takes, may very well be a bellwether for future in terms of going to court for getting solutions related to faith! In a country like India, which is steeped in religious beliefs and traditions which in a way defines the spirit of India, this could very well be the wakeup call. To come up with a framework and consensus as to who will decide on contentious issues related to all faiths.

Postscript: Elsewhere, one Swamy who these days is very popular on social media with ‘nithyam oru clip’ explained to his followers about #MeToo and #ReadyToWait thus:

“The convergence of MeToo and divergence of ReadyToWait and the divergence of ReadyToWait and convergence of MeToo are basically the same! There are no 2 things. Only one. That is MeTooWait

Image courtesy – TheNewsMinute

 

Sabarimala and the “Tradition” Conundrum!

As soon as the Sabarimala verdict was out a few days back whereby, the court pronounced that women of all ages can now be allowed to visit the Sabarimala temple, a childhood friend of mine asked me for my reaction to the verdict. He posed the question to me because, I was basically from Kerala and having known that I have been visiting Sabarimala since childhood. My view on the verdict was that as times change, situations change, ground reality changes. Time for traditions, culture etc. etc. to keep evolving with the times. And hence I was for the verdict.   Of course this was a simplistic view of a complex case the verdict of which, is now threatening to disturb the pluralistic, multicultural and accommodative fabric of our Indian society.

 

My view on the verdict was based on the premise that the reasons, (though may be valid at one point in time) for not allowing women in the menstruating age to visit Sabarimala, may no longer be valid in this day and age. And hence this ban doesn’t make sense any more. And I was also of the view that any condition set by force is fundamentally against principles of freedom and is discriminatory. And more importantly, I felt that if my teenage daughter asks tomorrow why she cannot visit the Sabarimala temple, I thought I had no tenable answer.

My view, that the Hindu traditions, religious practices and beliefs have never been cast on stone and have always steered their way along conveniences of mankind, has been consistent with my reaction to the Jallikattu controversy or the more recent controversy around Carnatic singers singing Christian songs. In the Jallikattu issue, I opined that Jallikattu in its present form is certainly cruel to the animal and needs to be reformed. In the interests of preserving tradition and culture a total ban is uncalled for but, certainly safeguards need to be put in place to prevent unethical and unhealthy practices.

However, in the past few days post the verdict I have been seeing some arguments against the verdict, some making sense and some completely off the mark. And the sensible arguments have sort of made me change my mind on my reaction to the verdict.

In Kerala, a state with almost 100% literacy and social indices far ahead of the other states in India, the women have been leading the fight back against the verdict. One of the pieces I read against the verdict said that women don’t feel discriminated at all in being allowed to visit Sabarimala. And it is a question of respecting a tradition which has been in place for so many years.  This set me thinking and this piece is the result of the churn in my mind, I guess.

What sets Sabarimala to be different from other temples in Kerala or for that matter in India, is the process of visiting the temple itself. One cannot visit Sabarimala just like that, though these days it is much easier and is more accessible. First of all, the temple is not open 365 days for pilgrims.  Even in the present times of increased travel comforts, the journey is comparatively arduous and one needs to make the last 6 kms. of hilly stretch from the Pamba river base to Sannidhanam by walk.  (“Dolly service” to carry people up this stretch is available). And there has been the tradition which most men follow of observing a Vratham for 41 days before you travel observing certain practices including celibacy during the period. As part of the rituals, you carry what is known as Iru mudi kettu and carry that all along the trek. And till now, women in the menstruating age have not been allowed. So all these traditions are what that finally make Sabarimala different and what it is today. Of course the practices have gone through their own evolution as I mentioned before, in tune with the times and available technology!

Sans these traditions and beliefs, Sabarimala will be like another temple, where one can visit whenever. If the Government wants, it can lay motor able roads right up to the Sannidhanam so that one doesn’t have to do the physical labouring from Pamba.  So, that brings to the main issue. If the following of these traditions is what eventually makes Sabarimala special, why to tinker with them now? If majority of women in Kerala and outside have not been concerned about being discriminated and were #readytowait where is the issue?

Just like this practice in question in Sabarimala, if one digs in deep, there are countless such beliefs, traditions and practices being followed in many places of worship all over India. Some of it may push the borders of one’s freedom, may seem discriminatory and even downright hypocritical. But which make those places of worship unique and special in their own way. It is important for us to pick the right battles to fight which have larger social ramifications rather than pick on potentially harmless issues.

Therefore, I now tend to agree with the lone dissenting voice and ironically the lone lady voice in the Supreme Court Bench – Justice Indu Malhotra, who said that it is not for courts to determine which religious practices are to be struck down except in issues of social evil like ‘Sati’.

Having said that, I am not buying some of the other frivolous arguments against the verdict being bandied upon bringing in false equivalence around practices being followed in other religions like Islam,..  It’s up to those faiths to pick up their fights!

If India as a country is sort of unique in the world, it is because of our strong roots, culture rooted in traditions and our unwavering belief in “Faith”! So in matters of “Faith”, it will be ideal if the interested parties deliberate among themselves and bring in the reforms when needed rather than throwing the ball to the Courts which necessarily have to pronounce judgments keeping aside traditional beliefs and the underlying emotions involved. And as a society, I do believe that this judgement has opened up a Pandora’s Box and could set a precedent for many an issues involving “faith”, all of it may not have a peaceful pass as this one!

Kallum Mullum,.. – Kaalukku Methai,…” is one among the many slogans you raise to spur yourself while walking up the hill of Sabarimala barefoot. It means stones and thorns are like bed (of roses) to the feet. For an ardent Sabarimala devotee, the judgement though, is seen as a bed of stones and thorns in his hitherto peaceful journey! Having been conflicted on this one for a few days, I do believe that I have a plausible answer to give to my daughter on this “tradition” conundrum!

Image courtesy: Scroll.in

Carnatic music’s recent discordant note!

In the ultra-fast moving news cycle these days, the rage over few Carnatic musicians singing songs on the Christ, is already behind us. Have not seen any vitriolic or otherwise WhatsApp forwards or posts on Facebook on this, in the past few days. Except for an update that, a group of volunteers from Washington DC have managed to organise a concert of T.M.Krishna at the same date and time as his earlier cancelled concert at Maryland temple. The organisers at the temple unilaterally cancelled his concert after Krishna tweeted out that he will from now on release a new Carnatic song on Allah, Christ,… every month!

To back up a bit, the trigger for Krishna’s announcement was the uproar among Carnatic music rasikas and right-wing apologists on social media over a proposed concert of O.S.Arun (titled ‘Yesuvin Sangama Sangeetam’ on the 25th of August in Chennai and its aftermath.  Arun quickly announced that he was backing out of the programme. The controversy didn’t end there. Other Carnatic musicians like Nithyashree and Aruna Sairam were also dragged into the muddle, citing some past instances of them singing Christ songs. They had to issue disclaimers, which they did.

One person who went against the grain was T.M.Krishna. As we all know, Krishna has been the rebel with a cause in the classical music scene these days. I don’t agree with him completely on some of the issues he has raised over Carnatic music but we will keep that for another Sunday afternoon blog! On this issue though, I tend to agree with him. He went on to say that there is nothing wrong in Carnatic musicians singing on non-Hindu Gods.

The furore over these Carnatic musicians were around few points and the goal post kept changing as the debate ensued.

First, it was about how can Carnatic music be used to sing songs on other religions? Is it not blasphemy? I understand completely where this argument is coming from. Carnatic music has its strong moorings on the Bhakti rasa. Invariably the compositions of the Great Trinity of Carnatic music – Thiagaraja, Muthuswamy Dikshitar and Shyama Sastri are all on Hindu Gods. For that matter even the other composers outside the Trinity like Swati Tirunal, Bhadrachala Ramdas, Annamacharya, Papanasam Sivan and so on basically sang on Hindu Gods. This doesn’t mean that Bhakti rasa of Carnatic music cannot be used to invoke Gods of other religions and cultures.  If we accept that Carnatic is a form of classical music and music is universal, we must be open to it being adopted by other cultures.

While we are quick to denounce Carnatic musicians adopting other cultures, our hearts swell with pride when others adopt our culture. While on this, the oft repeated example is of K.J.Yesudas a born Christian who learnt Carnatic music under Chembai Vaidyanatha Bhagavathar and till today revered as a top notch Carnatic vocal singer. As I know, his rendition of the famous Harivarasanam song is used every day in many Ayyappa temples in India and may be outside when the temple nada (door) is closed in the night after the day’s proceedings. And I have lost count of the times, I have been forwarded the clip of him singing the song live at the Sabarimala temple in Kerala as a matter of extolling the virtues of our tolerance and secular credentials.

And who can forget John Higgins, originally a famous Jazz musician who learnt Carnatic music out of his passion and love for the art. There is a story of him being denied entry into the Udupi Krishna temple because he was not a practicing Hindu.  The authorities relented after he sang the popular Kriti ‘Krishna Nee Begane….’ sitting outside the temple! Until fate snatched his life too soon, Higgins Bhagavathar, as he came to be known, was a celebrated Carnatic musician in India.

Similarly, when we forward the clip of the Malay-Chinese singer, Chong Chiu Sen singing ‘Ninnu Ko ri…, with the associated diction, body language of a veteran Carnatic singer at Puttabarti, we do that with a sense of pride and happiness that our culture is being adopted by others. So if the reverse happens, why the insecurity?

When these were logically pointed out, the argument then shifted from blasphemy to plagiarism. That these singers of the like of Arun, Nithyashree,.. were plagiarising songs of the great Thiagaraja by replacing the word Rama with Jesus/Yesu and so on. As much as I heard those songs, I didn’t find this. The songs were indeed based on ragas of popular Thiagaraja Kritis on Lord Rama but I didn’t see the virtues of Lord Rama being mapped to the Christ. While I accept that swapping words of Hindu Gods with others is a matter of gross impropriety, lifting tunes (ragas) isn’t such a big crime. In matter of composing music, imitation is the best form of flattery!

Then after, the discussions took more ominous turn. That of Christian organisations using Carnatic music and thereby musicians for their long-standing agenda of “conversion” in India. The whole issue of conversion is a complex topic with social, economic and cultural overtones. So, without getting into justification of the same, my limited point would be – To popularise Christianity and promote the religion, will not a more popular and mass music/art form be more effective than Carnatic which, as we know today has a limited following and reach? So, I find this conspiracy theory a bit far-fetched. Here again, I would like to point out that for a country which has withstood the onslaught of different cultures fairly successfully, the kind of insecurity is bereft of wisdom.

I am an ardent follower of Carnatic music and the subject matter of the composition doesn’t come in my way of enjoying the same. As we know there are many compositions in Carnatic music overflowing with Sringara rasa, patriotism and so on and we do enjoy all of them. In any concert, compositions of Subramania Bharatiyar which are not necessarily on Hindu Gods are a big hit!

The unfortunate part is, fearing a major backlash, except for T.M.Krishna who held his ground, all other musicians apologised on social media. It was tragic to hear a viral audio clip of a telecon between O.S. Arun and a Right wing activist who threatened of dire consequences if Arun didn’t mend his ways. Arun, who in that call initially tried to justify his position, later cowed down!

In this context, it is heartening to see that there are more mature and level-headed supporters of Carnatic music who managed to organise an alternate concert of T.M.Krishna when his original programme was cancelled.

Music has no boundaries. Carnatic included. Listening to his piece by T.M.Krishna on Allah which he sang in Mumbai in raga Behag is a case in point.

As a closing, I would only like to invoke the words of the great Thiagaraja in his fine composition – Pibare Ramarasam, Rasane,.. the translation of which goes like this:
“Drink the essence of the name of Rama, o tongue!
It will help you remove or be distant from association with sin or be distant from those who cause you to sin and you will be fulfilled with many kinds and types of rewards/gains”

If only those who took offence, follow this in letter and spirit and cut the bile.