On the morning of a new weekend on Monday, the 13th, much of India went on a collective ecstasy when the news started coming in of Indians winning two Oscars at this year’s Academy Awards. RRR, a film from Tollywood that became a Pan-Indian hit got an Oscar for the “Best Original Song”. The second Oscar went to “The Elephant Whisperers” for the “Best Documentary”. For Indians, an Oscar win is coming after 14 years when A.R. Rahman and Resul Pookutty won the Oscars for the Best Original Song/Score and Best Sound respectively for The Slumdog Millionaire film.
As one would expect for such a global recognition, accolades have come in thick and fast from all quarters and deservedly so. It is common knowledge that an Oscar win adds to the brand value of the creative people behind it. Just limiting the scope of this article with RRR, S.S. Rajamouli, the director of the film, the producers, and the lead actors have all revelled under the glory in addition to the Music director M.M. Keeravani (MMK) alias Maragathamani (in Tamil) alias M.M. Kreem (In Hindi).
As can be expected, Naatu Naatu song winning the Oscars has attracted its share of criticism as well. Comments like “There are so many other classic songs from India composed by others and when they did not win the Oscars, how come Naatu Naatu?”, “Even among MMK’s work there are other songs that are much better than Naatu, Naatu”, “RRR got the award, not for Art reason but “Commerce” reason, because Hollywood wants to tap the vast Indian market” and so on are going the rounds in Social Media. Though all these comments could be partially or fully valid, that an Indian work has received the Academy Award is indeed commendable and hence should be complemented without any ifs and buts. So, congratulations to MMK, Lyricist Chandrabose and the entire RRR team are in order.
The reality is even if a film or a song/music is outstanding, it doesn’t mean that it will win an Oscar. This should be understood clearly because for any film to make an impact at the Oscars it has to go through a rigorous process that also involves millions of dollars and that’s quite a lot for an Indian film that is made in a few million dollars. For RRR, unconfirmed reports suggest that the team spent more than 80 million dollars for the Oscar campaign. That brings me to the subject of this blog that for an Indian film to win an Oscar, it has to get its marketing also right. Now one should not get me wrong as if I am alluding that MMK or ARR before got the Oscars only because of marketing and not because of their capabilities. My point is though the winners may be and actually are extremely talented and worth the Oscars, Marketing had a huge role to play in their wins whether it was RRR or Slumdog Millionaire.
Now, the Academy Awards are awards meant for Hollywood films. There is one category for foreign films in which Non-Hollywood films can compete where many countries including India send in their entries. To first get nominated from the home country as its official entry and finally go on to win an Oscar, is a creative + marketing exercise.
Philip Kotler, the Marketing Guru talks about the Ps of the Marketing Mix that a seller has to use to influence the buyer’s response. What started as 4Ps has now become 7Ps. My point is for an Indian film to win an Oscar it is not enough for just the first P – namely the Product to be great. The makers have to work on the balance 6Ps also if they want to stand a chance to win the Oscars. Let me explain the 7Ps and their relevance to the Oscar hunt.
Product: This is quite obvious. Here the product in this context refers to the film or the aspect of the film that is contesting for the Academy Awards (Film, Cinematography, Sound Editing, Music score etc). This is fundamental and has to be outstanding in the first place.
Place: This refers to channels through which the product is sold. In this context, Place refers to where the film is made and where all it is shown. If it’s a Hollywood production it obviously has a better chance to win. Though RRR was not a Hollywood production and it was not nominated as an official entry from India, it had an extremely successful run in many parts of the world including Hollywood. It was eventually the film’s American distributor – Variance Films who submitted the entry to the Oscars under the “For Your Consideration” category – kind of a wild shot at the Oscars. That the film was exhibited widely and was acclaimed all over as a fancy Indian film helped to push through under this category.
Price: In the normal context this refers to the cost or the price the customer pays for the product which usually is an important element for most of the categories. But in this context, I would refer to it as the Price the producer is willing to pay for the marketing and promotion of the film. Once a film is in the fray and that too a foreign film, it only stands a chance if most of the jury members are made to watch the film which requires heavy lobbying that costs money.
Promotion: Usually refers to the Advertising and Promotion activities that need to go behind the product. In this context also it refers to the same and it doesn’t need much explanation. Right from promoting the film within India before release and later promoting it in the markets where the film is exhibited, Promotions are becoming an important aspect of a film’s success.
People: Usually this refers to the people involved in the product right from concept to the store. In the context of films, this refers to the people behind the making of the film. Obviously, the creative brains involved in the film, the stars/cast that is part of the film and later the people who are involved in taking the film to the theatres play a huge role in the success of a film and its chance for an Oscar. Here I would add a crucial P in this People is the Producer without whose mind share and wallet share, it is almost impossible to take a shot even at the Oscars.
Process: This usually refers to the series of actions and SOPs that are involved in taking a product or a service to the consumer. In the context of films, it refers to the process that is involved in taking the film to the Oscars. And whoever has gone through the process before like Aamir Khan or Kamal Haasan will tell you how important it is to master this process that also costs money (P in Price)
Physical Evidence: In Kotler’s theory, this refers to the tangible and intangible elements that customers experience while using a product or service. Physical evidence includes the design, layout, and appearance of a physical location or environment where a product or service is delivered, such as a store, office, or website. It also includes the packaging, branding, and other visual and sensory aspects of a product or service. In the context of films, I would reckon that this would refer to the packaging of the film itself. Like how poverty in a developing country was packaged in Slum Dog Millionaire, for example. Or how a leader like Gandhi was packaged and shown in the film Gandhi. Or how a story belonging to the pre – Independence era has been packaged with mythology and so on in RRR.
There are many outstanding films that are made every year in India. Many of us feel that those are all far better than Slum Dog Millionaire or other films that win the Academy Awards. In order for these films to get chosen from India as India’s entry first and then to stand a chance for winning an Oscar, it is not enough if they are just great films from an Indian viewer’s perspective. It has to be an outstanding film from the perspective of the jury of the Academy Awards. For that, in addition to the main P (Product), the other six Ps as mentioned above need to be worked upon as well.
Many of Kamal Haasan’s films have been sent as the official entry for the Oscars in the past but have not managed to even secure a nomination. This is because they did not pass the 7 Ps test in my opinion. Now go back and check how RRR has fared in handling the 7 Ps and you will understand why it managed to enter into the race first of all though it was not recommended as the Official entry from India and also win an award in the original score category at the end. In the future, if any other filmmaker has aspirations of an Oscar, make a great film and before that read Philip’s Kotler.
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Nothing Private about this!
Ever since, WhatsApp informed all its users of its new update on the privacy terms with an option to accept or “else”, debates and discussions have been happening on whether to move out of WhatsApp or just agree and continue. Irony lost its privacy when all these discussions have been happening predominantly over WhatsApp itself!
In the meantime, rival platforms like Telegram and Signal have seen a huge traction in terms of new users. WhatsApp has been trying to put out the fire through full page ads in mainline newspapers insisting that the new changes are not of any material consequence. And finally, it took a call to put off the effective date for the new policy till at least May which was earlier the 8th of Feb. Hopefully the chatter on this issue will reduce in the coming days. For the rival platforms and media companies though, in these tough times, this has become a bountiful New Year present from the Facebook Corporation.

I personally have been trying to wrap my head around what’s the brouhaha about and what should I do. Privacy is indeed a major issue. But the moot question remains as to where do we draw the line on it. With the advent of technology first in the form of computers, internet, Networks, the Mobile phone and now Apps for anything and everything under the Sun, it is clear that life has become more convenient. At the same time, it is also clear that all these invade a lot into our privacy.
The last time when the issue of privacy entered the drawing room discussions in India was when the Government of India was pushing Aadhaar linking to bank accounts, mobile phones, IT returns and so on. The move was challenged in Supreme Court and post the verdict which sent mixed signals, we don’t see so much push on the Aadhaar front these days in terms of linking with anything and everything. Aadhaar has now been relegated to just being one of the requirements for identity proof. This is unfortunate because, when Aadhaar was envisioned by Nandan Nilekani and his team, the scope was to use Aadhaar for delivery of many of the Government services. There was also a talk of a virtual Aadhaar Bank. All those big ideas lost their way now due to the battle which a few launched on the privacy front against Aadhaar.
I was then of the opinion that all those who use mobile phones, who are active on social media, who use tools like Google search and maps and so on should never complain about privacy. As part of their functioning, they anyway track the users. So the question of privacy doesn’t arise. The only way to protect one’s privacy is not to use them at all. Even the congressional questioning which took place in the US against Facebook, Google etc.… did not lead anywhere because, at the end of the day, as users we choose to use the tools and accept the conditions that define the usage of these tools. We all have the choice not to use them at the expense of convenience in life.
My position around the new changes in WhatsApp and the next steps, veers around the same points. If you are a user of Google search, Maps, Mail and the works, anyway a lot of your activity is tracked and shared across platforms. And today, I came to know that our off Facebook activity say in other Apps are being shared with Facebook by the Apps for which we have signed up and accepted the terms of usage! It’s ironical that many who complain about the new update in WhatsApp continue to post “Check in” and “Check Out” status on Facebook!
I also realised that more than the issue of actual privacy, the inhibition towards WhatsApp’s new policy has come from “Big Corporate phobia”. I remember reading in Philip Kotler’s Bible on Marketing that large corporates and market leaders are always prone to becoming victims of negative public reactions frequently and so the Marketing team in such large companies should be equipped to pro-actively sense this and strategize accordingly. Had this privacy update notice come from a smaller player, the response would have been muted. But because it was from WhatsApp which is this humungous communication monster today that too owned by another monster called Facebook, the noise became louder. And looks like the marketing team there hasn’t read Kotler!
I feel a bit lazy and hassled to ditch WhatsApp now and start using another messaging App say like Signal knowing very well that Signal could be acquired by Google or Facebook tomorrow. And what stops the rival Apps from changing their privacy policy tomorrow? And also even after moving to another App for some group activities, if I have to continue with WhatsApp for other groups, it is a pain to dabble in multiple platforms, not to mention of the erosion in the available memory space on the poor mobile phone.
WhatsApp has turned out to be one of the most convenient mode of instant communication today and has become ubiquitous. So ubiquitous that WhatsApp has become a verb. You don’t send a picture over WhatsApp but you just WhatsApp it! It is indeed convenient and it has been free all along. It has broken all kinds of class barriers. It will take a while to completely sign out of this presently. Not that it is not probable. (Remember Orkut?)
Back in 2014, when Facebook acquired WhatsApp for a staggering US$19bn, the first question that came up in our minds was, what all will Facebook do to monetise WhatsApp? What’s been happening of late with WhatsApp is part of the answer to that question. The launch of WhatsApp business accounts, WhatsApp Pay and probably a virtual WhatsApp Bank are all steps to add revenue streams to the company.
It appears that there are two options now. One, if I am so concerned about my privacy, I have to ditch my smart phone, become smart myself, stay away from social media and stop using all the convenient Apps. It’s like going back in time to another era altogether.
The second option is not to get so concerned about the privacy threats and continue to use technology but be conscious of what we do and what we share on Apps and platforms and hope and pray that all’s well that ends well. For now, I have chosen the 2nd option. What about you?
If you like this post, do share among your WhatsApp groups or any other platform you have taken to of late. Thank you.
Pic Courtesy: NBC News
Tanishq Ekatvam – Anatomy of the Campaign!
When you read this, I am sure you will be familiar with the latest product of the “Outrage factory” in India. Tanishq, Tata’s crowning jewel other than TCS provided the raw material this time. The outrage was around an ad which was put out to kick off its new Ekatvam campaign. The company soon pulled down the ad bowing down to the social media outrage but not before it went viral and divided popular opinion.
As a standalone ad, (see here) I personally liked it. The story is consistent with the purported theme of the campaign, where “the beauty of oneness” was being promoted. Oneness in this case was conveyed through the coming together of Hindu and Muslim faiths after a marriage between a Hindu woman and a Muslim man in this case.
There was predictable outrage following the ad where many questions like “Will they show a marriage of a Muslim girl and a Hindu boy?” and “Why are they showing as if the Muslim parents were doing a favour by following the girl’s traditions” and so on. I am certain that if the ad was shown as above, there would have been exactly opposite questions. Newton’s third law – “For every action is there is an equal and opposite reaction” and Whataboutery are the cornerstones of today’s outrage factory.
My take on the ad itself is that it was a well thought out plan. The campaign was launched during IPL just ahead of the festivals which is peak season for brands like Tanishq. And during this period and particularly during IPL, it is important to cut the clutter. One way of doing it is to make a nice commercial but with a contrarian story line. It helps the ad to stand out and also ensures it goes viral. That’s what happened with the Tanishq ad. Today for most marketers, the starting point of a campaign is to make it “Go viral” and if it does, it is the ultimate take away for the bucks spent. So, kicking off a controversy through the ad is one established method of making it go viral. Many companies in the past have done that and Tanishq is no exception. I had written about this in one of my earlier posts “Stir up to sell” and if you haven’t read that, please do read here.
It is unfortunate that the company decided to pull down the ad. At the same time, it is easy to criticize the Tatas for succumbing to social media pressure in taking that decision. But I believe that it was a pragmatic choice. Already the business is reeling under the after effects of Covid with showrooms just being opened up. And the peak season is just ahead of the company. At this time, it makes no sense to do grandstanding risking the safety of its retail staff and properties.
At the same time, due to the heat the ad cranked up, the ad went viral and more people have seen than probably originally envisaged. The ad and the brand have become talking points for weeks over and even this blog would not have been written if the ad showed a plain vanilla oneness story!
This post though is not about the journey of that particular ad. I wanted to use the window the ad provided to look at the strategy behind the campaign itself.
As I mentioned earlier, the campaign titled Ekatvam has been kicked off by Tanishq just ahead of its biggest season. In North India, the festive season around Navaratri and in particular Diwali/Danteras are peak seasons for buying gold jewellery. And any serious brand would not like to miss out on this high stakes season.
At the outset, Ekatvam seems to be a brand building exercise to build on its core values of “Trust” etc. So far so good. After having seen the ad that sparked the controversy, I went to Tanishq’s website which also showcases the Ekatvam campaign. And here’s the thing! It says “Tanishq presents Ekatvam – the beauty of Oneness!” It says the “thought” being, “Beautiful things happen when people come together. But today, we’re asked to stay apart, keep a distance and be safe. While we continue to do this, through compassion, empathy, hope and care, we’ve come together when it was needed the most.” And goes on further. “The beauty of oneness. One as humanity. One as a nation. Ekatvam. A confluence of India’s finest craft forms, intricately knitted into one stunning collection, bought alive by our skilled Karigars, where similarities and differences all become one!”
Beautiful thought and an excellent copy. However, if this is the Ekatvam (confluence of India’s craft etc.) Tanishq wanted to promote, where does this aspect come out in that ad? It is common marketing wisdom that when a company launches a campaign, it is showcased consistently across media platforms may it be Print, TV, Web site, Digital etc. I don’t see that being followed here. While the website talks of the campaign being a noble effort to bring together different craft forms and craftsmen, the TV commercial tries to convey oneness by bringing faiths together. If you look at the print ads, the one in North India (see below left) is consistent with the theme in the web site. However, the print ad in South (see below right) doesn’t explain anything about Ekatvam beyond the tag line of “the beauty of Oneness” and looks more like a “Sales promotion” ad.
So, this brings back to my original hypothesis that the controversial ad was part of a game plan to “Stir up to sell”. The brief it seems was to deliberately bring in the Hindu – Muslim angle and showcase the oneness. And probably the company sort of expected the backlash. In any case, backlash or not, the ultimate objective was to make it go viral and maximise the bang for the buck. The outrage factory in my opinion completely missed this point and effectively contributed in making the ad and the brand top of the mind for few weeks.
What the controversial ad would do to sales would be an interesting thing to watch in the coming weeks. While some commentators feel that it may affect the retail sales a bit, I reckon it may not do much damage.
In final summary, just as you shrug off a lean business period after lock down and get into a peak season phase, why would you launch a CSR kind of corporate campaign of Ekatvam?
Post script: Another innocent question to the makers of the ad. When you wanted to showcase Hindu-Muslim confluence, why would you choose a Kerala family as a backdrop when the ad is in Hindi and aimed at festival season (Diwali) in North of India?
Daag Acche Nahin Hain!
Just as I was checking my Twitter feed this Sunday morning, I saw the #Surfexcel trending. Initially I ignored attributing it to some sponsored marketing campaign. But when I saw a whole bunch of individuals from the Right to the Left tweeting on the same, I decided to check it out. There, I could see other hashtags calling for a boycott of Unilever products and so on. The reason for the furore being, this ad (watch here) which Hindustan Unilever (HUL) has made for Surf Excel for the upcoming Holi. I watched the ad and I thought it was a brilliant ad though the theme has got a bit repetitive particularly with HUL these days!
People calling for a boycott of Surf Excel and Unilever products though, had a different take. They questioned the need for the company to pick up on a Hindu festival (Holi) to push their product. Few also quizzed if Unilever would do an ad around any Muslim festival. There were also many other tweets with images of Muslim festivals photo shopped with Surf Excel and its now famous tag line – ‘Daag Acche Hain’! Notwithstanding all this, the ad achieved the purpose of creating a buzz and finally going viral.
This comes closely in the heels of another ad from the same company created during the Kumbh Mela! This ad (Watch here) for their Brooke Bond Red label Tea literally kicked up a storm in the social media tea-cup! . Though extremely well made, it is clear from the ad that the product and its attributes were secondary while the primary objective was just to ride the buzz around the Kumbh. While the commercial went viral on many WhatsApp groups as a great ad, on Twitter though, folks derided the company HUL for hurting the religious sentiments of Hindus. The supers that appeared at the end of the ad said, “Kumbh Mela is the largest religious gathering in the world. At this holy gathering, many elderly are abandoned by their families”!
I am not sure what kind of research went behind, to make a statement like this. Nevertheless, the ad, I repeat very well made and executed, came across as a botched attempt where just to bring in the “Kumbh” story, you build a very touchy and probably insensitive narrative. I would rather prefer the approach by Fevicol in a similar context for the Kumbh where, they weaved a positive story (watch the ad here) around the event while plugging the attributes of the product effectively. In the Red label ad, the product got thrust upon in the story at the end. With the massive uproar about this ad in social media, I am told that the company decided to take down the same. However, it didn’t stop it from going viral on social media platforms where it got trolled heavily.
These days, companies when they brief the agency for their commercials, I think must be outlining their 1st objective as “It should go viral”! As I had written in my earlier posts, “Stir up to sell” is an old ploy in marketing and advertising. Achieving the objective of getting ad go viral is of late falling into very predictable tropes like Hindu – Muslim unity sentiment, Indo – Pak emotion and so on.
The larger point I am trying to put forward though, is different. Few days back, I received as a forward on WhatsApp a clip which, I then gathered was a trailer for an upcoming web series titled ‘Metro Park’. Watch it here. I watched it, had a hearty laugh and forwarded the same to few other WhatsApp groups as is the wont these days. Little did I realise that, even for what I perceived as a routine comedy clip, I would receive some critique questioning, if the makers would dare to make fun of any other religion’s practices in a similar way!
A few years back, the Surf Excel Ad and the Red Label Kumbh ad would have just got beamed across homes through your television sets and the agencies would have just walked away with awards galore. But today, there is no such getting away easily. Though personally I thought that the Surf Excel Holi Ad is a brilliant one which weaves in the product attributes into the Holi story, while at the same time talking of Hindu-Muslim brotherhood… the extreme reactions against the ad actually conveys something else. That of bringing to the fore the fault lines that exist/existed all along in our society.
First of all, the repeated emergence of these themes in ads is itself an aberration in my view. A Unilever company in another country say in the US or in Europe I feel, will not take pains to come up with an ad promoting Hindu-Muslim unity in the guise of promoting their product. After over 70 years of Independence and declaring ourselves as a secular nation, if we have to keep clutching at straws (read as films and TV Commercials) to promote self-belief as a secular nation, something has gone wrong somewhere. Secondly, the extreme reactions a TV commercial promoting harmony evokes among us, also is worrisome. While social media playing the role of a watch dog is good, more often than not, it is barking up the wrong tree.
‘Daag Acche Hain’ (Stains are good) may be a good tag line for a detergent. However, “Communal”, “Bigoted” as tags are stains. And as a country we could do without such stains. Kyunki woh Daag acche nahin hain!
The Convergence and Divergence of #MeToo and #ReadyToWait!
In the past few weeks, India has been swarmed by two powerful campaigns which could become defining moments in the journey of emancipation of women in India. It has taken a while coming but come it did, provoking and evoking extreme sentiments. While both the movements have women at the thick of things, the similarity at the face of it, may end there.
The more recent of the two campaigns namely #MeToo, was triggered by actress Tanushree Dutta’s revelation of what happened many years ago when she acted with Nana Patekar. This opened the flood gates for many other stories where men allegedly used their power and position to take advantage of women. What started in the film world extended to other fields as well with journalism being the harbinger of sorts!
Those asking #WhyNow, since many of the stories date back to the 70s and 80’s, forget the outlets which were available those days for outing their stories. At work places, where women had to still prove their existential worth in those times, coming out against their bosses would be the last thing in their minds. So, I don’t buy the theory of what Swapan Dasgupta describes in his column today as the “Long conspiracy of silence”! Rather one should be happy that the tyranny of power walls has been broken finally! The big change now for women of course has been the availability of social media at their disposal, its potential to viral a story and make an overarching impact!
Ergo, from now on it’s not going to be “business as usual” at the workplace. The portent combination of screen shots, mobile cameras, smart phone recorders and social media portends the end of the flirtatious man! At the same time, if one looks at “most”, if not all of the horrifying #MeToo episodes, the common link has been the effect of alcohol! A man may understand even a meek signal of a woman’s “No Means No” when he is in his senses. However, I am not too sure if even a clear, no-nonsense “NO MEANS NO” will get into the head of a man in high spirits! So, even after what I will call as a successful campaign which has seen many heavy heads rolling already, self-administered red lines for women may still be what the doctor orders!
As the movement unfolds on social media, we see new names getting added to the list every day! The after-effects of this surprisingly have been pretty quick. Will this ostracization be permanent or just to cool the tempers, only time will tell. And there could be collateral damages! The Wikipedia pages of the named celebrities are not going to be same again. They will contain these #MeToo references for sure and that as per me could turn out to be the biggest deterrent to lewd behaviour and agent for change in men’s attitude in times to come. Or so I hope!
The other campaign – #ReadyToWait related to the issue of entry of all women into the Sabarimala temple is not so recent. It’s been going on for few years now, ever since this issue was turned to the courts. But it has gathered a Ferrari like momentum after the Supreme Court’s constitutional bench pronounced its verdict few weeks ago. As per the 4-1 verdict, the bench opined that the discrimination of not letting women of certain age enter the Sabarimala Aiyappa temple must go. A great victory for women’s rights, right? Well, looking at the response particularly from the women on the ground in Kerala, the verdict has been a big let-down. Even as activists and champions for Women’s liberation are savouring their victory, women believers of the faith in Kerala and elsewhere are pained.
Unlike the #MeToo campaign which is being mainly fought in the social media, the #ReadyToWait fight has now morphed into “Save Sabarimala” movement and is happening on the streets of God’s Own Country! Ever since the judgement came out, hundreds and thousands of women, all learned (Kerala is a 100% literacy state, mind you) and among them many erudite, have questioned the wisdom of the bench! As per them, the issue of women of all ages not entering Sabarimala is not a question of throttling their rights. And that this judgement is not a victory for women’s liberalisation,..,… People and largely women behind protecting the sanctity of Sabarimala and its traditions have been aware for decades the beliefs around the “pratishta” of the Sastha at the Sabarimala temple. In a state which has seen the rule of Left for more than 20 years since independence, if this was a pressing issue, I am sure the same would have been brought up and amends made many years ago. Read my detailed post on the Sabarimala verdict here.
So, #ReadyToWait is not about pressing for women’s right to enter the Sabarimala temple but rather pressing for respecting their faith in not wanting to visit the temple!!! #MeToo and #ReadyToWait are about women’s rights eventually but there is this nuanced difference. The direction this #ReadyToWait movement takes, may very well be a bellwether for future in terms of going to court for getting solutions related to faith! In a country like India, which is steeped in religious beliefs and traditions which in a way defines the spirit of India, this could very well be the wakeup call. To come up with a framework and consensus as to who will decide on contentious issues related to all faiths.
Postscript: Elsewhere, one Swamy who these days is very popular on social media with ‘nithyam oru clip’ explained to his followers about #MeToo and #ReadyToWait thus:
“The convergence of MeToo and divergence of ReadyToWait and the divergence of ReadyToWait and convergence of MeToo are basically the same! There are no 2 things. Only one. That is MeTooWait
Image courtesy – TheNewsMinute
Life without Google!!!
On the 27th of July this year, which was observed as Guru Purnima day – a day where we remember our gurus/teachers in life, a meme which was going viral on WhatsApp showed a student prostrating before “Google” and paying his respects on Guru Purnima day to the search engine! As much as it’s a joke to laugh about, one cannot miss the irony looking at the reality of the search engine’s clutch on our lives today!
Google today, is a gargantuan Eco system. But here, we are referring to its earliest avatar –the search engine. For this generation, their first and probably only chosen resort for discovering answers to any question is “Google”! School is just for parents’ reassurance! Our generation which studied and survived without Google in those days seem so dated now! In conversations among our peers, this dialogue is often said and heard – “In our times there was no Google. We all worked so hard. And look at kids these days! They just Google and get all information what they want without moving their a**s!” That the lines are often pregnant with envy which is never missed by the kids is another matter!
Well, forget this generation. What will happen to “us”, the “Doordarshan” generation of the 70’s and 80’s if the search engine stops working one fine morning???
- Where will we get those “thought for the day” messages for circulating every morning in the WhatsApp groups??
- How do we take important decisions like whether to dry clothes inside or outside? Go back to the old fashioned way of searching the Newspaper for weather forecast! And use the thumb rule of drying clothes outside if IMD says heavy rain is in store for the day!
- Travelling and reaching a new place means calling up and asking for proper directions and landmarks and religiously noting them in a piece of paper and not forgetting to put that in your pocket before leaving and leaving sufficiently early to be there on time and,… and,…
- Did you just get used to the Uber or Ola App after repeated pestering by your kids? Then time to get back to the old ways of hailing the cab on the road and haggling about the faulty meter or the amount “above” the meter!
- One may have to think many times before taking up the challenge of trying out some new exotic recipes at home! And have to go back to the time-tested way of calling the mother for any recipe! And have to start maintaining that cooking book!
- And imagine what will happen to the parents when faced with school assignments and projects without Google!!! And get used to taunts like – “Dad, the answer you taught yesterday for the problem is totally wrong!!”
- And as parents, forget about becoming heroes in the eyes of children by answering some weird, tough questions on general knowledge or some such thing by surreptitiously checking on Google!
- Tieing that saree the very traditional way for the puja is going to be nerve-wracking!
- Where will you get the jokes for the all-important seminar the next day?
- And where will one find answers to all those silly and not so silly “How to…” questions?
- So and so forth
I am just listing the obvious.
It’s clear that not this just generation or the Gen Next, even the older ones today, cannot pass a single day without Google.
Google spent or is still spending tonnes of dollars on traditional media like TV for popularising the idea of “googling” with older generation as their main target audience! When you have the most popular online platform trying to spread awareness about itself through TV commercials, Billboards, Newspaper ads, irony just “googled” for the best way to commit suicide!!!
Look at these TVCs here! These are certainly endearing but I wonder if today is there a real need for anyone to advertise virtues of “Google”??? Well, probably this will fall under CSR for Google for helping the economy of the country with its huge ad spend!
Jokes apart, Google is participating in real CSR for example with projects like providing Free Wi-Fi at Railway stations. But the larger game plan must be to make people get used to the Google Ecosystem which is today omnipresent! From Search to Mails to Video sharing to Smart phone OS to Cloud sharing to Photo sharing to so many things! While there are options and semblance of competition in others, for internet search, competition is non-existent or is far off.
Any product with no competition is worrisome. We can see today how SEO techniques are being used by most to influence search results and increasingly are either not reliable or dis-honest! Time to have a challenger to Google!
Postscript: Did I say competition for Google search is non-existent? Well I take back. I am married. Don’t you remember this??? I just googled and found this 😀
Nano – Tata’s and India’s miss!
Tucked in between the noisy and newsy headlines in India in the last week around Love Jihad, Rahul Gandhi’s religion, Ivanka Trump’s costumes in Hyderabad and other inanities, was a poignant news bit about the Nano car. Poignant, because it said that dealers have stopped placing new orders for the car and in the month of October, just a measly number of 57 cars were shipped. And this led to political jibes from Rahul Gandhi that the PM’s pet ‘Make in India’ project just died. He also tweeted that Rs. 33,000 crore of tax payer’s money and that too of Gujaratis’ turned into ash. Coming in the midst of a vitriolic election campaign in Gujarat, one can excuse politicians for spicing up their speeches without looking at the larger picture. The point is taking potshots at Nano’s failure is taking potshots at India. Failure of Nano is not just a failure of Ratan Tata or the Tatas but a blot on India.
Cut to year 2008, when Nano was first launched, it was the biggest story of India Inc. ever. When Ratan Tata initially announced that Tata Motors is working on a Rs. 1 lac (US$2500) car, it was met with excitement and skepticism in equal measure. So, finally when Tata did launch the car with a price tag of Rs. 1 lac, the world did look up and notice. Finally, here was a car which was conceived in India, designed and developed by Indians with indigenous technology and manufactured in India that broke all cost frontiers unimaginable by car manufacturers till then. Overnight, Ratan Tata was the toast of the nation.
Around the 2008-10 time period, whenever I met any foreigner from Japanese to Americans, our conversations invariably touched upon the Nano car and how this was pulled off. And those visiting India always wanted to see a Nano car on the road and take a picture in front of one. Selfies didn’t exist then! The Chairman of a well- known Indian group who drove a Camry, proudly told me that he was the first among to book a Nano in Mumbai and to get delivery as well. At that time, Nano was yet to be seen in big numbers in Mumbai. But on a visit to Colombo in 2011, Nano had already captured the “Budget Taxi” space there. Media was full of interviews of not just Ratan Tata but also of the R&D engineers who had designed the Nano. Nano’s launch was the culmination of a series of stories in which India Inc. was part of then. It was believed that Nano would be a live case study for C.K. Prahalad’s “Fortune at the bottom of the pyramid” theory!
That was not be and the excitement around Nano soon started tapering. Unfortunate incidents of the Nano going up on flames on the road didn’t help at all. For a product which was expected to expand the car market by 65% or so, the sales was plateauing around 70,000 Units a year for 2-3 years before nose diving to what is a few hundred cars this year. The failure of the Nano car must be one of the most analyzed and discussed case study in B- Schools, I reckon. Most of what I have been reading, attribute its failure to the “positioning” of the car as the world’s cheapest car in the beginning. The Quality failures adding “fuel to the fire”. Attempts to re-position the car as a “Cool Urban car”,… didn’t help either. I have a different view on the reasons for the failure of the Nano car. But will keep that for another blog.
In business, they say there is no room for emotions and decisions need to be taken based on just commercial considerations. The ousted Chairman of the Tata Group, Cyrus Mistry recently said that during his time it was decided to pull the plug on Nano as it didn’t make commercial sense, after attempts to revive the project failed. As of now it hasn’t happened. The current Chairman Chandrasekhar has been more considerate, probably towing Ratan Tata’s emotional line. He has said that there is a need to take a more “holistic” view on the Nano project. And I tend to agree.
Nano was not a Tata story. It was and is an India story. Ergo, failure of Nano in a way is an indictment on the capability and potential of Indians. And as somebody said, “Nano was not an Idea. It was an ideology!” Ideas can fail. Ideologies need to linger! The failure of Nano soon opened up to “We told you so” and how can Indians pull it off” jibes. For a 3rd largest economy (GDP-PPP) in the world, India is yet to throw up globally renowned home ground brands. So far, it’s been the soft power brands like Ayurveda, Yoga, IIT and the likes which have been torch bearers for India globally. Let’s keep aside the Software brands like Infosys, Wipro,… aside for the time being. In one of my very early blogs (read here) on different styles of management, I had opined that for the world to recognise, acknowledge and adopt the “Indian style of Management”, we need stories of successful Indian companies and brands. Just like how the world adopted the American way or Japanese style when their companies were successful. And that opens the door for Indian companies, Indian products and we Indians in the global arena. Nano was uniquely positioned to be the 1st homegrown successful Indian product brand. There was an opportunity for India Inc. to have “arrived” in style. Not just that. Success of the Nano would have led to similar pushing of cost and design frontiers by other Indian companies in many other product categories. It would have opened the floodgates for Indian CEOs to apply the “frugal innovation” concept in other products. Hence my fervent hope that Nano should succeed.
So, when it failed as it has now, it has pushed back the India Inc. story by few years till we stumble upon the next Big Idea. In the meantime, Nano I believe, is slated to make a comeback in an electric avatar. Will this avatar help Nano to claim the position of “the common man’s car” in Indian market that Ratan Tata originally envisioned 9 years ago? The world in no longer watching it with the same excitement of 2008. Away from the arc lights, the original billion dollar opportunity still beckons!
A quote alluded to Ratan Tata says, “I don’t believe in taking right decisions. I take decisions and make them right!” Nano might have been a glaring exception to this. For Ratan Tata’s sake, Nano-II should set the record straight. For India’s sake too.
A BMW formula for Indigo!!!
Earlier this week, a video clip of 2 staff members of Indigo Airlines manhandling a hapless passenger on the tarmac made news headlines and occupied Prime time news in India. As expected, the clip also went mega viral on social media quickly. Since then, there has been no end to various jokes and memes, all at the expense of Indigo Airlines. Even the usually reticent Air India joined the party with their ads trolling Indigo for their high “handedness”! An ad on behalf of Jet Airways floated too which later was disowned by Jet Airways themselves as fake. In short, it was Indigo’s unfortunate “United” moment!
The response of Indigo to this incident which apparently happened in the mid of October seemed bewildering. They had sacked the employee who had shot the incident and probably released to the media. The media portrayed this as Indigo being vindictive of a whistle-blower! To be fair, they tendered a public apology to the wronged passenger. And submitted a detailed letter to the Minister of Civil Aviation giving their side of the story. The letter indicated the reasons as to why the two employees who were involved in the manhandling incident were let off with warning while the so called whistle-blower was sacked. However, by this time the damage had already been done! Whether this incident and the bad mouthing that followed will make passengers re-think about flying with Indigo is a moot question. Flyers being fare conscious may still fly Indigo if their fares are lower than others. But, everything being same, one may tend to tick another airline at least in the short run. So, the pressure will be on Indigo to keep their prices down all the time particularly with the year-end peak holiday season coming up.
I have been a fan of Indigo’s marketing for a while now. Their marketing messages have been crisp, humourous and quite creative. For a company which had a well-crafted, clean image thus far, this incident has lent a heavy blow. Having said that, this can happen to any professionally run organization in any line of business. Companies, particularly in the service delivery business, do spend man hours in imparting training to employees to develop their soft skills. Still, a bad product or a bad mood or a moment of indiscretion of an employee on a wrong day can spoil the carefully cultivated image of a company. Here’s where companies need to have a clearly laid out “Recovery” strategy whereby you not just contain the damage but also look to benefit from a bad episode. A Recovery model which follows what I call as the “BMW” formula. Nothing to do with the brand BMW but meaning “Be repentant, Make Amends quickly and Wow the customer!
Let me narrate a recent example of my good friend Adinarayanan’s experience with ID Fresh Foods, a company which is a case study in itself for a successful startup in India these days. Adi purchased a packet of ID Parota and to his surprise found only 4 pieces instead of 5 as mentioned in the packaging. He reported this to the company thro e-mail on the customer care id mentioned in the packaging. Within 2 hours, he got a response over e-mail, where they acknowledged the problem, apologized for it and assured resolution of the same. And within a day or two, he indeed received a fresh packet of Parotas. The story didn’t end there. Along with this, he also received a packet each of other products of Id Foods!!! So, my friend more than being just satisfied with the company’s gesture of making good his complaint, was now delighted. He wrote about this in a detailed post on Facebook (by which I came to know) which must have been seen my many of his friends as well! Since he tagged ID Foods in this post, the post would have reached more than just his FB friends! ID Foods also ended up doing a small publicity for their other SKUs by this gesture. Many birds with one stone! Not to mention of this narration in this blog post!
If you analyse this, ID foods followed the “BMW” model quite diligently. They responded with an apology, didn’t try to be defensive and hence were “Being repentant”. By sending a fresh product and that too within 2 days, they quickly Made amends. And finally by sending a packet of their other products, they Wowed the once disgruntled customer.
Going back to the Indigo episode, Indigo stopped with Being repentant. They didn’t attempt to Make Amends, forget trying to Wow the customer. As soon as the company learnt of this episode, its President Mr. Aditya Ghosh admittedly called and apologised to the passenger. Great gesture of Being Repentant. Now imagine if they had sent the staff who manhandled along with a senior manager to the passenger’s residence with a bouquet of flowers and a Sorry card. And for safety sake, got this video graphed. And imagine further what would have happened if the irate passenger gets a free travel voucher from Indigo the next day delivered at his residence?
Following the whole BMW Recovery formula would have costed less than Rs.5000 to Indigo but would have earned them an elated customer who probably would talk about what the Airline did later rather than the original manhandling. Now in spite of all this, the original clip would have still been leaked to the media and would have still created havoc. But having followed the BMW formula religiously, I believe the damage would have been much less. The company in response can also use the same social media to release the clip of their visit to the passenger’s house to mollify him.
Having a well laid out BMW formula where the employees are empowered to take suitable calls I believe, is critical to handle unfortunate bad experiences of customers. In this whole Indigo episode, lies another important lesson for companies – “To have satisfied customers, have satisfied employees first.”
Postscript: The topic of “having a recovery strategy” is also one which usually falls under “What they still don’t teach you in Harvard (any) Business School!” However, I clearly remember our marketing professor Mr. Tarun Gupta painstakingly talking about this while covering ‘Services Marketing” which till this day echoes in my mind. TG who is revered as a Marketing Guru in Pharma circles with a trail blazing career in companies like Glaxo, Ranbaxy,… passed away on the 31st October at the age of 78. This post is my humble tribute to him. May his soul Rest in Peace.
Pic Courtesy: Amul
25 years since the “Roja” blossomed!!!
It was in the year 1992, exactly 25 years ago. I was in Cochin learning the ropes in my 1st job. Weekends were usually time for catching up on films of all hue. And that particular weekend was reserved for what eventually turned out to be a landmark film in Indian cinema in many ways than one. The film Roja was helmed by Maniratnam who had by then become a sort of a cult in Tamil cinema with back to back hits. The film had many firsts to its credit. For the 1st time, a Mani’s film was not about a Robin hoodish character (like in Pagal Nilavu, Nayagan, and Thalapathi) or not of relationships in uber cool urban setting (like in Mouna Ragam, Agni Natchatiram, Idayathai Thirudathey, and Anjali). In this he explored a new template that of setting up a relationship story with a conflict as backdrop and one that he would often deploy in his career later with mixed success (Bombay, Iruvar, Dil Se, Kannathil Muthamittal,…). And more importantly for the 1st time a Maniratnam film did not have Ilayaraja as the music director. One with whom he had partnered since his 1st film and delivered some eternal music. Instead he introduced a rookie, young talent to the world called A.R. Rahman who was till then doing jingles for ads. Leo coffee apart from providing the caffeine quotient to South Indians also has the distinction of providing 2 heartthrobs to Indian Cinema – Rahman and Arvind Swamy!!!
Leaving the theatre after the film Roja, I was disappointed with the film. I thought that the film was good but not great. And Mani whose films are deeply rooted in realism, in this had an overdose of melodrama particularly in the end. But then in the theatre at the climax when Arvind Swamy is let off by his captors and gets to unite with his wife, there was a standing ovation. So I guess it all worked for Mani and the film.
So is this post a review of the film Roja 25 years late as the title may suggest? I guess not. But of the genius called Rahman which the film bequeathed to us. Being an ardent and unapologetic fan of Ilayaraja, I guess the first reason for not liking the film Roja was probably that Raja was not doing the music. But in the film as the 1st song – Chinna China Aasai, played out, the music and the visuals were just breathtaking. It was clear that we were entering into a new era of sounds in Tamil music. SPB, Chithra and other many new comers who were singing in the film were all sounding differently. The songs started growing on you and so did the film. By the time, the Hindi version of Roja got released and became a “super-dubber” hit, Mani was excused and I came out of denial to accept that he has indeed made another great film!
Post Roja, Rahman continued to belt hit songs one after another and he was soon becoming a rage. Whether it was feet tapping numbers like Chikku bukku rayile, Petta Rap,.. or melodies like Narumugaiye, Ennavale,.. or folk numbers like Poraale Ponnu thayee soon Rahman’s music was all over the place. And in South India where the benchmark for a musician is always how “sound” his/her basics are in classical music (read as Carnatic), Rahman’s deployment of Carnatic ragas in some of his compositions was deft and subtle. In the song Kanna Moochi yenada for the film Kandukonden, Kandukonden, Rahman’s blending of ragas Natta Kurinji and Sahana is exceptional. Also in the song Narumugaiye in Iruvar the classical Nattai raga gets a Rahman touch. And in the song – Vidukathaiyaa intha Vaazhkai from the film Muthu, a situation (watch here) which is melancholic Rahman aptly uses Ahir Bhairavi – a raga suited to convey such emotions (Remember Viswanathan-Ramamurthy’s Ullathil Nalla Ullam,… in Karnan??). Enough to get into the good books of even the purists of Mylapore, I say!! While doing all this, he was also in the forefront of turning “Super-Singers” to Stars and breaking the hegemony of established stalwarts. Soon capping new comers would become a mandatory trait for all music composers!
But still for the ears – which were so used to the melody and rhythm of Ilayaraja for probably 20 years since childhood, the new sounds of Rahman were still offbeat. It was only much later that we came to know that in the film Punnagai Mannan which was touted to be the 1st to use computerized music, while Ilayaraja wrote the score, it was a young kid in his late teens named A. R. Rahman who actually handled the music sequencer for the theme music (listen here).
The fact was, in the initial period Rahman’s songs were sounding similar to his own earlier compositions and ended up being predictable. So, for many of us Raja fans, it was either Raja or Rahman and cannot be both.
By 2000 I had moved back to Mumbai and with that got to follow more Hindi music. Soon after, in 2001, the epic Hindi film – Lagaan had released. And Lagaan had Rahman as the music composer. Apart from the various facets of the film which makes Lagaan a milestone film – the music score of Rahman was out of the world. Just in the first few minutes into the film as the song Ghanan Ghanan Ghanan starts playing out, one could make out that this was a hitherto not seen/heard Rahman. From then on, I became an unapologetic fan of Rahman. It was no longer Raja or Rahman but Raja and Rahman.
With his success in films like Roja, Dil Se, Lagaan Rahman became the 1st music composer from the South to leave an imprint in Bollywood. Directors from Bollywood didn’t mind making the trips to Chennai and burn the midnight oil (almost all his recording happens in the night – we are told) to get their music score done by Rahman. And Rahman who keeps saying that he wants to continuously keep stretching his own limits –often walked this talk. His later movies particularly in Hindi like Jodha Akbar, Dilli 16, Rockstar,… explored new aspects of Sufi music till then not touched by earlier composers and brought Sufi music to the centre stage of Bollywood. And again for a person from the South of the Vindhyas to compose some wonderful Punjabi folk numbers in films like Rang De Basanti, Jab Tak Hai Jaan, Rockstar,,.. is something extraordinary. Just as we keep thinking that Rahman is past his prime he surprises us with some outstanding music. In the film Tamashaa for example. Or even in the otherwise forgettable film Kochadaiyaan (the shifting of Octave as the song progresses in Meduvaagathaan,… – is nuanced music at its best)
Talking of Rahman and not mentioning of his Oscar would seem to be unjust. But then personally for me, The Slumdog Millionaire (TSM) was not Rahman’s best effort. Yes, it got him the Oscar and we should be proud of that. But beyond that, I think his own work in some of the Indian films far outweigh TSM or his other Hollywood efforts.
Comparisons of the music of Raja and Rahman are odious and unfair but unavoidable. To me Raja is an outstanding music composer. And Rahman an outstanding music Engineer. A true Engineer lives and dies by “Efficiency” as defined as “Output/Input” in his/her work. So Rahman uses voices, scores, instruments, sounds and technology (Inputs) to optimize the eventual music output. Ilayaraja is a composer first who depends on the tune/score largely and then the right arrangement and less of technology. His music horse sense is what he brings to the table than the machines. Hence he is unparalleled in terms of understanding the musical needs of a situation. That’s why Raja’s songs always lift the situations in the films and he is way ahead of the rest as for as background score is concerned. This debate can go on and on.
For a Raja-Rahman fan like me, what about a film that too by Maniratnam with music by Ilayaraja and Rahman – where Raja composes the tunes for the songs, writes the background score while Rahman does the arrangement, records the music, mixes it and we get to hear the magic!!! Well wouldn’t that be a great way to celebrate 40 years of (Anna) Kili’s chirping and 25 years of the Roja blossoming???
Leadership Marketing!!!
David Packard, Co-founder of Hewlett Packard famously said, “Marketing is too important to be left to the Marketing Department”. He meant that in an organization, every individual – the CEO included, has to perform his/her bit in “marketing” the company’s products. I am not sure if there is anybody else who has taken to this concept more keenly than Donald Trump, a CEO turned POTUS. How else could you explain this?? On the 28th Jan, Trump has a call with the Prime Minister of Australia Malcolm Turnbull as part of his global leadership outreach since he became the President. Post the call, the official White House Readout on the call went thus:
“President Donald J. Trump and Australian Prime Minister Malcolm Turnbull spoke by phone for twenty-five minutes today. Both leaders emphasized the enduring strength and closeness of the U.S.-Australia relationship that is critical for peace, stability, and prosperity in the Asia-Pacific region and globally”.
A few days hence, media reports emerged on the call which said, “Donald Trump yelled at Australian PM during “worst ever” phone call about refugee swap deal – then HUNG UP”. For obvious reasons, this report created a furore all over with the rumblings being heard for few days over. In the meantime Trump at a Prayer Breakfast added,
“Believe me, when you hear about the tough phone calls I’m having – don’t worry about it. Just don’t worry about it,”
Now, here’s the intrigue. Apparently we hear that while on the call with Turnbull, Trump was joined by the then National Security Advisor Michael Flynn and senior advisor Steve Bannon. Only. So how did reports of his so called “yelling” and “hanging up” find their way to the media??? Surely the President’s office is not bugged by some media house! It’s clear that the media reports were a part of an orchestrated PR campaign to market the product called Trump. In this case it was clearly intended to send a message to his constituency which bought his message of “America First” during the campaign that he is tough and is now “Walking the Talk”. Notwithstanding the tremors that the news of the call created, I am sure it did the job of enhancing Trump’s image among his supporters as a no nonsense leader. So it was not just important for Trump to talk tough on the refugee issue but to communicate to the world that he talked tough.
Welcome to the age of “Leadership Marketing”!!!
Closer home too, we have parallels to this. Through Narendra Modi our Prime Minister. For example, when Heeraben, our PM’s mother visits him in Delhi and spends a few days at the official Prime Minister’s residence, we get to see pictures splashed in the newspapers of Narendra Modi with his mother. The source of this being the Prime Minister’s twitter handle itself where Modi posted pictures of him walking his mother in a wheel chair along with his tweet which said “My mother returns to Gujarat. Spent quality time with her after a long time & that too on her 1st visit to RCR”. So to his many followers, the intended message is clear. Here’s a leader who is tender at heart with his mom while being blessed with a 56” chest in his own words to take on his adversaries. In India more than spending time with wife and children, image of a leader taking care of his mother has a telling impact. Again it was not just enough for Modi to spend quality time with his mom but to inform the world that he did so!!!
America, arguably the global fountainhead of marketing has been in the forefront of adopting this technique with Trump now but even with Barack Obama before. Routinely we were fed with images of how the Obamas enjoyed quiet dinners at suburban restaurants on weekends. On Obama’s 55th birthday which was his last in Office, we saw plugs like “55 pictures of Obama discovering his inner child” and so on!!! In the case of Obama the positioning was not of a tough leader but of an affable and lovable man who cared for everybody.
In India, giving competition to our PM in Leadership Marketing is the Aam Aadmi Party Chief Arvind Kejriwal. He wears the positioning of Aam Aadmi on his sleeve. Literally. Even as a CM of a state he walks in chappals, wears loose fit clothes, tweets reviews of films he catches up on weekends,… to reinforce his positioning. The party also posts routinely on Facebook like this:
“Chief Minister of India’s Capital. No security, No VIP treatment. Truly Aam Aadmi,” With the following picture:
Not surprising that the post got over 30,000 likes and 5,400 comments!!!
So, Leadership Marketing is no longer the exclusive domain of Americans.
In advocating this Leadership Marketing, I must say that the advent of Social media has made the job much easier. No need to depend on your PR agency to do the job. One could time it yourself.
On the flip side, the case of Vijay Mallya tweeting a picture of himself at a Super luxury hotel in Dubai and claiming to have a rocking time when his employees were hitting the streets for unpaid salary back home were bad optics and horrendous Leadership Marketing!!! Leadership Marketing is the new double edged sword in the arsenal for leaders to “position” themselves “right” in the battle for the minds and hearts. Double edged it is and hence they can’t leave it to the party’s publicity wing or an external agency but have to be on top of it themselves. Just as Packard advised.
As leaders engage in this marketing and optics, we the people need to develop the skill of separating wheat from the chaff and make our judgement objectively rather than fall for the optics or surround sound!!!
So the next time when you see a report quoting from an “inside source” of Trump banging the table during a meeting with Tim Cook for not making Apple phones in America or a clip of O.Paneer Selvam praying to a Jayalalitha’s picture tucked in his shirt pocket, you know why!!!
Somebody famously said, “The Future of Marketing is Leadership”. I am tempted to paraphrase in tune with today’s times as “The Future of Leadership is Marketing”. Amen.