T.M.Krishna – A Musician then, an Activist now!

So, T.M.Krishna (TMK) did manage to sing in Delhi yesterday, at the original appointed date though under a different aegis. Originally TMK’s concert was to be under the aegis of SPIC-MACAY and supported by Airports Authority of India (AAI). Quoting some bizarre reasons, AAI pulled out of the event and SPIC-MACAY had to cancel/re-schedule the show. It was clear that the reasons for the cancellation were not straight forward as they were professed. It was more to do with people from the Right wing trolling TMK for his views against the Central Government, his open rebellion against the Carnatic establishment, his open declaration to sing songs of other religions on Carnatic concerts and in general for going against the tide on many issues related to music and everything else.

As an ardent follower of Carnatic music, I have been following TMK for many years now. He is a talented singer and among the younger generation of singers, he is right at the top. I live in Mumbai and I usually don’t miss his concerts as long as they are in the weekends! While on stage, you can see through his passion and involvement in his music. Usually he is so consumed by his music, I wonder if he really sings for the audience or himself! His style of singing is very different. In Tamil, we say ‘Konjam izhu izhunnu izhuthu paadarathu’ (Stretch and stretch while singing) He doesn’t usually sing the very popular Kritis which people generally are familiar. He picks up not so familiar and tough Kritis and delves into them. And in the past few years, one can notice that he doesn’t stick to the established format of a Carnatic Kacheri. One can cite many examples but his rendition of the Kriti ‘Hiranmayim,…’ in Raga Lalitha or the more popular Krishna Nee Begane,… in Yaman Kalyani are samples of his talent and brilliance. In the current crop of singers, in my books he is right up there.  Watching him, his expressions and his way of communicating with his co-artists on stage itself is an enjoyable experience.

 Being a genius that he is, naturally he has got a big following among Carnatic music lovers. But, I see that something has changed. And this is not all of a sudden. As per me, it is since 2013 when his book on Carnatic music titled “A Southern Music – The Karnatik Story” got published. Till then, TMK was a gifted Carnatic musician but with the release of the book he also became an author and a controversial one at that. (Confession – I haven’t read the book yet and it is on my bucket list).  In the book, TMK kicked up quite a bit of storm questioning established thoughts and ideas on Carnatic music not leaving even the spelling and saying it is not Carnatic but “Karnatik”!!! In the run up to the release of the book and after, TMK started ruffling quite a few feathers!  And since then, I have been noticing that among the Carnatic followers, he has become a bit of enigma! An individual who is extremely talented in singing but who is a rebel and an eccentric!

True to his now established image of a rebel, TMK stopped singing in main line Sabhas during the very popular December “Season” in Chennai. He started a parallel forum called “Urur-Olcott Kuppam Festival” to take the Kacheri to slums of Chennai. TMK even kicked off “Kacheri on the move” in a moving bus in Chennai during the season – all in an attempt to take Carnatic music out of the Sabhas to the streets! Such initiatives soon earned him the Ramon Magsaysay Award early in his life in 2017 and as the citation claimed in recognition of “his forceful commitment as artist and advocate to art’s power to heal India’s deep social divisions”!  And also a bunch of critics! Still, he went about his mission of breaking the class divide that exists in Carnatic music by collaborating with transgender community on stage in his Kacheris, setting Tamil writer Perumal Murugan’s lines to Carnatic music and singing them in his concerts and so on!

In the meantime, I observed that TMK also started articulating his thoughts on matters outside the music domain as well. He started taking up issues related to environment strongly. His ‘Porambokku paadal’ music video was an initiative to use music to highlight the environmental damage done by the Ennore Power plant. Soon, we started seeing him being part of many other issues like taking on Hindustan Unilever against dumping toxic Mercury in Kodaikanal,… He is now a regular columnist and the topics are not restricted just to music. He is a strident critic of the present Modi Government and anything to do with Right wing!

Now in my known Carnatic fans circle, I see a sea change in their outlook and attitude towards TMK and his music. He is no longer the genius he was a few years ago in their eyes when he just limited himself to Carnatic music. He is today labelled a leftist, Naxal supporter and a publicity seeker! He is today accused of raking up issues which is not his domain just to stay in limelight!

I am not hence surprised that TMK is subject to constant trolling on Social media.  Even his erstwhile fans are calling to boycott his concerts as he is a “gone case” as per them! This is where I have a big problem. As I mentioned before, I am an unapologetic admirer of his craft. I am in agreement with some of his thoughts and ideas. I don’t agree with him on many counts. His take on M.S.Subbulakshmi for example, I thought was a lot of conjecturing. Yet, I have no problem in listening to his music. When I listen to his music, I don’t think of his views on Indian politics or Narendra Modi!

There could be a happy ending here! By constantly trolling him, the right wingers and others are in the verge of achieving something that the Carnatic aficionados haven’t been able to, all these years – That of taking Carnatic music beyond the ears of just South Indians! I heard that TMK had a full house in Delhi yesterday at the concert with people even standing for full two hours to listen to his music! And If I go by the tweets with #TMKrishna, I can make out that many probably went to a Carnatic concert for the 1st time in Delhi yesterday and came out intrigued by the form of music!

Today, Thodur Madabusi Krishna might have turned an activist. But he is a musician first. And an extraordinary one at that. So, my appeal to fellow Carnatic followers is, if you don’t like his views, ignore them! But, leave him alone. But, it doesn’t make any sense to call for a ban on his singing! Lest, Music’s loss could become some political party’s gain!

Image courtesy: India Today

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Kaala, Sarkar and being “Social media Ready”!

What is common between Kaala and Sarkar – both Tamil films released in the past few months? Many. But, beyond the obvious like both films featuring mass heroes with political ambitions, storyline with a political thread etc, etc. there is an important commonality. Both Kaala and Sarkar show Social media playing an important role in the scheme of things of the respective protagonist to take on his adversaries. In Kaala, when pushed to a corner by a scheming politician over usurping common man’s land in the name of slum rehabilitation, the hero (Rajinikanth) takes his fight to Social media and brings entire Mumbai to its feet. All the galvanising of people and spreading of message happen through Facebook videos, Tweets and WhatsApp forwards! Sarkar goes a step further. Even with just couple of hours remaining for voting, the hero (Vijay) is shown attempting to garner support among the remaining voters through Facebook live videos! Before that, he uses tweets strategically to set the narrative. As a non-conventional politician who is thrown into the thick of political action all of a sudden, Vijay and his young team’s “Go to Market” is basically Social media in the film!

 

Whether society mirrors films or films mirror society is still an open debate.  However, it is clear that the respective film makers of Kaala and Sarkar drew inspiration from the Jallikattu protests which happened in Tamil Nadu in the year 2017! Much to the surprise of all, Social media played a very important role and engineered a revolution in Tamil Nadu or so it is widely believed. For the first time, politicians came up to this rude awakening that their opponents can be just some faceless Twitter accounts and trending hashtags and not necessarily the conventional microphone wielding, venom spewing opposition faces!  As it happens normally, writers and film makers take their own creative liberties of what they see around themselves and do a bit of indulgence.  So is the case in these 2 films!

In India, we are already in election mode. Come May 2019, we have the Lok Sabha polls coming up where Narendra Modi is seeking a historic re-election. The moot question is, like how they show in films these days, can Social media be the game changer for parties in their quest to win in 2019? Like in these movies, can politicians and parties win by just harnessing the power of Social media?

I remember way back in 2008, it was Barack Obama who first demonstrated the power of Social media tools like Facebook and Twitter for his presidential campaign. Since then, Social media has been drafted into political campaigning everywhere and it’s been gaining ground slowly and steadily.  So much so, we saw how companies like Cambridge Analytica were exposed attempting to influence swing voters by just targeted messaging over Social media like Facebook.  In India, I guess the early ones to hop on to the Social media bus were Narendra Modi in 2014 and Arvind Kejriwal for 2015 Delhi elections. They used Face Book and Twitter effectively to communicate to the young and urban voters that time! Today, my guess is that almost all parties have a backroom of Social media warriors across the country/state to manage their presence in Social media! And lo, new careers and job options have opened up – Social media managers, Data Analysts, Hashtag managers, video editors and so on!

While Twitter and Facebook have been prominently used in in the past for campaigning, I feel that in India for 2019, WhatsApp will hold the key. With over 200 million users of WhatsApp in India (as of Feb 2018) which is 4 times of what it was in 2014, WhatsApp is easily the fastest growing medium available. Combined with the rapid growth in smart phone adoption and data consumption thanks to cheap data plans, one doesn’t have to look further to deliver targeted messages. So move over SMSs and recorded voice messages!  WhatsApp forwards are here! Even the main stream media feeds on what is happening on WhatsApp these days!

One logical question would be if Social media remains an urban phenomenon and hence will it have any impact in rural India at all?  The growth in internet access and WhatsApp penetration have been traditionally higher in urban India than rural India. However rural India I’m sure is catching up. As per a survey conducted by Lokniti-CSDS in mid-2017, “One-fifth, or 20%, of rural respondents said they used WhatsApp daily as compared with 38% of urban respondents. But the growth in the share of active WhatsApp users has been sharper in rural India, doubling in a year’s time.”

With the adoption and usage of smart phones and WhatsApp being the highest among youth, targeted political messaging becomes easy, quick and probably cheap with WhatsApp! And as election approaches, WhatsApp groups are all busy engaged in political debates usually triggered by a forward message or a news clip! And this is how narratives will be set moving forward.

I am not for a moment saying that as they showed in Kaala and Sarkar, candidates and parties can win over the voters by just using Social media alone! Real life is more complex. However, a smart party/candidate would not ignore the potential of smart phones, Social media and WhatsApp in particular in their media mix for 2019. And would rather focus on the same seriously.

I understand that BJP is already making itself “WhatsApp ready” for 2019. Traditionally the party has been depending on its “Panna Pramukhs” to do booth level mobilisation of voters and they will be now replaced by “Cell phone Pramukhs” it seems! Whether being “WhatsApp ready” will take them ahead of the others in the elections remains to be seen, but it is clear that they have a head start and it can be crucial in close contests!  In 2019, it could very well be Abki Baar WhatsApp ki Vaar!

Kaala and Sarkar may be ordinary films but the makers have provided worthy lessons for political leaders and parties on the importance of being “Social media ready” to take on their opponents. The question is when will parties become “Social media ready” to address common man’s issues? To see that day, like many fellow Indians – “I am waiting”!!!