140 Years of a habit called “The Hindu”!

On the 20th of September, the very popular newspaper from the South – The Hindu completed 140 years since its first issue! In these “cash out and exit” times, one cannot but acknowledge and revere the newspaper for 140 years of sustenance and survival. For those from South India in general and Tamil Nadu in particular and for those who were born in the pre-liberalisation era, The Hindu is not just a newspaper but a habit!

I presently live in Mumbai and I don’t read The Hindu daily these days and my Hindu reading is limited to when I travel to Tamil Nadu. On and off, I do get to read some interesting articles from The Hindu which land in one’s social media timelines!  This week, my memories flash back to my growing up days when reading The Hindu daily was a karma one performed religiously.

I probably started reading The Hindu newspaper when I was in class 2 or 3. Initially it was just the last page which was the Sports section where one would catch up on the previous day’s action mainly of Cricket and later Tennis! I have vivid memories of writer Rajan Bala’s lucid writing on some of the test matches accompanied by some fantastic action pictures from the cricket field.  Once Rajan Bala moved on from The Hindu, the cricket column was taken over by R.Mohan. Both were extremely knowledgeable of the game and with their command over the Queen’s language, brought the nuances of the game in front of our eyes in the pre-TV era. The following day in the school, we used to discuss not just the game but also the style of writing and the language used. Such was the impact of the writing on us!

Gradually, we graduated from the last page sports columns to the first page political news and also the Sunday supplements. The Hindu those days had an impeccable reputation for being factual and accurate in News reporting. So much so, the joke those days was that even if a murder happens in broad day light right in front of its office at the Mount Road in Chennai and their reporters saw it with his/her own eyes, the news will get published only after the police FIR was filed and police confirmed that it was indeed a murder!

For many in Tamil Nadu, The Hindu was the teacher for the English language! The newspaper was seen as an ultimate authority on the language. One could hardly find a mistake in the spelling or the grammar those days. These days it is no more the case, I’m told. ‘Know your English’ – a weekly column which used to appear in the newspaper was extremely popular and as kids we used to read the same with immense interest and curiosity to discover unknown aspects of English!  If today, I am in a position to write this blog in half decent English, some credit certainly goes to The Hindu!

After being in the habit of reading The Hindu, whenever I used to travel outside Tamil Nadu and got to read other English newspapers, the difference used to be glaring! One, The Hindu those days was in the forefront of adopting technology, though from a very conservative and traditional ownership background. So the typesetting and page layoutting were top class. You will never find an article in the first page with “Continued in Page ….” line. I see this even today in papers like The Indian Express! The reproduction of photographs even in the B&W era was again of highest quality. Talking of adoption of technology, I clearly remember that The Hindu was the 1st to use “facsimile” technology to transmit and receive pictures from outside when reporting events outside of Chennai. Those pictures used to carry a line (received through facsimile technology!). That fax as a technology became very common place later is a different aspect altogether. When The Hindu adopted it, it was a pioneering effort.

As far as I remember, political reporting of The Hindu used to be pro-establishment. It never used to taken an antagonistic line. But, I reckon that this changed when N.Ram took over as the Editor. Ram as an individual is known to be unapologetically left leaned and since him taking over the reins, one can clearly say that the paper ceased to be neutral.

It was under Ram’s leadership that The Hindu broke one of the biggest corruption story of the country namely the “Bofors scandal” which broke the back of the Rajiv Gandhi government. Any pretensions of The Hindu being pro-establishment ceased after that. Somehow, for reasons not very clear, The Hindu didn’t pursue the Bofors story to its logical conclusion. In fact, journalist Chitra Subramaniam who was the architect of that story had to continue her expose in the Indian Express later!

When I moved to Bombay in the late 80’s, no filter coffee and not able to read the The Hindu every morning, meant serious withdrawal symptoms! The Hindu used to be available only with select newspaper vendors that too in select suburbs like Matunga! The day’s paper used to be available only by 4 pm. Initially for a few Sundays going to Matunga in the evening to have filter coffee and pick up the Sunday Edition of The Hindu was a routine that I did not miss. Slowly, one got weaned over this habit and started getting used to The Times Of India albeit very, very reluctantly!

Today, when I go to Tamil Nadu and pick up a copy of The Hindu to read, I do see it as a pale shadow of its former self! The language is no more engaging and the political reporting has clearly moved from being neutral to be clearly biased. And I notice that this is what many of my folks also felt.  Even those who were very loyal to The Hindu those days, talk of it with a tinge of irony!

Probably this is a sign of the times where not just The Hindu, but media in general have lost their moral compass and have started to pursue an agenda. Even amidst this, I do feel that The Hindu commands a sense of respectability among its peers. With Times of India invading into the South, The Hindu is no longer the dominant newspaper it used to be till the beginning of this decade. Still in these days of 140 characters of Twitter journalism, for The Hindu to chug along for 140 years, is no mean achievement. To the habit called The Hindu, here’s wishing another 140 years of a re-engineered future!

Postscript: While on the newspaper reading habit, please do read my humorous take –‘Paper Vandhaacha?’ (Read here) on how the newspaper is intertwined with the lives of a Tambrahm mama!

Pic Courtesy: The Indian Express!

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Carnatic music’s recent discordant note!

In the ultra-fast moving news cycle these days, the rage over few Carnatic musicians singing songs on the Christ, is already behind us. Have not seen any vitriolic or otherwise WhatsApp forwards or posts on Facebook on this, in the past few days. Except for an update that, a group of volunteers from Washington DC have managed to organise a concert of T.M.Krishna at the same date and time as his earlier cancelled concert at Maryland temple. The organisers at the temple unilaterally cancelled his concert after Krishna tweeted out that he will from now on release a new Carnatic song on Allah, Christ,… every month!

To back up a bit, the trigger for Krishna’s announcement was the uproar among Carnatic music rasikas and right-wing apologists on social media over a proposed concert of O.S.Arun (titled ‘Yesuvin Sangama Sangeetam’ on the 25th of August in Chennai and its aftermath.  Arun quickly announced that he was backing out of the programme. The controversy didn’t end there. Other Carnatic musicians like Nithyashree and Aruna Sairam were also dragged into the muddle, citing some past instances of them singing Christ songs. They had to issue disclaimers, which they did.

One person who went against the grain was T.M.Krishna. As we all know, Krishna has been the rebel with a cause in the classical music scene these days. I don’t agree with him completely on some of the issues he has raised over Carnatic music but we will keep that for another Sunday afternoon blog! On this issue though, I tend to agree with him. He went on to say that there is nothing wrong in Carnatic musicians singing on non-Hindu Gods.

The furore over these Carnatic musicians were around few points and the goal post kept changing as the debate ensued.

First, it was about how can Carnatic music be used to sing songs on other religions? Is it not blasphemy? I understand completely where this argument is coming from. Carnatic music has its strong moorings on the Bhakti rasa. Invariably the compositions of the Great Trinity of Carnatic music – Thiagaraja, Muthuswamy Dikshitar and Shyama Sastri are all on Hindu Gods. For that matter even the other composers outside the Trinity like Swati Tirunal, Bhadrachala Ramdas, Annamacharya, Papanasam Sivan and so on basically sang on Hindu Gods. This doesn’t mean that Bhakti rasa of Carnatic music cannot be used to invoke Gods of other religions and cultures.  If we accept that Carnatic is a form of classical music and music is universal, we must be open to it being adopted by other cultures.

While we are quick to denounce Carnatic musicians adopting other cultures, our hearts swell with pride when others adopt our culture. While on this, the oft repeated example is of K.J.Yesudas a born Christian who learnt Carnatic music under Chembai Vaidyanatha Bhagavathar and till today revered as a top notch Carnatic vocal singer. As I know, his rendition of the famous Harivarasanam song is used every day in many Ayyappa temples in India and may be outside when the temple nada (door) is closed in the night after the day’s proceedings. And I have lost count of the times, I have been forwarded the clip of him singing the song live at the Sabarimala temple in Kerala as a matter of extolling the virtues of our tolerance and secular credentials.

And who can forget John Higgins, originally a famous Jazz musician who learnt Carnatic music out of his passion and love for the art. There is a story of him being denied entry into the Udupi Krishna temple because he was not a practicing Hindu.  The authorities relented after he sang the popular Kriti ‘Krishna Nee Begane….’ sitting outside the temple! Until fate snatched his life too soon, Higgins Bhagavathar, as he came to be known, was a celebrated Carnatic musician in India.

Similarly, when we forward the clip of the Malay-Chinese singer, Chong Chiu Sen singing ‘Ninnu Ko ri…, with the associated diction, body language of a veteran Carnatic singer at Puttabarti, we do that with a sense of pride and happiness that our culture is being adopted by others. So if the reverse happens, why the insecurity?

When these were logically pointed out, the argument then shifted from blasphemy to plagiarism. That these singers of the like of Arun, Nithyashree,.. were plagiarising songs of the great Thiagaraja by replacing the word Rama with Jesus/Yesu and so on. As much as I heard those songs, I didn’t find this. The songs were indeed based on ragas of popular Thiagaraja Kritis on Lord Rama but I didn’t see the virtues of Lord Rama being mapped to the Christ. While I accept that swapping words of Hindu Gods with others is a matter of gross impropriety, lifting tunes (ragas) isn’t such a big crime. In matter of composing music, imitation is the best form of flattery!

Then after, the discussions took more ominous turn. That of Christian organisations using Carnatic music and thereby musicians for their long-standing agenda of “conversion” in India. The whole issue of conversion is a complex topic with social, economic and cultural overtones. So, without getting into justification of the same, my limited point would be – To popularise Christianity and promote the religion, will not a more popular and mass music/art form be more effective than Carnatic which, as we know today has a limited following and reach? So, I find this conspiracy theory a bit far-fetched. Here again, I would like to point out that for a country which has withstood the onslaught of different cultures fairly successfully, the kind of insecurity is bereft of wisdom.

I am an ardent follower of Carnatic music and the subject matter of the composition doesn’t come in my way of enjoying the same. As we know there are many compositions in Carnatic music overflowing with Sringara rasa, patriotism and so on and we do enjoy all of them. In any concert, compositions of Subramania Bharatiyar which are not necessarily on Hindu Gods are a big hit!

The unfortunate part is, fearing a major backlash, except for T.M.Krishna who held his ground, all other musicians apologised on social media. It was tragic to hear a viral audio clip of a telecon between O.S. Arun and a Right wing activist who threatened of dire consequences if Arun didn’t mend his ways. Arun, who in that call initially tried to justify his position, later cowed down!

In this context, it is heartening to see that there are more mature and level-headed supporters of Carnatic music who managed to organise an alternate concert of T.M.Krishna when his original programme was cancelled.

Music has no boundaries. Carnatic included. Listening to his piece by T.M.Krishna on Allah which he sang in Mumbai in raga Behag is a case in point.

As a closing, I would only like to invoke the words of the great Thiagaraja in his fine composition – Pibare Ramarasam, Rasane,.. the translation of which goes like this:
“Drink the essence of the name of Rama, o tongue!
It will help you remove or be distant from association with sin or be distant from those who cause you to sin and you will be fulfilled with many kinds and types of rewards/gains”

If only those who took offence, follow this in letter and spirit and cut the bile.